Show The Utah Statesman Friday February 6 1981 Page 11 c Molly Hatchet rocks USU by Knute Rife Rife's I list Mi IK r:M I k'n'toll In In ve I linn in liii In i equals II vmi don't me ask iiiMinr vi In i llii- i mu i ll Wedlirs-ili- was it n iv lit (lie i inn i it vsas - ( j nin cd as v Sin lm' Bu 'lhr fiiinl limn la lurid tin k mu lifted liiiiij this miirilh's Drsrtft HrtUt Sti l lin' Bu k IV a Imal band will! Ii hav Inn'll plav mg the bat i ill lilt lot the iavt levs ini mths anil has ileeldMnI tjinte a lillnvwng Must ii thit foliovsmg vsas at the mniett gelling losvdv and helping ev erv ImmIv vet in the mood I he lenl smgi r (mild have taker a levs lessons limn Mali hi t’s JuillllV I anal mi huvs In whip the nnsd up but the band sounded yoinl and tnide a gixid rnove in i lost in its set with a leal i nnsd pleaser I op's " I hank Vnil had nevei la i n a Molls Mali bet Ian and had nevei laen to one ol the baud's com efts o I didn't know what toesnnt I knew the band had to have some i lass Ian ause Flank I taetta's paintings grated the invels ol all liner ol the band s albums I hell I saw Curtain i Inn- - 1 Animal hanging over the trap set Suddenly Aaion Copland’s “Fanlare (or the Common Man ' blard forth over the sound system ar lompamed by a pyrolei linic light show la hmd the gaue si teens The trowd erupted and some guvs stalled waving a Confederate battle flag his tom elf was going to lie hoi Mali hr! did not disapaiint my experts tmns I hesr guys are entertainers and they know how to rot k loo I he band uses three guttaiists who trade lead duties Mils gives a three-rin- g t irt us ef-(iwhit h is highlighted by the sm(lights I nlottunalely the snis strewed up on several occasion II lead singer F'arrar had not ailed as tnasiet of i eremonies things mid have gotten tonfusing I he memlrcrs ol the band didn't let this trot her them inuih 1 hey just kept riskin' I he band tovered most o( the songs from its three albums ini hiding “la t the Cood imes Roll” “Jokin' City" ‘‘Caior Country" the Mali het version ol J I) Fogarty's ' 'Penthouse l’auM't" and ‘‘Flirtin' with Disaster” They followed up with two full entore sets il was i l adilv apparent that the band was having a good lime and it rubljed off on the mullein e I hoie Mali het tomes liaik 1 l t Jlirrar new- Hatchet keeps the in the Spect rum lead vocalist for Molly °d alive during Wednesday night's concert Dave Mlubek gets in some hot licks in Wednesday night's Molly Hatchet concert In the Spectrum Iflubek shared lead and slide guitar duties with Duane Poland and Steve Holland D jJSU music faculty delivers dramatic vocal concert wv J) Several members of die USU music department presented 1 (m SB a vot al rc and c hamber music toniert last night that was both thought-provokin- “Drei Deulsth Arien" by GF Handel followed Tenor Mar hall Mill delivered a strong erformanie Me g P°inrd uJ!iSS'0ndlly well as was accompanied by flautist 1 minions telhst Burton and Amano on the harpsu hord vlrano Scharmal tIUfcbrgin 'hp evrni"? with rarlLPlnrd' Horn!!rrLVVdS K iorkboth r h hd‘” and Sdntrn Hortrn by J S Ba‘h She was C’Pjnied by nautisls Leslie Tim- Toone and Chr11' Chaf-rn VVarren Burton and Cary Amano at the hatpsithord completed the ensemble While St hrot k's tin tion let! the through the mflodn pietes her tonal quality suffered slightly beiause of the exaggerated enunt lation t Mill's sensitive in'erprelation and loc us portrayed the range of the piece The first half of the program war dosed with Schrock’s final selection of the evening “I Never Saw Another Biittctflv” bv Fllwood Derr Derr usIrorn a toilet lion of ed five nftrv wtitten by Jewish duldien in the lerem t out filtration tamp I hr pietes are programmatic and make modi use of tone painting ltrry Smith accompanied Sdmak with an on alto saxophone Amano piano An unden ut rent of a struggle for survival dominated the abstract phrase in the presentation It wa sung consistently with the mood (KM-m- Carol Ann Hill ang Moaart’s “L’Amero saro cosante" Schubert “Drr Hirt auf drm Frlsen” and She Cumming’s “As Dew in April" was accompanied on the firxt number by flautist Timmons and pianist Judy Morgan and accompanied on the last two number by Morgan and darinelixt Dean Madsen Being a dramatic soprano Hill loc ated rac h of her choices al the point of (leak xtential She demonstrated her versatility and her appreciation for the pieces The c losing number the duet from Ac t I of Puc c ini’s Mairmt AtWO was sung by Carol Ann H3I Hid hall Hill and accompanied by Morgan The two worked m3 fc -- -r UJ provided a anlid ending for £ ing tjr |