Show 5 a a u S II I Inspiration i in Taffeta a and d Chiffon I r I f S S JS S IS 5 s T 5 rJ w t j 55 NW NW'S S 1 f tl kU 4 LI 0 I s r i iUt r 4 5 S 5 Just ca can caribe a be accomplished with chiffon and taffeta in the hands of those artists whose inspirations are wonders of off beautiful appareling is very clearly demonstrated in the picture picture pic pie ture given here This is an evening gown gown in light blue lue with an under under- petticoat of plaited chiffon and an an overdress and bodice of taffeta A little lace in the sleeves and roses made o of the chiffon chUron are relied upon for Its decoration and prove al all th t is needed At the front of the plaited underskirt under under- skirt kirt chiffon roses fasten the plaits down lown and form a flounce near the bot bot- tom torn The bodice is merely a wide crushed rushed girdle of the silk across the front to which shapely lines are given by the management of the overskirt This is cut in one with the bodice at atthe atthe atthe the back and sides It is finished with shallow scallops at the bottom the defined with chiffon chit point of each one a i ron fon rose There are soft shoulder straps of I chiffon and a swathing of chiffon fon appears in in tho the bodice above the theS S S 'S j S j t A i taffeta Wired caps of lace with narrow narrow narrow nar nar- row binding of silk finish the shoulders ders in place of sleeves headed by straps made of the roses set close together to to- gether The roses also define the fastening down the front The crispness and body and luster of taffeta lend themselves so well to the seasons season's modes that designers turn tb to it for day and evening gowns There Is no other weave it s seems ems which embraces embrace so BO many colors and combinations combi nations of color Certainly there Is no other which can be used to better advantage ad vantage in making the wide skirts which the present mode decrees S JULIA BOTTOMLEY |