| Show AUTHOR ON THE FASHIONS Dion Clayton Calthrop Criticizes The Wearing Apparel of ol f Men And Women GRANDSON OF Human Form Used us mis U n R ICK Upon to II lIly Illy Derived Dc II 1 Garments Special Correspondence ONDON Dec Duc 23 Thoy nay ony over 0 L LONDON LOND here that Dion D Clayton Calthrop U Is evidently going to tim be a I credit crell to his hi line ihmie lne and arid provo prove mew tho tM U truth that the SOILS anti and grandsons ona o ot famous fathers und anti grandfathers rater are Ire not necessarily nonentities lineage is 15 Indicated In his bbs name part of or his Unease lIneage anyway for the whole of or It would take as aa much as 11 n 0 D Spanish royalty His father John Clayton Ci ton was WM onn ORO anI o othe ot of the Iho must most famous amous actors of his hil time In Itt England and most moat of or the early curly Pinero plays were vere written for him grandfather was waa tWill none other luU DIon author of or time The he raun sRun Il un Brothers Colleen ColeN and Ind other plays playa that made hl hL hla maIne a household word rord In Iii the tho UntIed United III States a u generation ego ago IKO The of today lulla who Is Ii In lit a the producer ot or most mOlt of ot Charles plays In London In hi I uncle nude Incidentally Ih the present lord chIld chief julo of f England n Loud Lord Is II also Ibo ho his hil uncle YOUNG YOU n IX IN 1 ONLY ONIX ONI will wi not nol be bo b celebrating cl hI bli thirtieth birthday until blit t has hl succeeded luc In lii getting a I lot lul donI H ii HI studied 11 Irl rt in Paris for tor years year y lr had two pictures on en the line litro Ino ut at lt th tl Royal Koyal HO l academy und and others at ot num r oils OUK exhibitions and tOld presently pr v rod that he lt could write one cite ole p a n Guide to 10 0 lustri 1 11 il by liy his Own 01 Tito The Tiu Pirates pocketbook similarly lu and a 1 Peter Pee that thai tremendously by tho th those who liked hIked It II at ut till util l l and was 1111 n it source ot of lt j to the time rest rol of or thu 1 l 1 public lie He HI bocam t In iii II lo l and amid u a I HIlor oC o 0 h In four our Jj tuiti UH Such tuch a u ii s sI ty I on UI the he subject that he hue hl wee wua Wil ho hoto to this the 2500 for tim Ilia r ir rn c coat nt Oxford pageant and autti has haft been beun b 1 call d In III 10 lo u lImo tho costumes for fil plays 1 1 In iii II Noll ho h hits lius written ilen u ti 1 novel hovel celled called Th of or Loe L ve which 1 Ii u bringing him hIm fume fUle both bolh In lii England ami an America rord iU 4 H I 4 und anui 11 crItIc of high hlll standing hits lino hUl just Published a P column and a a half bolt halfIn tu tr III In the tho London pointing out mit o t Calthrop In ts lIme 01 ug mitsa III lY OX ON O Hut It II I H its 8 an aim al authority mi 01 du i I lh hut title thin to lu lu attracted l attention aOl and tt us lP huts bin lIi luWI ure alil ruther it U I was wan Wil on un this thit subject that I an IL with him ItEM IUn HIl 1111 I J lit thorn down lucre huru word for fUI word as au I ho hI thorn gave KIVI Do Vu 1 think I could mako u a 1 In vow on oil 11 Most and ud In I muni view III l tutu too Not Kot oil In lu a s hits lUL the least of or how hul to t t aim Ihu II VM im IU a t peg pL pe on II which to II Hits Bho lo to trust UH us I n it l Klie Is Ih n a bundle u oI 11 11 Hilled II Int that is I worn without nj rut IC lt iTi to t lId na a a an i I I t iLl I Id iu I wl it I iii I 1 WU d ij I t n II A AUTH UN THE TUE fASHIONS Continued from l page C seventeen n i unique body a separate existence In fact a n ROM SHOULD HI It surprises fj f Q Mill more moret today day when personality is II the tho cry CI that unit It should not HOt bo O ita taught ht nr or ni n nt least In d by professor Take Tako one ono thing of ot dress dressing tire lire ing In hair it J not a trivial subject for tor every overy Mrk co or her Iel personality makes a II r inco In tho the world for Or g or pr evil ovll for beauty or Ol ugliness I 08 1 IO c woman who has hU beautiful him can draw people to io her hor herby horby herby by u a thousand thou t d small arts lot her see BOO seethen then that hO dobs IiO M not flOt follow allow foil W any mode modo blither hut but r own Lot her consider I the shape hupe l of t her h r faco of o her hei head had u end ml lot let her her hair accordingly Let her to make ina ko herself a 1 com nn I picture a picture you cannot rub rubout rubout out of 01 your yOUl mind into mh d AUK AS Aa Tho rho ordinary or womans W figure e face Ilce expression changes with every over stray wind In lil room She Sho in Is I athletic for tOl oio oxie Y nr lr dreamy droom Iho ho next bold with Ith a acl l V flavor nr Spanish anything but herself hersel Let her herbo J er bo be the thi same just nil ego ceo ego sop sep united from nil all other egos building herself up lip tet tt a knowledge of ox ex exactly netly suits nr 01 ROIl aDd getting g Uin lIw very cry host hest things always to wear Site She will ho 10 abo to afford to do that because her fashion 1 will mat lust OB as long lone as ins sho she lives KNOW And how lio can one make malle women begin to see Hoe themselves and notice the tho thenice thenIce nice points Join III of It Q themselves In a I truly artistIc WRY way Have you noticed how howan howan an nn actress of o great personal charm exerts exert l an nil extraordinary on un the clothes of or the tho day 1111 If jf she aho Is play playing playIng playIng ing In a picco nod and her own performance captures the tho hear hoar there thero will spring u II of ot other her all over oer the tho place lIar Her hull hair her hr voice her shoes her ornaments will willbe willbo willbe be bo copied by thousands thousand of ot o women who fondly Imagine themselves us resent resembling hUng bling her liar Tile Tho force of oC her Individuality allty spreads Itself In III never ending circles FASHIONS THAT fUN Who disputes the ho still existing fashion ash 1011 of QC the tho Cleo CIco do hair 13 Even von the ghost of ot Pompa Pompadours u dours clours flutters over many today You too see how much the actress or the tho celebrated woman has hall to answer for torl let her hor look to 10 It t that ahe she does doell not lIot lead PublIc taste astray Let her hel shutt thu the woman Who resembles her In iii chapu of ot face tuce or grace of ot figure how to use UHe such to tl the tho best bent advantage If It I i to dross tirs a n modern mo play 1 I would Invent a 1 new fashion for tor every overy woman who appeared In It One of at tho the main roads to tho the heart runs rutis through the tte eye iy j and anil there thoro should 4 lie ho beauty policemen always on duty Then wo vo should not nee Ceci entail l women omell In big III fashions wo we should arrive In Iti II tile tho end and In Individual fain onn ons Miss X would A tIli bo be always ablo an nil Miss X she would not bo be boa a nil sho lio In III tho the of CIC the tho tall blond C Ml h f mid and 1111 1 tho I it it short dark Miss MIM Y V rue Tho fluffy girls would no flu longer wear ivear tragic town gowns and tho thu Inu ladles would not nut wear nuu tEN ME WOODIN As Au for tOl mon men they tho look ionic an us It If they tho camo out flit of at boxes of oe wooden They to think a 11 cult of ut clothes ridiculous they who willi wear vear dreadful collars anti and worl V over the tho in an their trousers TIm Tho g may laity do In something yot If it In III properly looked otter after II tiel I do tie not 1101 do de doJ J pair ot tr M U K very every woman look u al beautiful a its IllS BhO really b I |
