Show £ iThe Utah Statesman ' Friday March 27 1931 - 17 - J i 1 i : f i i i 1 H i i t f f i r T fcW'NrC Andrea Faazl provides the Morgan Theater audience with htflvr KdMh a j!®®®ed tdeadLw" Plt ’Wfcu "IZu performance given by the USU Calico Dance Company n Morgan Theater marked on e groups have performed togeti and the mixture created an 'wtuk evening of entenainment enjoyable i nim®rouP MPeccny returned from a statewid “An Evening With the Ag Mneiday night’s performance brou (je ’'Sau' png t° lh' '"’p'" isuopened the combine lively energetic version of a theme song titled “Stompii 4 V?jnun sUa °ng vu highlighted by short (WZT fPon‘51 Ken Petersen bassist Ric faCTy! Marty Steed Stompin’ at the Savoy” the Calic SiatJj"lyny made their initial appearance o n41l1'll‘n8 n elaborate song and dance “ popular composition “Worlds h Voca performed by Calico membei a were tight and t u k ° Hartcompeting sound ol ’ Ate ensemble and Calico combine tbeas faEsaSq CyUtVey r-a-a " - (JSU Jazz Ensemble Wednesday night's performance Jazz M i I'oro section nce routine to “Worlds Awa ' “ pertaining but slighdy tight POUines cc performed throughout the number of the evening Away” and that was a vocal a song “Woman in Love” perfon ?rzzi Fazzi was slightly off key du and not as other voctl f wyPPonting is r3" ''evCTings A ! sttnrrJa However Fazzi totally redeemed herself later in the show with a strong vocal performance of the song “Out Here On My Own” During the song the young attractive vocalist seemed more relaxed and confident than during “Worlds Away” and thus she gave a more moving and professional performance The USU Jazz Ensemble also provided its share of good professional performances throughout the evenings variety show One of the ensemble’s best performances was a number called “Blues in Hoss’ Flat” Ensemble director Larry Smith introduced the song by saying ”1 don’t know what the song’s title means but we’re going to do it anyway” Smith was wise to include “Blues in Hoss’ Flat” because a snappy beat provided by the ensemble and an excellent muted trumpet solo by Jim Groutage made the song one of the show’s most enjoyable performances Following “Blues in Hoss’ Flat” the Calico Dance Company performed their best and most ambitious routine of the night a dance number titled “Magic Bird of Fire” The routine was a modern jazz dance that had Calico members imitating birds in flight The red spot lights symbolizing fire and the Calico dancers’ colorful red and gold costumes added to the routine’s artistic success The jazz ensemble also r" H “ Uer r!r Fire’s” success by pnp ” p )- - — r srtr - ' Rabbit’s “Driving My Life Away” and “I Love a Rainy Night” folk guitar and Hart played a nkj beautifully while Fazzi provided some good vocal harmonies With the final chord of ”1 Love a Rainy Nigiat” still reverberating through the theater Calico dancers Leslie Williams and Dave Law appeared onstage and performed a fluid romantic dance and Barry CiUi’s routine to Olivia Ncwton-Joh- n i i six-stri- P coni-plimenta- song “Suddenly” Law and Williams routine was a tearoom style called adllego which the pair demonstrate ' beautifully and with Ceding 3 t!i t Concluding Wednesday turn's perfrtrmtrrs Calico dancers and USU Jazz CnseiEtte bined their talents and performed a Cvt!y ing version of the Spanu Jazz Ensemble Director Larry Smith the Spanish song by saying “This is tLe end all numbers after wbidi tL the dancers dance on through the “La Bamba” was the number to cri-numbers since it was the evening but it was lbs an production coatci'5'r twetj' Orr f 1 - ' I |