Show WITH WHISTLER AT WORK great artist had his HI own method of producing masterpieces masterpiece which the world prizes the studio was surprisingly different from froin the room he ha previously used in lindsay row and entirely unlike the studios usually occupied by other artists I 1 remember a long not very loty lofty room very light with ft inflows i along one side bide his canvas beside his model at one end and at the other near the table which he used as a palette an old georgian looking glass so arranged that lie he could see his canvas and model deflected in it those who use such buch a mirror as lie he did constantly st will know that it Is most merciless of critics I 1 marveled then at his activity as lie he da darted r ted backward and forward to look at both bloth painting and model from rom his point ot of view at the extreme end of the long studio he abw always a y a us used d brushes of large size with very long handles h three feet in length and held them from the end with his arms stretched to their full extent each touch was laid on with ith great firmness and his physical strength enabled him to do without NIt v hout the assistance ot of a calil malil stick while the distance at which he stood from the canvas allowed him to have the whole of a large picture in sight and so judge the correct draw ing of each touch ways memories of whistler |