OCR Text |
Show T R U T H. that they too have a personal concern may sawdust, and seed on canary derful apple orchard in the foreground. come here this season. How we wait in giving it a flattering reeeption. Jt jt The orchard, however, is ?re it de- for Its westward flight! .T? because SlinS Fitchian, still than Hermann Mr. Malteses comedy, The Wrong With the Green Eyes is un such with us nature of let but fies the laws work of the metropolitan aiidiences, jrS- - Appleton, now running at the the to as suggest concern tonight, 'no Grand, has been productive of various Salt Lake Theatre. Lecture than the author. S3 rather magician M. Stone. con Miss Ellen is a possibility that Fitch in the report that Clyde Fitch opinions. It all depends upon tlia point truth Grand Theatre. The Wrong Mrs. There and apples bloom of The of view judged from a standpoint matinee today; perform- ceived this ideain a hammock, on the is writing a new play called 1 Appleton, it while swinging because Lf proper indulgence there is more Shame, J Burning hotel ance tonight. veranda of an Atlantic City prevlous'efforts'are occasion for surprise than There is also the further possibility was Coming Attractions. that Fitch, while thus swinging, to fully meet the requirements pointment in The Wrong Mrs. Appia-o- f Salt Lake Theatre. Lecture by day dreaming, idly gazing down the If we examine the dramatic ton. the title. Mrs. Charles W. Rhodes, March Sist; vista of the board walk, the lines of work of Mr. Maltese through severely jt Corianton, April jl extending through a conservavision Grand Theatre Week . beginning tory filled with delusive vegetation. benefit concert given by the critical glasses its imperfections would The Ball. is only March 30th, Finnegans I, therefore, Of course the apple orchard band brought out a be unduly magnified. First Regiment It the yet in play, incident J a scenic Mr. Maltese h j chance to good house. A tidy sum was realized refrain from taking a foot-liga the imagination been has gives Miss Rose Coghlan at least, prefer to wait unwill reduce to some extent the ously, or, And such a run! run. for many Lake to Salt visitor From the footlights down lovers indebtedness of the organization. The til he acquires more maturity in an- Ehe best things of the One years. lane, with its dips, spurs and angles, band appears In Provo next Tuesday, thorship. As a maiden effort, The against ever did was in La Belle Rjsse, until fancy stops, exhausted, blooms. Mrs. Appleton possesses the March 31st Lovers of band music in Wrong and poppy alfalfa of horizon a temperadramatic her suited which and dramatic errors which are where, how, or when Mr. Brady our sister city may rest assured that literary ment and gave the widest opportu- Just his a cast together will remain is in store for them, prolific in all first attempts at play-A- n treat musical a tal- got emotional nities to her peculiar secret to the end of Che season. It is being ar- - writing. If Mr. Maltese had not made excellent program to matter Russe an Belle easy would have been Provo them he could never hope to be even a ents. Incidentally La a ranged and the good people of without them some have to captured display enabled Miss Coghlan owe It to themselves to turn out and miniature Clyde Fitch. It Ig onl were Idly while they strenuous effort, fetching wardrobes and dreamy laces, browsing on the short grasses of the give the ma- - through the elimination of wear to First Regiment how all of which she knows Rialto. Salt Lakers are Impatiently of Utah, is a state organ- - mistakes that anything like perfection Guard tional on eastern the more actress some see as charmingly as any awaiting to hs accomplished evolution is a law in in ization and though its headquarters Bird The Fitch. Mr. should by triumphs feel Miss Coghlan j citizens should stage. Just why dramatjc authorship. Poets, they say, which New York critics fed are here, yet Provo the Cage, and Russe Belle have retired La are born; the successful play writer taken up with The Second Mrs. Tangrows, and he expands along the lines of queray is one of those mysteries of least resistence by avoiding preare proliilc. In which the vious errors. Why, bless your soul, imMiss Coghlan Pinero drama the Clyde Fitich, in his early career, reherof uncertain as one being presses peated an expression five hundred porto evident anxiety in her self and times in the course of a single drama. the she swings emotions tray varying But little things like that didnt shipconof limits the pendulum beyond wreck the author of "The Moth and and shades vincing art. Delicate lightsdemanded in the Flame. Augustus Thomas, when of feeling such as are alhe first attempted playwriting, used The Second Mrs. Tanqueray," are power to get his dramatic situations awfully together beyond Miss Coghlans to comes it when But of portrayal. mixed and leave his stage heroes up in and the painting the deepest shadows withthe air. After a while Thomas gave brightest colors, side bysheside, was and Arizona to the footlights and this out intermediate tints, was her This should still be glorious. very night Broadway is laughing itand Russe Belle La in opportunity a. self into hysterics over The Earl of she embraced it grandly, leavings as a Pawtucket. So with the critics clubtheatre-goerlegacy to the memory of one of the finest charayter portrayals bing the early efforts of Fitch and The in But seen upon the stage. Thomas, Mr. Maltese should find enSecond Mrs. Tanqueray she is making democouragement in any an almost hopeless struggle against Wl nstration made by local reviewers. Se- dramatic odds. riously speaking, if Mr. Maltese is resolved upon a career of dramatic auWilliam A. Brady has heretofore thorship he should choose for his field enjoyed the reputation of making he When of activity a wider landscape than-hgood his theatrical promises. could rely can find here. The Salt Lake horizon announced a good play, we If meritorious. is too narrow for such ambitions. The upon seeing something of '. ,.V. foregoing is in the nature of a heart he promised to give us a company was invariably to heart talk with the author of The selected players there Climax Act. I. a metropolitan flavor to the cast. In Wrong Mrs. Appleton. If Mr. Maltese The sign hath come; thy God hath answered thee. Mr. promised Brady had been able to secure a professional Lovers Lane which with much, but he had nothing cast, it would have been of undoubted A total to discharge the obligations. advantage. Amateur players are wonaudisuspension of payments when the derfully successful In revealing the is worth, its demands moneys torium weakness of a drama, but they are far in the who has, Mr. Brady, not like more successful in obscuring its strong cheerwith contracts fulfilled his past, features. The amateur always gives with Lovers Lane, faithfulnes. ful the impression, of being overwhelmed demin the east, record wonderful its with the importance of his lines and onstrates, in the west, the truthfulness seeks the center of the stage on the lane of the saying that it is a long slightest provocation. However The 3 AT MATINEE SATURDAY Lake Salt In which has no turn. Wrong Mrs.. Appleton is interpreted as well as could be expected with an dramatic Lovers Lane had but little amateur cast. Much interest centers perspective, being especially prolific In the work of Miss Levy, who, as with dips, spurs and angles. The .Mrs. St. Claire, is easy and gracedrama in itself posseses some merit, ful. Her voice is charmingly clear and because Clyde Fitch, the author, has The Wrong Mrs. Apple" expressive. by done so many clever things, that, eston is none other than Mr. Maltese Special force of habit, he can not wholly himself. Despite an elaborate toilet repeticape the custom of nature for Nights. decoration, involving all the mysteries tion. In Lovers Lane Mr. Fitcn of no dressmaking and millinery, Mr. Maattempted with the best with a ltese makes only a partially successful village doubt a country drama an attempt to conceal a rotund persoThe play possesses atmosphere. nality well known' rto Salt Lakers. The unmistakable landscape, with a won Bmusements. LU mm OTSf d.sap-thoug- 2-- ht 4. seri-whic- ht I JLfninthe foot-ligh- ts pop-gu- n e -- V -- salttti Thursday, Friday, Saturday, COUANTON Engagement For Three POPULAR PRICES . t ' . - . I |