| Show Utah tab Artist Writes on Old World Architecture N NN 5 f i ti rT o p l ci Y 4 s t h t it 1 o o r f 5 3 tl 11 l 1 J g 5 1 t x xa 1 b f a 0 r rJ y y J l t tI tf I f y 1 b by by y 1 I 1 y ik t t tx x ll x I A Y A Y YI I 1 T Y Yf q 5 f s 11 r I y y r r Y j I f t f Y i Y 1 2 1 1 f fx x r I t Y 1 Il fIl f o IX W 4 GREAT TREAT CATHEDRAL AT CHARTRES FRANCE p AllIS To reach rotch h Thames one op takes lakes L the twin train lit at Tails ParI at s In lu Inthe luthe the thc tit The air nil Is crisp birds bit ds lI me lac singing ami tin the nicy s1 I y Is la IsMile I Mile blue 1 lu As the rr Iii rumbles s over UM Its Course rustle red iud Ill mil nul yel yellow r yellow l low houses nit tilt by hy hills hili of uC sprouting train rain slid and dowers wooded WOO tIed slopes and nud a ruck ft k walls valls deca cd h a II e al nl ali rI i ed III hi t an nn hour Und and a fix them Fehse In the tourists mind 1 never neree to In 1 forgotten fr suddenly the tots town n Is before one JIll Iho Tho I ho though thou h small Is 18 Infinitely mol pleasant than the thu typical nation The crowd If IC there ther lie he one ou out 4 t mostly oC of French people lie ollie who ho disappear utmost almost Immediately 1111 1 1 leaving one to muse nud roam at will There Thero Is In it this old town a n large op ti square found In ull all French clues cities paved with wooden blocks and ll with several Kit cots troll beyond bO tho two to tOW I of oC the cathedral solemn t Krey rry me pleno thu tho blue bille of oC t the tho c FI Tin TIll rushes forward for fo n tt nearer adorer view and alit u It closer closel acquaintance In lit the meantime mean meantime on time groups of with shining helmets helmet and flushing pockets of oC red and tutu blue carts managed II HI by bya byn a n woman ss driver and 1101 a n donkey JOB by hy with all nil the thc time limo of ot the world apparent apparently ly b at their theil disposal Workmen In blue corduroy pantaloons of ot the bloomer type trpe priests prIest I with black gowns eowna and ant lit little little littie tle tie children with red cheeks std linic legs each regards ono nun with a n look al Ill almost most of oC suspicion Is a laud land of ot the past pa t why should a or nn nu artist intrude H Jt is true that Parts Palls the center of or and andt ail art is Iii but a u short distance array that very every day upon the tho streets street there then are foel nors mid that many of oC the Inhabitants have havo studied and abroad still as liS asme me one winds along the tho crooked sleets nn stud l Fero these people and anil peculiar old uld plaster veil red roofed cud houses housell a punting their signs runt and odd colors Into the Imagination It l Is Im lus lust t I to separate flue tho place frum tho the thelast past last A LITTLE HISTORY A little of history hll tol makes nui the connection still tiu Y n r tom l 1 acing in with rIth the mite th offered by bythe h bythe the city to Julius In his wars WUl with the Gulls In U B C lug Ins through the bills louls and ando e t mug its to tho Iho t l excitement I t of tho Iho o crusades and und In III the Uio midst of or the th rev rn and war tears until II after unet the fearful revolution It an lux the 1111 consummation mation of nuts Us history the II great Gothic Tor tho ho unlearned In nit I r Hhall I HI II Insert n a vow Cow farts facts In lu an alt attempt to tn make malic tin the form lorin Gothic dl speaking I Oolitic n nAn wn WOR a tho It fn style Rt I of oC lI rt t t throughout between the thu down fall Still of oC tho iho u and the re Ie 1111 of DC in the tit th con lur It 11 m resembles m in that columns arc used both fur for sup up I Mort of 11 weight and tot for or nr ornamentation It 11 t from the Greek G III In that a n pointed aich Invariably rom com the tho flow llou of tho th column co 1111 nil wherein the tilt madu mallo use tine or oC a Il combination resembling nn tilt ly L r low Ions lo roof Thero Is a closer with The Jho used an till inch over uel the thu columns but hul It fol Coi followed lowed I a perfect curve The Thu Gothic owes UN its distinction to ht n point at ut the apex of o the curve Further urthel the thc columns of ot a II Gothic arc tiro usually by h that Is props In the foun of tit masonry that hII sustain the of oC the thu arch These were Wrt never employed by II either elthe or 01 Romans With the Idea then ot of a u pointed arch nut and tI buttresses as special features of architecture we can cun approach the Cathedral ot of Chartres It is most fast from the southwest side The glance n a comber moss mass 1110 1 ol ot otrey trey grey rey masonry The two to towers lowers rear rea themselves In enormous proportions and tits the tit piers Iller the thc buttresses and the their theil the sobriety Al JI Almost toast most unconsciously one says attys There Is Isa isa s sIt a It prayer reaching unto heaven Then j hen the symbolic 0 ornamentation the tho ful Cui er iii covering everything clue tha rich trocel of oC the windows and tho ihu restrained ll proportions of oC the whole fix ax in fu the tho mind a 11 might piece of QC SACKED D STATUARY On till the mid and south there ate aio huge Their entrances ate are masses of oC statuary and lint carvings dedi to Christ and anti tho Virgin Studied separately I the carvings uro me rather or 01 ornate ornate nate nute and the statues tire pee sadly Hadl out o of proportion hut but their the story Is plain surd and simple It reflects the life lito of tho middle ages and std shows hows Its barbarism Its Ig Is Its darkness but moreover Its I Above Ahoe the porches are arc wore more windows and more mare towers but tho the towers tuwer an urn unfinished Perhaps If IC they tile had been completed Charlies Chartres could coult boast of oC still greater On the ext emu eastern hurtled of oC the roof Is n a statue statu of oC the virgin Her Ter arms anus are aie stretched out blessing tho the harvest In tt the fields field the tho good gnat peasants peasant still have confidence In ill lust her maternal care THE rIm CHURCH I tho structure this the aro mc as its wondrous and as aH simple ac its It 01 on nit the tho exterior The rite stone Hour Is undu inting and worn From Fromn the huge hUH col colored colored ored far Cat above a I a radiance o or of colors resolve Ie olo themselves eR 1110 to a II ilch harmony on the Ito grey re stone Cl GI standing singularly alone and singularly strong ul Into interwoven ribs o or of Winning hinting the Cite lung Ions lOll central contral navo 1110 the thc adjoining aisles lie tho choir chait amid ami lastly In tJ Uta th chapels present u II wondrous foot of ot unity only In variety Tho 11 do tie tails though numerous tire arc In It of the tha th whole Alter Atel n II while It dawns on nn ono its that ih t people nr a 1 there worshiping A man manIs manIs manI Is I wonderfully Insignificant In such n 1 place Tunes Tones of a chant rise Lisa ami full fall Alen 1111 women u and dill thil di en kneel hued and cross crusa themselves lit tic to boys hoys In III rel and white pars Mars tin the th communion bread ii while t priests it In long robes make supplications to tin Grand rand bleu Dlou In the meantime ji go funeral procession Is at lit tho the di doles o 01 ot of the Uie west front runt A 1 little lithe bell tinkles somewhere same at the other othel ond end tint ami the Ihl meat giant doom swing swim open In It ll Is IN H an un Influential In man emu who ho Is 18 dead tho procession 1 comprise mil II people Six Mix pallbearers with long Iong ittle flops Ft bear the tilt afflit mil In III front A priests i it urn ja r I folio follow III h succession lIucc Penis of r the grow loud A and nud n thi tho th l to the 01 mid are uro leard bentt lien rd Such Is b s heath death 1 t In lit Ch In Jn an till hour hou the cathedral is 19 empty I A 1 n r Or a II laugh bI u ht repent r n n is tin tta echo Ichu L I lit its It u a thousand hollow echoes mho HI ItI PILGRIMS II J l Il hundred It d 1 yin ts ago I O front rom dl lands knelt It here her het in Ig I 11 t hut but prayer In Octo bet nl J 1 Imil II Jt Saint find tutu ils hie Ii ua ro nl marched up to hI the th altar Itar to rive give tir Ih building II A coif In the th oars lays of or art th h n FCC French unit M tl I n the t t vai n r i j of horrors but only 1111 nl 3 y the Iho rind t voices Ilea of ot a n bridal hll the th lh sent cam place piney and sour With 11 i gt stirred f IJ by iy the contemplation of oC Its past hl hi iii lIty i ry the of nC 1 f weak KM 1 Is III vividly portrayed l with nil all lt It ta nN nud nil mull Its 1114 grandeur so IlO that hat ono one JI iii no mu material to In build such ouch ii it 1 aunt ns ii a this and 1 shall shull be he h content Toe Thou jho tho fusion sex too with Ills his brown est 1 Hi II way WilY to III u the till leux 1 IX clocher quell old which Is Ii Ishi hi fn n the northwest towe Tin ahu steps 11 ire art ear 51 from fr nut solid stone They Ih are all III worn rota deeply In la the Iho th center mm rout th In tramp t tr i of oC if Around the th 5 web tuba wl h woven Iti n and i line ints Inn ngo 01 rot rat th hr dark The rh etc exun i hi it la fall hen ban hll no nn n 0 cd to In i disturb no an dust lice Ina forever fore COIN CV cr rim Ili I MAIM tile After Al wt IS in im tin light far fai Deail It IY them lime In tho o le tru crevices of the c ul l RI anil an il the plan place ni or tin dust l Inside beaus beams coult I stud TIM tt tra l itt stout Y anti ant all at or at 1111 he In 1 live iVI bens bells lIs tune onu on In on Oil I stud ind four ones onesTo q To Tn ring rim them nil mull at al the tho snail same Urn the to Ii 21 I men IIII i to r close it at hand la H a n trem t I II In Hi III Ube distance It Il Is II a n 1 b el lm I I We Vu t talk tall of oC our jur i r but hilI t s M s 11 n medieval o l built in tho honor of God Go Men 11 hour hou s i and hells 11 below appeal u great grea p 1 I It hII lint tho the all air grows I slurp It I Is IH time timeto to In t po 10 Finally as nut the Ih train sin ru hea through the dIio light and thi Ih h two towers Io 10 Into Int om COlli l where li to sweep to fool roo t rind nail bat hats scatter f fat foi play plu the theartist artist I and 1 even n th tt nil ine in a shuts shirts his bis yrs eyes t R on a II that dint can Jle jie er die Itle I DONALD DOo ALD UK G Il D |
