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Show Birr i in' Hifwr . t- - RED - BEAT MAR03 - 2001 .R3r! nkAiniihe Lake tit continued from paf R4 P-F- unk Bong." Like ail ' - . true artists, Delinquent Habits us? several featured guests to help Merry Co Sound keep turning. Fortunately they picked a talented Latin vocalist, Michelle, to help on several tracks ' , i.e'BcijIevaidStarQueYaelva"and'Ternptaticjn.'' bounding out the rJbunv'Temptation'is the perfect culmination for the project it combines a soft, Latin-guit. 7 .'. btfets mixed vocals Michelle, by rhythm, wailing Spanish j ' by Srytes and the duo rappers rapping mostly in Spanglish. hip-ho- p Drives Off 1 - Bad-Wint- er . ar Blues hip-ho- p " by LeGrand Rogers CqfsVei Mar: Volume Seven '1 Various Artists complied by Bruno pi ; 1 1 A .This compilation of 13 differ- - ? ent artists including Moby ' t Bush, Bedrock, Bent and oth- - . brough t togeth si by PI k , ert L : r ; : -- J j ' Snmo is meant to wcle the lifestyle of the Spanish jsle Tolza.- - J The first track, lux's "Northern Lighted sets al ambient feeling ; ' afloat where sounds of kixrf Seem to undem th Jnoaei while birds If, , Si pusirtuate the ar From there; the afbym 2ncve51n.ro the scfttetin V bat Afterlife's; fclireatheraox(ritlIatlLy.r .ll ffyyu g the feeling tiat this alcf"?ilthrtttgK at a slow pace, o thit each tun Wild vponthe !v7-one befoi it while simultaneously viing'Uve stage for the one thwVV' i'oilows.you, sir (or madam), are correct, "'ft To put this album into a CD player ap.d push random wtruld be like stuffing this CD into a garbage disposal and flipping the switch". ' Alost of the tracks can musically stand on their own two beat;, but' j the album itself h apiece of art that needs to be listened to as a ' " - - ':--'"'"'- !, , ' , " Whole - a "' - "'.'! Cafe Del Man Volume Seven lutt its tride, pulling out of the ambi- - ent, though 5 little bit too late in the album's progrejsipsC leaving ' Uie mid'Ue tracks seemingly stuck in the mystJiythgetlei ol in : j$ tl between Fusil's ballad,Lettii:g Ihte $eeprerrdiced by ' . arid BedxV's "Beayfui Strange are two pevjket examplesC N.O.W, During the lastflvi songs, starting with "One Morety by A Hew - ;M ; f Funky Generation featuring Joy Kose,'t "when the ailtirrt moves r "r': "; H past try ins to force ihe feeling of a siwsettins over the ocean n " fasder-paceI you, and whteheacrtedhr embrace-rhythms atnd reccg-- " si " -- 1"1 r .niiableyocab. s . ;stfll, EtvHo doesn't nuie the mistake of eanding this afbuxn into aUrb mix with annoying houseboats. Even the tatt3icks seem to incorporate the relaxing fbelongs of LVing the 3!$tan$ hfs Ilj Cfe-ble- y -- ? d -- ff Kimatdycertutorestwi&t!btSiow v.A- - bv:: ,,Battistfa; ,:j;Vrv- Saturday evening s pent at the Saltair Pavilion on the shores of the Great Salt Lake can fill one with aromatic pungency a debilitating case of burnt nostrils, itchy eyes and hair loss. Yet, this place is where extraterrestrials chose to grace lowly mankind with not only their presence, but their music. Yes, the mother ship landed. The first wave of beings, the expedition team, scanned the area just off the stage, testing for signs of an habitable audience. Garry "Star child" Shider lurped front and center, wearing a towel wrapped about his loins, tied-of- f like a diaper. Accompanying him was the warm-ucrew; Dewayne "Black-byrd- " McKnight (lead guitar), Michael "Kid Funkadelic" Hampton (lead guitar), Billy "Bass" Nelson (bass guitar) and Frankie "Kash" Waddie (drums). They peered out into this new world, scanning for any sign of a safe landing for their leader. The huge speakers began to resonate with slap bass, rhythm and a deep pulse from the bass drum the celestial diplomacy was in order. Finding the natives to be familiar with the song, "Let's Take It to the Stage," the introduction crew welcomed the Grandf ather of Funk e himself: George Clinton. Dr. Funkenstein doesn't just show up, play a set, and thank the crowd. He owns the stage, the players, the This funky bunch backed up Gtorgt Clinton at Saltair Saturday. p - 3 see Adntt fitfertw CLINTON, page R9 rnei Brotheis Records 5 4mijtj-derced24iyea- Jl i- is yicldy mtngMa her 'sec "ejrid decade of lciin? . Angels dn CcltM as the, ) title eawK'siJpkts. is'an. "ropsis ar.d hecesw T l traiiaortai Taoiin me.lCHiies;jmc part omeisweev :S ' The chili prodigy at parent musicians who helped root tradition- - i J'. ?sJkm kin England, Carthy has built herownreputatjoiiorter pet fast fiddle stj'Ungs, Angels 5nrfCiarf tjuyjtf voic . ; her album third release, her first on a major label maj'ks , The sir.gla off the album is Whola'--- a song feat incorporates ' s X f i; love-sicittelodies and gentle guitai licks. The vocals lTks vntli " that'dellcale j on the tuck rsitge In space between a vtdsper and a , ; , fjtccfalplea for resolute teace between bvern; The cr.e place vm&is Csrthy's lyrics taVe a ixm 'ic the place where ;X i she ra?y have gcttentoo penonal i the Compprty ot fe'ei?. Otfcei ; than the lyrics like opening ines, "I've gJveti blw jobs on touches j which &o seem to flirt, ' To men who didn't want me anymore with superaciat attention-getterthe roinpo?itii?n is a great cozt 1 1' VJi k ?" ft . ( - tv s, siridon,iWpktevvitha2S-iphceorche5t.'a- Featuring Victor Lemonte Wooten, Future Man and Jeff Coffin , 7 - - Thoy gh she's rooted in the iradltienal sounds of folk, Carthy ' ; y t inccrpvipfcs ma.ny flavor?, tnciud'g pedal guitars played by .E!M. 5 t 5 1 and R'.dnsrd Achcjcft coluoorto, 3J. , and the 'lies c J 31 rhythms and electronic sampltng. - '; ; It is in thes irXiOvativc g;ue pdifing? ivhsi? Artjez and Ctg&- ref fet ieIly soaiHt.g.p WUd'Jircpd which simphr mixes Carthy's 'vlUs violin imbi Ard ail ehctew via strorg viic!3 nostalgic 1 T : em drones from keybowds and org!-.- . , iha ta on kst , rvrn thiug.h the verj lyriciJ rtiraiii U faur.d ,t . , 1 Co-'e- ;'", Un wt Kingsbury Hall 8 p.m. H .SALE NOW! YiOCETS 4 tet K"Oh, jtm a bu)-n- t out ruse Vhat do Ihii b !?: Diwr time scrtm; even if she penci'cilly InfUcts swgalike littls We" Call 355-ART- S, 581-710- 0, or -- ARTS or visit the Kingsbury Hall Ticket Office, the University Union Desk or order e at www.arttix.org j on-lin- ; i Weekly E85-ASU- U WWW.ASUU.UTAH.fOU AIUU PRSSHtllTIR'S OPFICB - R5 |