| Show A LONG LIFE ENDED t IA Jk dundy there Ut died In III u I a ar aI r I ble man tsan Manuel Mnnuel I null Harda at tn th i Ipe ig e of or ISi III lie He attained thia age nit through leading a II sleepy existence in 1 a ft poorhouse as u many centenarians done dOnt Hi Ile 11 wa not even noted for tor hiving dining lived the simple life lit lie He hall hail hadI I Ij lOer w H K traveling opera upon singer finger r a Killer Killor k hl forc e the maal tait a teacher of or mu k ind an au a Inventor The New Ne York You Eve hikes to point out outI till the I wonderful development ul of the muM inui l lII II ci l worM he lie bad laad his lifetime That paper r remarks It II wa i given to 10 him to 10 nee eec H the ex ox extraordinary development of o chamber r tousle OUI of the plane piano piece and the th modern aon song an a well U Mit of oC the opera opra ind od the Ole which marked markiel mark III lila lib While hll he h began to 10 revolution lie lae the tM th art of teaching leaching by hy hg his hl great groat Invention and anI the he h hostel up upun upon nn un It and Mill and Millman many man le haer er a r lighta wore wro sro developing the Iho theart theart art sons oong IOn lio e very ry creation must munt be to 10 Schubert despite tho the few Ill pretty of o Mozart md ind In the Ibe opera floid fidd Garcia d wen oven more remarkable change Wagner tier revolution of the tho whole operatic plan piau and amid theory tore More II ore than lien that thill America m merca at al the time unto of or Cur else cIa birth was wai quite cohered and r im II a until he ua we w wIll Ill beyond ordinary rr middle Ufa Ha lie Halit lit 11 Il id to see It become boine not nol only one ut or th tb of or musical countries but bul to lo produce and amid train JIll its art arl j lets ta for 0 opt and end concert stage without nit necessity at of 4 II to 10 teachers In iii England too In lil his hlA old oil age IIII he be HM wa ibie eble blI to 10 td t It a remark remarkable able In PUblic appreciation of the h beet t lit In art Manuel was W IJ born bora in Madrid 17 11 tIlL IMS After ACter Waterloo hi his tarn tam JI taw tam to Senor Garcia taught to hU his ht tJI nail nl singing nl and ande ne e ral rl lit of f achieved 1 notable inc uc Maria Murla afterwards Mme Mull l Inn Iwan ran po a beautiful contralto oKe Oil and appeared M I in the lh prIncipal Ilk of or the Ih world orl Her tour of or the lite iut I III mid Id lo to have hUt netted or r a large Jarge fortune torum at that Urn hess U UIn hessIn In im Manuel Garcia and his hll father I inic c n t In Pai am amin and in hIt II IAn 1141 he hr met Jenny bind who after aUer afterward ward iaMs rda became Mi hll moIl meet famous U pupil waa we III then U n 21 t i years year old Garcia Caret real laid IMd I the wonderful po of ot it her herI I vote yoles and In Its I less M n a noar aPt oar Pt r had hOd made her the great Magr abe lite b va I laL Mer r Mr was Ca anxious to 10 take lako her het to 10 London n at once estee but Garcia that thal great tame fame would ouia prevent pleat the younger artist from frem being given a SOil real chance eha prevented her bet ap l till hU After Altof the tho French of ISIS 1111 ill elM earns to and over eror er lilt aft erwardi iw dt it hU his nom horns home teaching dully dilly 1111 In his II in until U UM London snuck critic mUll quoted In the I WHOM Transcript t has Ma this Haw to My sa HI of f That he h If hi the ton laM of 01 th tile the great ireat reat lealh I J do not hesitate for a moment to 10 a assort rl t There are no doubt tome admirable instructor still Mill to bo bt found In I various IIno parts of the world but I not tIM one on rarely ft be can call r with lIh Manuel la GArda to in wealth Jtb f r In unerring Instinct IMn for fori i to 10 tb utmost ut ft t the capacities of or ofa a stager in It grasp IrI p alike or nr the th and the Ih teethed aides ide 14 n at f hi hItI itt art and In lit perfect mattery mastery of ot r technical detail data that goes to Ie the th making of c a leol vocalist IMI aM fill ii he h a style that WM wee t In Ii h It lie 1111 purll irresistible 1111 in ill it Ill I hirm IMm and amid lId hit his treatment of Ik tit Mot it tt ir or r the It It III IiiI I na inc was wan I a per 1 perIc fr II i 1 of ot f tilt the and AM nd mo most t ac accurate I curate He H knew exactly tow how nid nd where hll ewry rr turn tarn every fin every rry lura every fJ tiny tin nuance lid It lIt under the tM compos i 1 ie f direction llon end nd lo to acquire that from I Mn e WIll was to la toLt 1 Min Lt it 11 1 from the fountain hood bead and nd II I I h H II mf or of that IM so soI p I Ii t t heinz could OIl have tile the to tl |
