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Show ' .6t 5 MITCH MILLER t ? '''Ma madman with a motive by Hat' Davis Mitch Miller is the only liv-imusician who has gone from Goossens' Oboe Concerto to "Mule Train," and picked up a fortune along the way. man. He's been the gent who brought the "new sounds" into the record business; brought along th& dozens of pew names who have revoluThe carefully eccentric tionized the industry, made director of the Columbia the big shots of the music Recording Corporation's Pop- industry reach for their as- ular Records division is the pirins, and helped build largest figure, mentally and Columbia into a very profitphysically, in the diic busi- able operation after the comness (always excepting Manie pany had taken something of Sacks of Victor, who wrote a beating in the slow disc most of the books on how to market of several seasons run a record company) . back'. who Mitch is the Coming out of Rochester, is responsible for Johnnie New York," Mitch (now 42), Ray's "Cry," Jimmie Boyd's went into classical music at "Story," Guy Mitchell's "My an early age. For 12, years he Heart Cries for You," Frankie played with the CBS SymLaine's "Jezebel", Rosemary phony and recorded with Clooriey's "Come On a My many prominent names in the House" and many other music business.. Post-wa- r, however, soriae 1,000,000 record sellers. I used to watch Mitch as thing happened to the man. he played for Alec Wilder's Out of nowhere, he amazed Octet on some exciting disc all his friends, not to mention sessions before the war. At the criticSjBfith a new career that time, he was a lean, as a plckefof tunes and talent scholarly oboist, with a nice for recordings. Although the sense of humor .Now Mitch is average of hits in the industry a real character in a business is relatively low, it seemed full of characters, and several that Mitch couldn't miss. Columbia took him from national publications have " said so at length. Mercury records about) three It wouldn't surprise, me if years ago, and the panic was love you saw a movie about the on. You can blame-- or ng -- ex-obo- ist n Sinar Froaki Lain and Miliar listen ta playback Miller for the fact that rhythmic clapping on records has reached a new high. So has the era of novelty tunes, strange sound effects and ladies who seem to have but one 1,000,000 seller In their voices and then disappear Into obscurity. There's ho doubt about the fact that the record industry, a $208,000,000 giant, needed the spark and ingenuity of a Mitch MUler. He turned oyer the popular record field and opened it up to new ideas.new talent, new songwriters, and new music publishers.. He made your record buythat's ing better for you-anthe test of any mad or even, d - calculating-geniu- s. i feee -t , f OLKS "HOW DO TOU SPtU YOUR NAMES?" . I i Fill 'er Up! Imn A wwW fmtxtm ml IS THE If ART nl Of kmmwm mmd (2)U1 kmrnmrn J TJ'1 I UP WITH r CLUE tovsr of fQ tmiiii - pflODif ajBBaajraB -- U S A, tor mo- -(t T- l- 7j frii-- CI ll pwl llfcl Mill Puwl (7 W iMtav WW TO IAR nurUt: INN pw oBch m ai o fc IM Ml I tm laa pw- Hmk MMte, - ft (lM ari n n M Wk n -- , MM mtmmt I W uTti ormn- ttw C f DON hmjkXM WORDS mm, ,11 OTMrf W Wi m MHh kn- - V I I ruZZU XALXXR RUNTS' itelX ISM. and ( 3 ) CON DEM it 1 form of 1 EGG GO (4) IN TALL ERR AST LEA it to thare lU Aetaal: latoirrancc itself is form of wQoirm, and to ctnwim)i rgoistTt intolerantly u to tharc it. (1) Qorg Doliw ilawmiHiuHt Sm-pwg- gf Ukm lfcM, long tilmgar and awblithart mm mnq m tkraaah todinlqw I MiKfc mt pvbUtKr thalr mw tanai. noiy Hiw mai . At tint liwmn'i kit. rMtaT wtnav MAZMt |