| Show MOVIES I graphed When a camera waa pointed at me I froxe up But the made me fed at ease The pictures appeared all over Eu- rope and much to my amazement didn't ' keep the people I talked to from still con-1H sidering me an actress Yet Carroll— who looks at hersdf with t an almost dispassionate detachment— Insists she only reverted back to the image that was always rightfully hers The product of a broken hone she got into show business at an early age — and because of her beauty not her acting ability She went on the road playing stands in night dubs dancing at business conventions and traveling as an assistant to Volta the Great a magician In 1952 Carroll had enough She headed for New York to try for some class bookings She didn't succeed but she did manand Winston age to become the Coca-Cocommercials television is cigarette girl For a while the also gave the weather report on tv but this career waa cut short the night she lost her cue cards and in an attempt to improvise reported “There’s a lot of hotair taring in from Texas” Fortunately residuals from tv commercials kept her la rood and board while she studied at the Actors Studio where she met her husband-to-b-e director Jack Gar-fei- n Accepted by the Studio and encouraged by her future husband she won her first test as an actress when she played a neurotic girl in Robert Anderson's play “All Summer Long” ThpfTcame her ac- claim in “Giant” and in '“Baby DolL” in “Mr Moses!”) Neither Jack nor Carroll feels that her new exposure as a love goddess has had any adverse effect on their marriage “On the contrary” Carroll insists “when you are terribly successful living becomes much easier We no longer have any financial worries and no career prob-lems no worries about finding a picture ' for me or what kind of picture it should be Once you know exactly what your image is a great weight is lifted and it’s much easier to function “Jsck helped in every possible way Ours is a complete partnership He literal- y stopped working himself to get my career organised And in a way even my children helped by understanding what is happening They're past the baby stage s and have become a little less dependent on me and more involved with school and their friends But most of all they’re pleased that I am happy and working” airy’s daughter one-nig- ht la her first chance to employ CAttOU obvious charms in a moderately budgeted English film titled “Station Six— Sahara" (made in 1962 but not until recently in the US) “It had some very frank scenes in it” she ex- plained "but handled properly it ahnoat could have been an art film” But the real turning point in her career came at a charity' tH in New York when she met producer Joe Levine She' knew about his plans to make “The Carpetbaggers” and she had read the book When Levine asked whether she would like to play the rote of the voluptuous Rina low Carroll replied “Absolutely yes” They shook hands and made the deal that night The film— at a relatively modest cost of st &500000 —has become Hollywood’s As time a all of moneymaker follow-ti- p Paramount haa cast Carroll in a similarly sexy role in “Sylvia” (In other forthcoming pictures however CarroD will portray a Quaker girl in “Cheyenne Autumn” SL Veronica inJTho-Greates- t Story Ever Told” and a mission TRY AT OUR EXPENSE For 2 Weeks Only T I SHI an incident which showed her daughter Blanche now TJ4 IXCALUD have accepted and son HerscheL- now 6 two career About her yeers ago the children watchefrher in a scene directed by tAeir father When Carroll's costar ftplph Meeker took their mother in his arms and Usaed hear Hersehel ran to his father and cried ‘ “Look what that man is doing to Mommy 1” -- Before Jack had a chance to explain Blanche (all of 5 then) smiled pAtronix- lngty and said “Don’t worry Hersehel it’s not for real He’s just pretending isn’t he Daddy?” : “That’s right” their father assured thenL “They’re just pretending” Today the Garfeins live in a beautiful - mansion in Beverly Hills complete with swimming pool soda bar and their own projection room They have a housekeeper gardener and maid and Carroll's mother — with whom she now gets 'along well— works as her secretary She has not sue- ceeded in close ties with her father however Her parents were divorced When she was 11 and in an unusual divorce arrangement ' she and her younger sister Virginia were split up Carroll stayed with her father her sister went to live with her mother' But it wAs an unhappy arrangement an the way around “I had no great affection for anyone” Carroll recalls Now that Carroll has love and affection at home and is well on her way to the top of her profession she seems much happier than she has ever been She is doing what the public wants her to do' and as she phrases it: “I have matured enough to come to peace with success” let gray hair handicap you Don't let gray hair make you look older! 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