| Show I MARLOWE AND SUCCESS I Special Correspondence Now York Nov o C There Is only one Jul Julia Marlowe und and fortunate woman that site ahe It IE she ho his IMS no n one to be bo Jealous of ot No one contests her for tor In II her hor own Held They to t know that It IL would he be futile for tot she po pea In addition to her Intelligence u ii I charm DO en 10 potent so o 0 inevitable BO go II com compelling that thaI IL It amounts almost to 10 h hyp p power pourer She sweeps every Or audi audience ludl ell once ence off olt 01 their feet and brings them to 10 hers She ha Is IB tho the matinee of ot the tha Even Cven thoe of us who iho have I seen een the tue folly tolly of Idealizing go IU buck on 01 nit all ni tho the traditions antI and SIe sweep aside allele all ahi allour al our experience when MO we within reach leach of o the She Sho nil her oleo else plo plays s 11 purls parts as no ono one ever has Ims his or 01 ever eCI could play them You foci eel that off ott tho the stage she ehe must bo ho hem an adorable creature If I I were vere u n man I should commit the tue crowning tol folly of lt In love lose with Julia anti letting lelling it 1 make me no so wretched that probably I could coull write trite ll a rt work worl of ot u As It in iti I I 1 am om happy and Let Iet be bey y You nl should t le eee her as th Sinew Shrew with Sothern B as P When hien she sha he came eanie on ott 01 the tite stage th thop the op night the tha audience would 10 nut let her dp speak for tor fully tuly five flue while the they her back to Broadway Hut But Hu the artist In her he would not n allow her to turn tur ani and smIrk her hel thank wo knew she Iho ho wa was WI pleased ii b bour by our enthusiasm but she ahe had bath hae up to 10 glare Iare at et her sitter eister and aho Iho main maintained her attitude altitude and ti II her M glare during all itil ni that time It I was wa no so like her iu to t know Imol Ju just t th the thing to do fur and to do 10 It I And 11 rest rel assured olt that with two tivo tell stint fl nB 01 Mr Air Ir anti and Int Miss 11 Marlowe Mar lowe tint performance of ot The Taming of ot the was WiS an original on one 11 The They gave 0 It lt I an as 8 the mo mot most t eminent of the Shakespeare crItIcs rank rink It Ita in a farce arce And b being of or the tue era ru HS He well veil HI almost any allY liberty its Ito nonte choose to take must be 0 allow allowed 1 them It 1 has hal always struck me a ax 18 no RO curl to see fee ee the OMI o otile tile till present du lilY duy lute into pla a writ wilt written ten when mont meat wan Wll as ruten esten with the tin flit when people ate sloppily gut got It drunk and rolled under tinder unter tho the table a athe ui the usual finish to 10 the lays days work ulI when hn the bro broadest d HC license existed elsted In Inand 11 arid and conversations concerning Hut Hilt and amI Sothern hark back bRck to the tha rough manners manner lannet of th the period curries a R rawhide with him hll during the thu entire entre Ilia play and anil uses It fr freely ly lyon on en servants and lacke lackeys Kath lean around II the stage stole chairs throwing hooks hook and even a I vain vaai of ot oer ut at lt tho thoe sho offend ci 1 is tier her sister shakes her hel father tUr stamps lam lamon on toes tOe and finally bit his hla hand haRd I Yet let et with It 1 all do 0 you 01 think Julie Julia Jula Mm Marlowe low e allows It to be vulgar Not in a lint line lne of ot It iii I You f teel l that It It ii a A hIv nil cli al who linn line broken loose loe I Irked by dullness maddened by the re restraint reo I of ot COIt conventionality Just Juitt a ai of ot soi ailed ladies have hae felt i and ald will wil tel feel el agan Who Sho Ith a of ot originality or ai spirit in our makeup hen has hal ru rt t longed to break reak the fut tUI or pitch offensive dullness In tn Inthe inthe the shape shap hap of ot relatives relative or friend out ut Q H ii I window I Julia Jula Marlowe plays the tho th Katherine Katharine KAtheine of or m my mr M ideal al The woman unman po possessed l of ot uch strong stron emotions emotion whirlwind of ot originality and nd what Bernard Shaw calls calli the fury ury of ot 01 aton that she will 11 n never v r can cen ln never be happy until she ahe has hii met her he master her muter mauler t In temper temperament and willpower I 1 hl have never nver believed el even half mad To me h he has a asye a ap appeared reared exactly the which Mr Jre nhI a man masterful clever of ot a wild wid humor determine 1 J and nd with wih tha of or tb the m male lo to conquer ane and subdue the female which all strong men p possess posses In 1101 ern emit men It la Ia II more smothered Bothem let Ie It out outOn outOn outOn On the other Mt side of ot the picture Po Pc i loved lovel Kato ato with a a very ver gon tun j I nIne tender and sincere love so eO o that it 1 as hut but n ii 1 tIlling in of the picture when hu lie II her pathetic little muddy white slippers and silk sik stock stockings tok lags ings and antI thus titue takes tho the audience Into hl his confidence In u it word 0 Id to 1 my mind Sothern Iu IuiS and Mitts iS Marlowe present the most realis realistic tic tc sincere and convincing production o of this thin play that I over ever saw ll It nib mla 1 my itty ideal full tull It I It contents Ada du la made I Katharine mote mOle genuinely a 1 shrew m Her bier ler portrayal WON was WOI that of at u a vixen But flut ut to my mine mind it II would hn hava served well wel for two oh ch tractors f Anonymous lint Hut il Julia Jula Marlowe is ii II tho the Ideal I Kath ath and alt no 11 one ons can CRI afford to miss see pee peeing seeIng In ing her Item conception of ot the part Or to for that matter milter of ot un any part sho chooses to create It I Is I a Joy to see ec these two radiant stars star not net with wih each other They nev nevar were mono moio brilliant never nevor moro murrl charm charmIng charming Ing aeh seems scents to Inspire the otheto oilier ottis to do 0 his bo best bent And Ant truly they ther do It I It I In hi not po to In think of ot jealousy between the t o n r Each Fich I by tin this others other s fine work and the apparent ham har harmony mony between them AS ns workers In furns Itself lel Into the tha audience In hi his U on We way a Mr Alt 1 Sothern poises 1 as a Il harm equally ns as compelling ni M MIsS ls Both artists tH enjoy that most mOMI elusive quality known us tie magnetism 81 Subtle I I Inexplicable but hut there Is IH a I force In their at artist tut nature which reaches nut null aiU 1111 grapples with wih the highest sense sens of ot ap op appreciation every evory audience pO ISSO Even a dull dul audience would be ou out t of its le native phlegm m In an ni Intel Intellectual letual audience the appreciation thee two arouse aroue becomes almost t a I pain Nr N Na a glance not a 1 not a breath but bitt bil has hns Its IB meaning and we WI nit cit ll en entranced I 11 by the and nud beauty I und and Ind the Intelligence of at It all till We love hove them we do Anti And It cure fure ly Iy mut must t sound well and eem good t to them to come back bock home to the tho wel isel como and the applause ul which greel greeted them to come conic hark bark where the rose rosemary rosemary rOIl mary and the laurel lourel them In the tho thO hearts of ot their own oon owna a C CArnold Arnold Arnoll D Daly ly H itt reaping the reward of ot hl Ills courage antI and perspicacIty In foresee foreseeing i Ing that the public un Wil for tOI something nl new nee anti tinI In giving It to them In Bernard I piny I It I WI was on only we week that hn lie cut ut loose from the m management of t I A Company an and became blame lila bin own man manager tiger ager und tind Uld now no routes rome the announcement that thet the are lre titter after hint him hll I Which If I you YU CU know much about abolt th the wheels hll which nit nic within wheels of ot th mysterious known as al the theatrical I mi management mean ns him Well Wel wh why should tn they y not be he hI after ater I When Then we IO saw now John Bulls Dule Other r Is Island island land lomeo someone was ns 01 heard to 10 In say NotI Not I much action In the play The answer to that thAI I Is that a all the action of ot th the play takes place In the brain of ot the audience i Of Ot h how man many other plays no now on 01 the mod modern un stage con can you au 81 my say IS ie s much murli 1 Hut But the Shaw plays lilly have quer queer au su audiences 11 Many alY people pelle go just Juit jilt to ie se what all the ro row IH Is about The These Thelo a anever never come again Iraln Then amon antoni amons tit th usual attendant wh what t freaks you lIU s ae see e scattered about I I ln Long haired men and short hort haired women shabby coats COAt front from Bohemia and velvet front from Fifth avenue cleverness cheek b by with lh tat fat Jewish determination to share sham har harI I everything 11 good the keen ee eM of ot men mental tnt tal I appreciation eles clos by th the calculating eyes el of ot the ho box Hut only enly th tta curious drop out oitt of the tanks The rest rut are faithful KO go I night after never of O such bits bite of brilli brilliancy ancy anoy lloy tie a the Englishman so 10 clever clver In his hll and th this Irishmen Irishman i so pa o foolish In hits his cleverness with wih th the crowning bonne tionne boucha buche this saving of or Matt After Ater nn an 1 h hilt half lt hour heur nf nt in which the Y English nan ln hia has hu completely exasperated him hil 1 bh UI mx Twe m lt I I lt Lat t him talk the ioor fool foci tol I It I woul toe e It 1 v waste of ot time to muzzle a 1 LILIAN DELL BELL |
