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Show Bue Aofes TeaehDinig) Amid PDsiyDinig INleoirIHSu"eirin) J-sizz VcA: Snow. --4 ft I I atojA, ... if -i II ft f) : music was live and many University students got their first taste of Near Eastern Jazz Lloyd Miller style. Backed up by drummer Jan Hyde, bassist Tom Burton, and tenor saxophonist Sonny (?), Miller gave a 90-minute concert con-cert that held most of the audience's au-dience's attention. It was an improved version of what happened hap-pened at last year's ICJF and, if Miller is able to galvonize . the group into a more tightly knit unit, the Oriental Jazz Quartet will be formidable competition for the other entries en-tries in this springs ICJF. (Remaining concerts in the Sunday night series include appearances by the University , of Utah . Jazz Quartet March 3 and the University Stage Band this coming Sunday. The Union will again remain open until 11 p.m. for the Stage Band program.) SIDE SHOTS: Reed man Monte Waters, familiar to Salt Lake audiences for his work with Jon Hendricks, is back on the West Coast . . . This year's ICJF has already received entries en-tries from groups at universities universi-ties and colleges in Utah, Nevada, Ne-vada, Colorado, Wyoming, Oregon, New Mexico, Arizona, and Kansas, according to festival festi-val coordinator Dr. William Fowler. Jazz instrumentalist Lloyd Miller provides commoners with a taste of Near Eastern Jazz Sunday night, in the first of three scheduled concerts. Sunday night, some transplanted trans-planted Huddle Bums got their minds blown and by jazz. ' Last Sunday, when they gravitated toward the Crimson Crim-son Commons to do a little socializing, they were greeted by the usual setup for. a Commons Com-mons jam session sponsored by the Union Jazz Committee. Commit-tee. This session was markedly different; it was the first of three Sunday concerts that would split the evening with some more spontaneous blowing. blow-ing. Shortly after 8 p.m., the Commons were cut to a mini-.. mini-.. mum and four musicians took the stand, one carrying a number num-ber of instruments from the near and far East. His name is Lloyd Miller. He's the driving force behind the Oriental Jazz Quartet, one of four University entries in the Intermountain Collegiate J azz Festival. A migrant from Brigham Young University (last year, he worked with Preston Kies to form the Contemporary Con-temporary Jazz Quartet which made it into the finals of last year's ICJF), Miller will be teaching a class in Oriental Music next quarter Mondays, Wednesdays, and Fridays at 3:20. "It's one of those classes that's being offered for the first time," he said shortly before be-fore the concert, "and might not be offered again." The class, Miller explained, will involve much listening but almost "no busy work." The text, now being printed by University Printing Services, was written by Miller. Last Sunday, however, the " ' I f V.f i' f I Jw I . I' - ' I 1 '-i&T 1 V v f ' w --imi , . i , j iiimrtn-im ( lfr TimyrTrr- aifrnimwiiii ii'l'- in'iinwiwn "T "n""if uri "I iimiT I 'iiifli I Other Oriental Jazz Quartet members, drummer Jan Hyde, bassist Tom Burton, tenor saxophonist Sonny, back Miller. The Quartet is one of four University entries in the Intermountain Collegiate Jazz Festival. Lloyd Miller, BYU migrant, plays unusual instrument from Far East in the 90 minute concert. Miller will teach Oriental music classes spring quarter. |