Show Ur iii 'ilder's intentions dashed in USU production adherence to theater technique The characters must be believable and somewhat more dimensional than cardThornton Wilder once board The motivations of the Mid he intended Tht character must be allowed Makhmakn to be a call expression in a credible manner that gives to a fuller celebration credence to their behavior and mean-inof life The common to the play And it is always nice if pursuit of the main the lines hfe of arc spoken clearly enough to Jjgwi ii deeper enjoyment be before When understood known have Wilder’s best lines were they given with all the clarity of an LP fc Uah State Theater advertised an Wilder farce by played at 78 Pffjiy nf Thornton If the pace killed the play the one were a to they inviting ejfatioa characterization danced a macabre (attrition What they actually offered jig on the body Wilder’s attempt to conaile vey some meaning to the audience was h banning by comparison rendered impotent by painfully exagTit problems with the play were utlnplf and had a common root in gerated predictable stereotypes acting While farce under the auspices of people fe director's conception Remember your high school i not u highly regarded as some melodrama: the exaggerated trmof theater it still requires some gestures yMlriHFUn kk g the high pitched weeping the pompous expressions of rage? For the price of a ticket Utah State Theater will give you a trip down memory lane It didn’t have to be that way Granted Wilder was deliberately making fun of 19th century plot devices in this play suih as the mixed identities and the hide ’n seek chases on stage But his exaggerated use of these devices is the play’s main claim to the ridiculous The play offered so much more The script had lines that were lyrical and characters that were endearing and enlightening Dolly is bombastic and ridiculous occasionally But she is also whimsical and vulnerable The audience only saw the ridiculous with considerable loss to the power of her lines The other characters suffered from the same loss The play had some successful moments The stage devices that Wilder parodies worked very well and evoked considerable laughter In fact the laughter in the play came con- - ’ sistently from the action regrettably never from the characters and from their lines ttm — Trade Dressier delivered a lifesaving performance She was the first actress on stage to realize that slow speaking and believable characterization might work Her presence on stage was a needed stimulant to a tedious play and actually improved the performances of the other actors In fact the (day could be renamed Dressier Redeems Wilder with apologies to any living Wilder relatives for ever associating his name with this production Duo to play classical works The Chamber Music Society of Logan will continue its first season Tuesday March 23 with classical guitar music of the Duo The concert will take place in the Harrison auditorium of the Eccles Conference Center The performance begins at 8 pm Jensen-Woodbur- y Through their many concerts Milton Jensen and Todd Woodbury have brought the memorable sound of two classical guitars to audiences throughout the intermountain area Formed in 1977 the y Duo brings listeners a program of duets and solos that move through four centuries of musical styles Two guitars serve as a natural new setting for the f lute music of the Renaissance as well as for the orchestral works of com(left) and Todd Woodbury will display the classical side of the guitar posers such as Ravel or Debussy After March 23 at the Eccle Conference Center auditorium hearing the fiery and rhythmic guitar music of Spain audiences often agree with Frederick Chopin’s sentiment that “nothing is more beautiful than a guitar save perhaps two” The evolution of the duo occurred naturally when the two friends both native Utahns found themselves living on the same block in Salt Lake City In addition to being performers they are both serious teachers who are dedicated to sharing the beauty of their music with students and audiences ‘ alike In addition to the early English Jensen-Woodbur- £3 fW pieces written for the lute the program will include compositions by Sor Brouwer Ravel Albeniz and de Falla Tickets for the conceit may be purchased at the USU ticket office or the Logan library at a cost of $5 for adults and $1 for students Children mW 8 years of age will not be admitted fctfobig anywhere for spring break? 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