Show i I m 5 IR E SOTHERN AS HAMLET 11 J j I H n Sothern has hns Just doso Io Ins his Hamlet Hamiel season In New Ne York tork and nM andIn In looking back on oil the revival he sums up UI the lie achievement as U follow To begin br n at t the for no matter mutter how ho many different t and t Ill widely t parts hItS an SC actor may assume each h on one Is a a help to the tl mst and In P rl explains ItI my m stage ata life I with Uh no Intention of ot over ver cr playIng I U or an any ny part Jt My great I ambition was WA to shine the p perle ils iny father presented In comedy r rules roles II This vs Yo also the ambition of ot my brother It WM WU a long Ionic while simile hlll before I fully tully dis dic discovered covered Ired that the t hI bent Int of ot my mn In nature vrn nm serious part par In that list In them theism the only It If I was 1811 a to succeed At nl all could GUiLl 1 I succeed with my any An to nl telf ceif Ir I 1 think that all nil along I had J toward them but hut butth th thi force of my m 1 It II burled buried And nd mm n the th whole l I am m lOt not HUre sure that I 1 till did dl 1 not discOver thU a 11 bit too ooh coon Thi Th comedy training can Ian do Jo no hum In Iii my in erly days daYI t to rio o I 1 pl for tor two to toa a In iii ar with John Julia Me t o OutS anti th that t training WAS In Ih Indeed It I is a mIning tr next nett tr tt ble t tu tim III get et now floW an IIi I 1 ir or 1 in u II mast r t X Not Nit u only did I learn how 1111 Mp iiii staged Shake n a knowledge thAt by 17 n a J tens clous dou I to the this lett t bit tIll 1 business t tu ills I day but I felt th tb atmosphere of ot Shakespeare ars 0 Just to lo feel teel for a U cr tr two that ni at It rt all the lie time l in IH to gain s lii It ti Ing that thal may twin t a Vague i JM iskin o skin lIon hut but J I assure lUI ure you OU Is III a It very sery er rt 11 r I 1 and pre tit lIt help Well has lice conic come at Rt la last lul t An Au I II II II I know more than lieu ever Ir what a II ton t im l hattie Is 19 ThanKs to i hUll heal i 1 nf at f letters train froin Intelligent n I It i iti ti tJ t time the critics who ho write of ot a I prod II Ion tion not with the wilt ole im n nto to bo be clever clver I J nm ama well a lIr t nm tim not lot tie tIlt bet best Hamlet that r rJ o K KI i iI I J hope to be he better than I am imi soil u tIny day That Is part of ot the plenum ul ui III ii Playing tho to part each lAch turn you OU rome VII eft cof the stage you OU want to 10 go k irit 1101 rn do mb It nil all over O r again you vou ou know kno ym III could do 0 It II so much better fh UP UPa II a aIt a It 1 thousand r to 10 net Inet a 1 i thou nd changes by b an Inflection a t Iture a 11 tone to make your I op p lIln more fliers appealing to th lii ind ud you OU to realize realise t f them nil all the time time home Ones Onen One conception of the part i jq is b by byn nt Il n a fixed thing thine slink hilI Hk It rony mA Inn change it her bert hI and ami th i bt once It U If Is f for any an ono one i p t sage I e the whole problem m bw omNi omes om omi i execution tX That li is I of ot lion how to in ma u your our audience believe as uI you do doin li 11 liIn In almost the orators n R often nn arm audience which does docs n a t I ne as you ou do elo You mn enn se ec ti KOSI kAan Intellectual pleasure of or the tho When hamlet t I spoke Joke t I tv nobody during the performance Ai Ii should always haw have his HUM hues In hi h bile hla ge gestures ture down to such a 0 of ot mechanIcal subconscious ao ae 0 ti h bIm part in a ti I manure i mInts lav lavit II dr it t I li II many In fat lait that limit la is ri riI I 01 I II I I h i i to toll it r a it few feti perform II is Ill one oU l Is II to collie off oft th tho stage tug gp to III I with his f fiends between 11 BUI I su I m III I i inlet r th tI il I lii III no such mich p i at loan for me lu lum lum lumn m mn lOch each net act 1 go iii il III lines lInea of or the next i III K ir It I 1 can calm make Inake m mI un I pi lit Ut my conception r I In ID the parC nil all tin tilt it IH is no aw matter even evell to t P u ii truly ones one ael Rei self U Lo to say aay noth nothing ing a I the critics critic and Shake u Bach 1 rh nl at n atis is Iq It a m nr 1111 M v and UJ t the Ihu t preliminary 11 at many luM 11 |