Show n no When JP Jenny Lind Sang HOFFMANS RICHARD recollections recollection In MiiKa contain few rm descriptions s If ns as this of Jenny Jenn She would trip 1111 on off olt tho as na If In in nil ecstasy of at tho ho I op opportunity of singing bowing J smil smilIng Ins Ing to hor anti and cory cr uno no l a u e of ot om OIIn In n measure toward tur u cAe of or tho evening Sho had three thre or four songs which the Iho wonderful compass and ami power of or her hel voice and andone one unc or 01 more or 01 was called for tur nt lIt et concert A echo oho cone In which sh h 3 would echo cho her own voice ulee by b n sort of ur that was wn quite marvel marvelous ous and another In which she he mada a n diminuendo reaching a a ns faint as aM a 1 sigh but with witha wih a 1 power that It I distinct distinctly ly Iy audible at tho Iho most mOlt extreme of Castle or 01 Hall where the later Iter were glen KIen This was wu a I building situated at al und nond street and Just finished In time for Cor the th series eros of nr concerts The hall had Ino und and It I was waR n great lots Iou to 10 the tho city when It I wa destroyed by b bOre Ore fire a few years or later Tho Winter r Garden was afterward built on th t me site lie One On I of the most haunting things thIng to tu tome me 1 was w her singing of or bird sons I Know Not Why hy I Am Singing Her the finest I 1 over heard hel rI so Ir 0 clo Ilo o and cen as ns to bo ho altogether perfect Her voice which sho ho Ihl her herself self was WI naturally stiff stubborn ho had educated and od Into such n n degree of ot perfection that Ild cadenzas were unparalleled In thell execution In I n her hor sacred songs sho Rho rose roo to tho Iho sublime and Ind on one une occasion no a she h finished singing tho aria I 1 Know Inow That My I Redeemer I recollect that Webster who Wi seated In tho center of tho Iho balcony roo from hi hl bow H r seat and made her hol n profound l rapt l expression of face nn rl volume lulo of ot voice olce made mi de her hl ap ear like some Ile seraph n I mAK She was wa Indebted 1 to Sir O Smart with wih whom whon sho hohn had studied In 11 for tor all tho traditional render renderIngs InK Ings of oratorio parts par ho being nt thit time the th greatest ro t living authority In III Inthis this school of music mUll but bul her hII vocal OCR I training was done under Manuel Oar el cIa a of or Paris PJ |