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Show TUESDAY, DECEMBER 6, 1921. 1 THE WEBER HERALD ya WEBER HERALD Published ft wry ntlir TmMay during ib school yrar by the htudeniH of tlm HotH-r oriiuil College. Official )ht of the Weber .Normal oll. Ke. Arlrlr'sH all eoniiiiiinleaLloiiJ4 to Weber Hernl.l, Otfdrn, I t.ih. 'I'M V. WKMLIt IfKK.M STAFF J.eill; ,f. i 'l)rt:i-fiHen . . KU ; tor -i n -Ch U' f All:; Tlf' A.jsiMUi nt. KJitur-in-' hU:f A If on Kleha rds N wa Kd Itor Jo-fjlhlllf: ltll'H AMHiKtnnL NeWM Krlitor t'irnnt Loftfrfon Hpfrr.M 1-1 it or I:jiv SeovilU AfedMtfint SportH Kflitor N'an Kmnntt I-Vat ure Kditor i ' r 1 ( i i e., Art.siHliiiiL 11 i'i Keillor 'JIjiiIvh Hmwn .... Kxiinnpfc Kflitor .lomtph Jt-ppson iiuxInt-sB M;m;LKr Tbonifi.H Smith . . ( Ircularlon MunaKur ItlCPOltTKltS M.irinii Taylor, ;1h1h Crenn, I. on A o-,n Mi'Kiiy, fcuby Haifl-I(l ami I loiill u. Hcu weruf t. r.i.r. W-Vv-' FOUNDERS' DAY. One peculiarity wo notice as we look over Ihe annalH of our school is lhal. never yet has the day of its foumlin? ht:en commeuionilod. Buf we hope that the school has come to its own in this respect, and will not continue to ho ungrateful to its founders :md their splendid and generous aims and unmindful of Ihe hroad and good principles to which ours, together with the olher Hchoola of the system, was dedicated.Acting In harmony with Ihe advice embodied in the urgent letter sent out hy President Wilford Woodruff in 188S, the Weber stake presidency took its own Initiative the next, year in choosing a board of education. This hoard was composed of I.. W. Shtirlliff, presidenl; Charles D. Middleton, N. C. Klygare, lion. Joseph Stanford, Louis F, Moonch, Thomas .1. Stevens, Robert. McQuarrie and David McKay. Its first step was to create an academy in Weber stake for the furtherance of insufficient religious and general education to be obtained in Ihe grammar schools of the time. The establishment of a school where none existed heforo Is far easier talked about than realized. But the board members went about it cheerfully. The Ogden Second ward meeting house was chosen as the location of the new Institution. On January 9, 188!), the school, under the name of "The Weber Stake Academy," with a small handful of students presided over by Frofessor IjOuIs F. Moonch, began its almost, premature existence. Ilut the need of such education as the academy offered grew to be apparent so quickly that, as a result, not four years later the school was compelled to seek a building of greater capacity in that main one which It now occupies. Thus the school was fostered in our behalf. Flans are now in preparation for 1he initial celebration of our Founders' day. Weber students cannot, do too much in endeavoring to make the occasion a success. WHERE IS THE BAND? The timely editorial I hat appeared last week inquiring about the band found that a movement had already been started by the student association officers aud President Ricks to have a well organized band. There arc here several girls who were members of Weber's band of former years and are at present members of the Ladles' Band of the city, Quite a number of bos who are members of the Musician's Vniou and others who play well. As a result of this demand made for the band, there will be a well-equipped organization of nearly twenty members.Now while wp are tit it let's go after the music in all departments. Boost, appreciate and encourage good music. COLLEGE SUPPORT. We have heard pre lously why Ogden needs a college and why such an institution must be created from Weber. Is it not a fitting duty for the Weber students, being the center of interest in this case, to take the initiative in pushing to the front the college movement? Yes, we realize that we students must, discharge our duly in a roundabout way. There are several things we might do at present in behalf of the move ment. One is to make an excellent showing ia the Red Cross drive here, thus gaining the recognition of the Ogden clubs. That we can do this, there should be no question. Another is to awaken our interest in our alumni "reunions" and in our coming Founders' day actitivities. The reason for. this should be immediately apparent to all. As has before been stated. Weber Is the foundation of education In Weber county. The many successful graduates will be on'y too glad to help their alma mater if they are only brought to a realization o( her situation. We shall say, then, that our school has two great opportunities to develop its college. The first by gaining the recognition of the clubs of Ogden and the second by reuniting with the alumni.THE SAYINGS OF PEG- IV.i? (to her aur.t i: "Who are y, I'l like to know, to brins up ony hilter than me father. I want ye to know that, he Is just as much ;igin-fMf-man as ye are. OrpWfii:n. 1Hh 13 and -4. ORPHEUM, DEC. 13, 14 i i I LITERARY ' A TELEPHONE CONVERSATION. "Xtjiuber, phase." "Hello." "H"l!o. Is Mary there?" I "That's me. Who's this?" "This is Kate. What have you been I doiiiK all day?" I "What haven't. I! I've been on the Jump till day. It's sure the bunk to have your mother go away. The kids I have been just terrible. They are continually getting into mischief, and j fight ing and qua?relintj, and crying and everything. I sure reel a wreck to- night." j "I should think you would. I can't j hardly move and I haven't been doing I anything but go to Hchool. I thought I'd call you up and tell you about the Knglish. The teacher's assigned a new bunch of themes which have to ho in this week." "Honest? Well, I see where I'd better be getting my pen working." "Well, I'll say. Me too. I'm only three behind now so I can easily get them written tonight." "Yes, I can see you writing six themes in one evening. I think one is your limit. Huh?" "It just makes me weak to think of what's coming in English 2. The present assignments are bad enough." "Yes, and then all the teachers seem to have a mania for papers. I just handed my theology speech in today. Thank goodness, it's off my mind." "What is some of the scandal?" "Well, you should have seen Blanche today." "Why, what's Ihe matter?" "Oh, she's had her hair bobbed." "No, kid." "Honest, isn't that killing. She looks a scream, that's all. She's satisfied, though she has such an opinion of herself anyway." "Weli, that's the limit." "Oh, no it. isn't, you know. Dave has been stepping Helen all year and today I saw him cut her cold, and I saw him walk out holding Grace's arm. No one knows what it's about, though. I guess it. will all come out in the wash." "I guess so; but what in the world will happen next?" "Well, i don't know. Oh, say have you got a date for the dance yot?" "I hope lo tell you I have." "Whom with, Jack?" "Y'es, of course, naturally." "You lucky kid. Oh well, sour grapes, I can't go anyway so it wouldn't do any good to have a date. The family is going to "the Lake" tomorrow evening and they won't trust me alone, so I'll have to go, too. Oh say, I've got a new dress. Cleverest affair you've ever laid your lamps on." "What kind?" "Oh satin, kind of a bodice effect, with just gobs and gobs of beads on the skirt." "Say, don't you know this is good English week?" I "Oh yes, so it is; but I move that if they cut out the slang that a few new words be added to the dictionary in order that- we may express our selves. There aren't nny words in Webster which express one's feelings so clearly aB some of the slang phrases. I guess Mr. Tracy wouldn't like this attitude of mine toward slang so I. shall do my best to conquer the habit." "1 think you had better. Y'ou're getting worse every day. Oh, I have something new, too. Got me a new coat last night. It's pretty good looking.""You did? Well, I'd sure like to see it. Oh. say! 1 went lo Ihe White City last night and had the most wonderful time. Swellcst crowd I've ever seen. I had the time of my life. I wish I you had been there." j "Oh. I was homo studying like a good little girl. I wrote two themes. imagine! " "Now rub it in! Just because you're ahead of me is no reason why you need to bawl mo out." "Well, my dear, you know I don't mean everything I say." "Oh, yes, I know you I ought to anyway." "Well." (Laugh). "Well." (Laugh). "I don't know." (Sigh). "Neithed do I." (Sigh). "Ooowoh (yawn) I'm sleepy." "You're not the only one, either." "Well, I guess we had better get down to our lessons. It's nine-thirty now." "I guess so, too." . Well. I'll see you tomorrow. ' "You bet." Drrr-rr. "That's central. You kuow the limit for talking is two hours." "Is that all. Say have you heard that new piece called 'Ma?' " "Yes. Isn't it cute?" ' Til say." "Well, 1 guess we had better quit." llrrr-rr-rrrr-rrrrr. "That's central again. So long." "So long." THE NECKTIE The necktie is th beauty of man- I kind and man's greatest contrivance to win the admiration of the fairer sex. The idea was brought forth by a "would-be handsome" man of ancient England. A short time aTter the flood one of Noah's grandsons, who had united to England, fell into a sudden paroxysm o" love for a beautiful eav-s:e maiden whom he found there. ( Beauty was not the same then as it is now. At that time women lacked the modern camouflage of powder, I paint and rats.) The hero tried every j scheme he could think of to win this belle, but, nlas. always failed. After several refusals he decided it was necessary to 'Vamp" her with his looks and then propose at once. With i his plan in mind he be can to deck himself with various designs of loaves, finally, however, he pave this up and wandered to a pile of rock3 at the foot of the hills. There he seated himself and busied his mind in Irving' to think of something that would look more enticing on his person than leaves. While the hero was sitting there as it" In a trance, a rattlesnake crawled from under the rocks and w;w in the act of coil Inir itself a round hts neck when he "snapped out" of the seeming trance, cold chills racing up and down his spine. He snatchf-d up his pis:l from a nearby rock and blew the he;if from the reptile as it was making its la.it coil. Then hp fled into the forest for fear his life would be takn in a similar way if he remained near the rocks. Lmrinf? his f!iK-"it trie thought of hia loved one calmed hia excited mind. Then he suddenly discovered that the body of the snake was still about his neck. Hut, instead of shuddering at the sight of the reptile, he marvelled at the beautiful desiKc.s on it. And after considerable thought he concluded that this d.-ad creature was Just what he needed to win the savage beauty he so madly loved. As the serpent beguiled Eve in the garden, this serpent beguiled the ob ject of our hero's affections and she j wanted the marriage to take place at j once. But, ala-s, another difficulty ! presented Itself. Her father would in no way consent to the match. Our I hero straightway tried to win the af- fections of the father by appearing be-j fore him with the snake wrapped I around his neck. Hut, he was disap pointed in this attempt, because of the Inck of imagination of "the old man." Instead of producing the desired effect, the efforts of the youn? gallant only served to heighten father's anger. His daughtor was compelled to escape this wrath by eloping with her lover. As a result of this incident the other descendants of Noah began to wear dead snaken about their necks in order to secure mates by soliciting their fear and overwhelming admiration. But, soon snakes become very scarce. One of the men of the period saw the rare opportunity of cornering a little cash and Immediately began to manufacture false enakes from cloth. As the years have rolled by this initial creation has suffered an evolution Into a flat product. Recently (about the time of Solomon) some genius invented a minute article to supersede the necktie. If the wearing of this substitute becomes general the power of man over woman will have reached its culmination. Let us hope and pray that this contrivance, the jazz bow, -will not replace the gorgeous imitation of a snake which has so far been the cause of many romantic incidents. Think what a terrible catastrophe it would be for a 'man to lose the snake ornament! It has tempted woman ever since the tltne of Adam and Eve and will continue its wonderful work if not brought to suffer extinction by that crude rag, that futile apology for the reptile's stripes, that exposer of the collar button, that dull, drab, dreary. Insignificant spot to go at a man's throat the jazz bow. JAZZ MUSIC Beyond the fact that you don't care for popular music, only to dance by it, do you know anything about jazz? Yes, and no. Tou think you do when you hear It. You listen to it and your power of reasoning explains to you that that which you hear is jazz music and that is as far as your reasoning goes. You don't stop to think of it other than for ita dancing value. Jazz has been compared to steam and electricity. Steam ia the application of the twro well known forces, water and fire. Eleotrlcity is made by combining a few commonplace materials with lightning. The intervals in jazz are taken from those found in Hungarian Gypsy and some Japanese music. The charm derived from our popular jazz is from its unexpected rhythm and harmony. All of it constitutes a new novelty among the people; it brings one's nerves to their tensest momenta and makes one's whole body shake with the wildnoss of it. A piece of popular music is to us like a candy cane is to a chcild. The child starts at one end and sucks and sucks a little Qvery day until it is gone The novelty of the first cane worn off, he asks for a now one, of a different flavor. So it is with the popular music of. today. One piece is played several times, another one comes along and the old one is soon forgotten. The late Mr. "Jim" Europe, the famous negro band master was Interviewed a short time before his deaih by Mr. Grenville Vernon of the New York Tribune. Mr. Europe said, "I believe that the term 'jazz' was originated fifteen years ago by a four-piece orchestra in New Orleans. It was called 'Razz's band.' This band consisted of a baritone horn, a trombone, a cornet, and a chinaberry tree instrument. TJie latter Is something on th order of a clarinet and can be used only while the sap is in the wood. It was originated by the negroes and when is use adds pleasing effects to any orchestra or band. "This four-piece band traveled among the southern states then came east. It did not take long for it to get appointments. It was engaged in cabarets and in large hotels. The musicians had no idea what they were producing from their instruments. The cornetist made his cornet talk, the trombonist made hia instrument laugh. They played and played differently all the time and they soon became very popular. Their innate sense of rhythm proved pleasing to their listeners. As time went on 'Hazz's band' was changed to 'Jazz's band,' and from this arose the so-called term, 'ja.zz'." "When the war began I enlisted in Colonel Hayward's regiment and it wasn't long before he asked me to form a band. I told him it would he unwise to ask the musicians to resign their positions and join an army band; especially when they were so well-paid; but the colonel soon raised $10,-000 and with this I gathered together some good musicians. Most of my reed players came from Porto Rico and the rest I engaged from all over the world. My only New York man was my solo cornetist. We fought, traveled and played. We were fighters as well as musicians, because we all saw service in the trenches. We gave concerts all over Europe and they were decided successes. We gave concerts in conjunction with some of the greatest bands in the world. Of course, our concerts could not compare with theirs bait in spite of that fact we always had the crowds. One of the famous band masters came to me one day and asked me to sell him some of my inptru- j me-nts. T tried to convince him that my instruments were precisely the samej as his. but he would not believe me until he had thoroughly examined! them. He also asked to buy some of our copies. I sold him some and he: extended to me An invitation to attend i a rehearsal. I went to his rehearsal. They were marvelous musicians. They' played the compositions perfectly, as they were written, but the jazz effects were missing. "I feel that the negroes should compose and write their own music. It is similar to the Russian compositions.; and for that reason, it is the only music my musicians and 1 care for, be-, sides our own."' I There are several different meanings' of 'JazV Nearly every person has some different opinion as to the meaning of the term. .In 7.7. is the music exnctiy js it is written, but what produces those weird, unearthly sounds? Sure-J ly, the music cn nnot be written that t ! way. Why of course not; it is the mu-Isician himself who creates it. If t !has a wild, desperate feeling tingling i rom his mind to his pedal extremities, ! he takes h;s spite out on his inscru-: merit. And when you listen to that ! spite it pours in your system a likeness of a very woll known evil friend. As you all know every race of people has its "wild time?.'" We shall put J emphasis on the natives of Africa as Jto their pleasures. Whenever a mid-' night carnival is at hand, several isquaws nit upon the ground with rude-i ly fashioned instruments before them and they take a club of some sort and pound their Instruments as their superiors bid them. And the noise! It lis worse than battle. If one of the tal ented musicians became a trifle tired and would retard instead of playing a tempo, some wild desperado would cry "Jazz her up." It has been said that "music soothes the savage beast," but it must also be considered that there is music that might invoke the instincts of these beasts. If one feels tired or blue he usually puts on a record or plays a piece on the piano to soothe and rest his mind. Parents buy popular music for their Victrolas, etc., and they think that no music can do harm ir it lg music. If American parents of today would wake up to the fact that America is facing a most serious problem regarding iis popular music, they would avert the sufferings that are going to come sooner or later. Never before have the immoral condltioins among the young people been so conspicuous as they are today, and this immorality is caused mainly by the influence of the modern up-to-date jazz music. Grove's Dictionary of Music' says "jazz or ragtime is a modern term of American origin, signifying in the first instance broken rhythm and melody, especially a sort of continuous syncopation." The Encyclopedia Britanntca sums up syncopation as "the rhythmic method of tying twn beats of the same note into one tone in such a way as to displace the accent." As you alt know, the modern classical music and the music of old are subject to this rule of syncopation. If one talks to the younger set of today, one will find that the majority of them like jazz music. Conversations, such as this are often heard in our halls. "Are you going to the dance Saturday night?" "Well I hope to tell you; aren't you? "Why I'll say I am. Where are you going, to the Berthana or the White City?" "White City of course. That orchestra Is the best I ever heard. It just tickles one's feet to think of it." And on they go. The young people go where the music ia the snappiest, and the jazziest. They hink they can dance better to jazzy music than to good music. Yes, maybe they can'; but in what way? They crave the music that thrills the soul. They want to reach out selfishly and grab It. The jazziest orchestra gets the biggest crowds and these large crowds are not all good people either. The majority of them are rough, low-down people with no character whatever. One does not have to be personally acquainted with the bad people to know they are bad. Their actions tell on them. There are approximately fifteen orchestras in Ogden at the present time. What per cent of them play jazz? About ninety-nine per cent. Last win ter when the anti-jazz campaign was at its height, a rumor passed around that jazz would have to be eliminated from all the orchestras in Ogden. One orchestra dropped "jazz from its title. The biggest and about the most popular one in town obeyed the laws. It stopped playing jazz. Everyone com mented upon it and said how "punk" that particular orchestra was getting. Now, that orchestra has passed from the dancing world almost entirely. It plays at the wealthy people's teas and muKicales- It is a blessing to think that some people appreciate good mu sic. Some people are coming to their senses. They are getting tired of the jazzv effects. The lion's roar, the trombone's laugh, and cornet's silly chatter together with the wild,' continual "tin canny' noises that all the instruments in a jazz orchestra make, are getting monotonous. Maybe as time goes on people everywhere will begin to appreciate good music it ia hoped that they will attain that appreciation before it is too late. It would bo hard to say just exactly what type of people care for jazz bo-cause In my estimation, some of every type care for it in a general way. The lower class seem to make more of It than do other classes; but as you have probably noticed at our dance halls it is not hard to pick out people of ihe said lower classes. They dance in vulgar positions, check to check form; and some of' them look like contorionists trying to do some kind of performance. Some couples make one laugh, although they are disgusting. That is where the trouble lies, in the position of the dancers; and I think it Is mostly the girl's fault. Now, if she were the right kind of a girl, if her partner started to do some sort of improper dancing, she could if she would tell him that if he couldn't dance decently she would prefer "sitting out" the dance. She is the kind of girl I like and I think that the fellow, if he were a gentleman, would do as the girl asked, and If all girls would resort to that sort of thing we would have cleaner and better conditions than are prevailing at the present time. My professor of music says this much for Jazz although he loathes it: "The opportunity afforded by the unconventional inspires originality, and while this originality may be crude and unbeautiful, it may be the beginning of something new. When musical performers, one and all, play and sing according to the written copy, there is little encouragement to individual incentives. Talents, if not the traits of geniuses are sometimes undeveloped by the continous pre-occupation of the I music at hand. You all know the attitude that our country, our church, and our school are taking toward jazz. Our country ia pleading and begging the people to eliminate jazz from their orchestras. It says to go where good music reigns; and especially to the young people It is making this appeal. Uo it for your own good, not exactly to accommodate other people. Some writers go as far as to say that jazz will be the ruination of poor souls- I think in some cases, it has ruined some already. The dancing masters aro somewhat to blame for the origination of souk-of thesv nfw dances such as the "toddle" and the '.'shimmy.1' At a recent session of the National Dancuig Masters association, they adopted this rule: "Don't permit vulgar. chap. jazz music to be played. Such music a tnios forces the dancers to use rmigh, jerky half-steps, and it also leads to immoral variations." Thure is one dance httll in Chicago where the proprietor advertises in the ptipers that his now dance hall will not have cheap, vulgar, jazzy music and will not permit immoral dancing. Of course, everyone laughed at his announcement, but now his dance hall has become the most popular in Chicago. The only dances tolerated are two-steps and waltzs. Now if such conditions could and would only exist in all of our cities in America what a blessing it would be to everyone! Our church was among the first to respond to the country's cull against jazz music. It does not engage any jazz orchestras or permit any vulgarity in its ward dances. And in a like manner is our school helping. Orchestras of jazzy natures are not engaged.I believe that are more people against jazz than there are in favor of it. To sit and listen to jazz for the music there is in it. one might as well prepare himself to sit for a life time; because jazz is not music. When one hears It his foot taps gently on the floor to keep time; but the attractiveness soon passes away. Jazz contains no musical, beneficial value whatever. It has often been said that "jazz rules the underworld." If that is true, do the good cities in this country want to become low and degraded ? That should be one reason why each individual should do his part to help his country become the best. Jazz is the donkey of all musical art; that is when compared with our famous operas and classical music. Why, anyone with any common sense could see that there is nothing to Jazz in comparison with our great classical music. There is no melody In jazz, while in classical music the beautiful harmonious melodies that sins throughout the entire pieces are inspiring and should be loved- If one has read the newspapers the last fewr "months and has noticed the advertisements he has probably noticed the competition that has been and still is going on between the dance hall owners. The competition Is ao great that when one reads the advertisements that appear in the daily paper it causes a smile to creep over his face. Each owner boats of his floor and his "heavenly dance music." Each proprietor tries to think of something that will "bawl the other fellow out," and if he succeeds he is content. Yon have all heard the old proverb, "A place for everything and everything in its place.' Such is the way with jazz music. It would be all right in the dance halls if the dancers would remember their places. As one glides by the orchestra platform he sees the violinist play different pranks with his bow, the saxaphonlst stand on his chair " and bring forth from his instrument songs from the jungle and the trombonist laugh and snicker in a tanalizing way. All of the players together iave the dancers lured in some peculiar fantastic dream, that is, if you want to call it a dream, a jazzland dream. Each dance hall where jazz music is and is not tolerated should be carefully supervised by wise and intelligent men and women, so that all improper danoing might be stopped. Oh, can't you see the evils Jazz is bringing, the worry, pain and sorrow? Won't people ever come to their senses and see how hard the different organizations are trying to eliminate jazz? Yes, but all the thanks the organizations get is a sneer and a shrug of the shoulders. These organizations are trying to make , our country and our cities better for the next generation. Won't it sink in? Don't you want to save the young innocent souls that are coming into the world and held those that are growing older day by day? Won't you held fthem, so the downward path won't'tempt them? Won't you help give good music the place in this world that it should have? Dr. Henry Van Dyke gives a good definition of the nerves of hearing, a sensual tensing of strings of physical passion. Its fault lies not in syncopation, for that is a legitimate devise when sparingly used; but "jazz" is an unmati-gated cacophony, a disagreeable sound -in complicated discords, a wilful ugh- ness and a deliberate vulgarity." Why won't people see and understand the need for better music, especially at this particular time? They will realize the dangers when it is too late. The music department of the General Federation of Women's Clubs has taken for its motto: "TO MAKE GOOD MUSIC POPULAR AND POPULAR MUSIC GOOD!" Now, fellow students, let us help put this thing across. It is up to us to do it. Let us carry out this motto and realize the good it will do if it Is successful. Put it in our homes and in school- Let us make all the music in the land, an influence for good. -00- " Winks": May I print a kiss upon your lips? Nan: "Yes, provided you promise not to publish it. 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