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Show 8A ‘SundayHerald aiseA leEd | Coats Cut Contemporary c.:in New Fall Shapes Ga Tawa ieitrwesgoosea someon a. Keynote Fitted Line ‘The day tas passed when fall coats were chosen mainly for| comfort and warmth. These) } things are taken for granted a5] / |new styles revealbrilliant tones, fens are pea elegant. [on brown brings brown furs, Jungle Look (trims, into the limelight. Pal peda too, in fur trims are bene meannie so|furs seem freshest. |seal, Persian lamb, dyed beavmanycoats that fur trim hard-| Other coats are decked with| er In dyed furs, the fashion sur[ternoe ince = but it’s/the»“switched-on” spotted furs,|prise highlights green, __cuffing and! such as cheetah, andsometimes bleached white. Davy, tion as in the officer's, sla worn with a scarf look new. | py ly-fronts' tr and asymmetric} closings are still well-liked, and industrial zippers work over- more shape and tailoring-With--|time The trench coat, more plan. shapely and feminine — a la A glance at new coats shows) Coat Fabrics much part of the entire design. They're Constructed with Care “Construction in coats is as integral a part of the design as construction in architecture, Coat fabrics for fall come on . |Says Joseph L, Dubow, peel in many vibrant moods. This man for National Board of the|is the season for fabrics that Coat and Suit Industry. are rich in both. color and patBody-consciousness is more|tern, and softer in surface, pronounced and belts of every) Some coats are seen in fab" |type are in the coat picture —|rics with vertical or horizontal but ot necessarily “in the| splashes of stripes, others with cards” for everyone. There is| alternating fabrics. Lyrical much diversity in coat shapes: |loops combine with flats, Huge peer or tented, belted or| off-beat » Plaids unknown to conservative clans and Saba Collared for Variety psychedelic printed wools are Soft, Plushy When a belted look is the|S@tting the pace. choice, the belt that threads| Where texture appears in through slots has a special fin-| coats, it fs usually in the form esse, Other belts aren’t really |of depth, rather than raised there, but are set into the body| surface deiail. Plushy wool of the coat, The belt level may |chinchillas and fleeces express be high up, low down or right|this feeling of deep richness. at the natural waist. Collars are filled with variety. ‘They reflect an Oriental influence in the rajah and mandarin, and command standing attenIT’S THE BLACK-AND-WHITE LOOK,a fashion gambit by Hart Schaffner &-Marx. Shown here are twobits of strategy for a handsome fall —a plaid and a check, both tailored in farbics of 100 per cent wool. The look is being tailored in a variety of trim ‘models forall, both single- and double-breasted. The suits shown are in the Lancer style, two-button design accented with subtle shaping at the waist, slanting flap pockets and side vents. Hart Schaffner & Marx clothes are availa ble at Shrivers in Provo. Slender Figures New Demand Concern Jor weight pushes |double-faced fabrics into the spotlight,in solid tones of gabardines, smooth faced meltons and ribbier ribs, Watch the loop weave its way through the Suits Remain So Suitable To Occasion t is. As in every phase of fall fashion, knits score a hit, especially in coats designed for early fall and travel. A storm of color hits fall coats, in warm browns and|, est rusts, bright greens, lue greens, rust, sunset gold Higher fit, flirty pleats, add- be blues, trire-blues and vivid FAVORED BY BOTH YOUNG AND OLD isthis double-breasted classic coat from Item House modeled by Marsha Hedges from Thomas’. The coat with ed flare and in- view - again| outspoken blites. |waistlines come..to the fore- In s a calmer mood,but freshly contrasting buttons appears in bright new fall colors with a warm milium front of fashion in fall’s new|fashionable for fall, are the lining. Silhouettes offer great variety, but its from the new wayswith style suits, Youth, vitality and color|cooler shades of brown, and details that young coats get most fashion impact. characterize an array of suit|ther neutrals and pales. Courreges and Ungaro are high|styles that is varied, fresh d priests for the 1967 swingers. practical, But Balenciaga, Balmain and Designers find that suits reGivenchy make completely dif-|spond well to changes, with ferentnt clothes, mature and|considerable fashion excitement, sophisticated, more in the old|and yet remain thoroughly Of Paris Fashion Designers "PARIS (UPI)—One of the) that women still are wearing Paris looks for winter of 1967 is) the pants in the family, Pants} skinny, belted and short, and) dresses and divided skirts of| i eee: Oe bermuda shorts with suit jackets inundated the shows. Photographs of the July- ‘The extreme pants to end them! August parade of winter fash-/all was the Jeanne Lanvin fons released Friday indicated salon’s yellow fleecy cape that that some of the Paris masters|ended in “pants” at the knee. have decided to show moreof a Actually” there were no new woman's form. Their armholes) startling ideas in the shows. are tight, waistlines firmly Although the skinny, belted look/ belted and clothes cut closer to} was a fresh approach used by the body. sense of “high fashion.” Yves| wearable. St. Laurent took a stance this Even military and mannish year between the two extremes,|Jooks, complete with vest, con- creating styles tha are easily|spire to look more feminine be- reproduced for the mass)cause of the curvaceous waistmarket. Likely to be popular||ines—not as fitted as the old are his belted military suits,/types, but definitely a change manydesigners, there were just|little girl pleated dresses and|from tents and pencil lines, Capes were another trend for thin ladies which was taken home_ready-to-wear manufacturers from around the world. And although manufactufers and store buyers attending collections as many of the “old” loosewaisted dresses and coats, The main conclusion of the collection may be that no longer does a fashion dictator rule Paris, In past years the designers waited, scissors belted wool jumpers _over| New-again idea in fall suits sweaters, plus his chain belts, |p back the belt, placed chain handbags, hairbows and hi low : or middling,ae and cardigan jacktes all lifted from| buckled, tied or chained. anel, Industrial zippers or snaps In this era of the individua-|sometimes replace buttons on list, Paris hemlines rest any-|suit jackets, and other types + /poised, to hear if Dior oF) there you want them, from|f hardware-look closings are Balenciaga would rule that used, particularly on suits des- quick “Imockoffs” already are|skirts were up or down, collars| L@nvin’s mid-calf daytime wools| ined for the younger set, More _ in the department|in or out. to Ungaro’s dresses at fouT|and more, however, there are of New York. ; The Pi ag e boundaries "in fashion. show|look reigns in its own field./nigh fashion has no diplomatic|If a look is right for the wearer, relations with the Carnaby|it’s in, and it’s worn, regardless Street i of birthdate, But this season the inches above the knee. 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This young, fun-loving styl- ‘made up in one-piece of bonded orlon twill, mit with white and black collar, zipperback, ‘sleeves, military button trim and a back ty Wardrobe‘of Provo has this model 940 E. 450 N., PROVO — 374-1661 [froze te hetrademark he Site Com ay | @Meotre te t |