Show I f. f QUEER SH SENSATIONS ARE EXPERIENCED Afraid of Rotten Eggs and Antiquated Cabbages Ride Behind Footlights Seems to Last for Hours BY NOVICE STAGE SUPERNUMERARY RY I By AMY ARMSTRONG There nia ma may be no new sensations In the world ivorid but It Is sure a a. queer mixture of oC old ones to act as n a supe In tho the mati- mati no of The Whip at nt the aalt Lake theatre which I did yesterday Sitting In the tho coach In the reck areck scone as ne It IB Is supposed to be running run run- ning in cross across the tho country countr at a 0 rapid rapi cUpaR clip cUp vas aR to me nie about like slain sitting In a den den- chair Just as they say ray all the thc events of oC a mans man's life liCe pass paH through his nind mind aa otI he Is about to go so down n. so 80 all nil ih iho stories I had Ev ever r rend read or heard about eggs eJ's and cabbages In connection poor actors came camo to me rue at the mo- mo nent and lOd while I J of it cour course e knew noth noth- ng ot of tho the sort SUb suggested would happen t ages agos before booro we were out of ange m c of the tha eyes of oC th tho audience I was to move mo my mv head h-ad for fear tear of oC the tho whole scene and dont don't ellee I even breathed during tho time we us w were re on the stage tare although aIU the tho others in en the thc coach appeared to take It ver very natu naturally rally Even Wheels Have False FalBO F races Faces The machinery for Cor this scene Is complicated complicated com corn I Indeed and sitting In the the coach toach ono one feels as Jf JC one were actually going on a journey journe Th The Tho u wheels heels of oC the engine anti and eoa coaches have havo false fronts which tolvo ic-tolvo ol o an anti and which are arc run h hy by n a power machine The Thie They go 0 at a great rate rato and amid create creato the Impression of oC mo ln moving rapidly forward en e to those riding The Impression Im mm- lon Is d decidedly cal ical front from rom the front anti and Is raided b by tho moving screen cren which shows nn an O over Or r changing panorama One would never guess going and casu casually cas ens- u watching a performance how many pei persons It takes tales to arrange th tho scenery a and nil to fill ftH the parts In Irl Tho The Whip A About out ninety persons persona me c ui used d for tho the various things s which are n a part of oC the show sho flack Back stage 1 one can n scarcely move p without being hit on the head by a apiece apiece piece of oC scenery or stopping on a n piece of wire Ire which looks lk IlkI It U might bp hp a n live UW Uve one And Ancl Just as von ou start to move from one spot to another carefully picking your our way between sure enough nou h actor ladles ladies and gentlemen tracks nn and other kinds of stage settings the lights 50 go o out and you jou ure are In black darkness with people cheering und arid whis whis- tlc tics and other foun sounds of oC locomotives in your our ear and you ou wonder whether r you will ever pet get ct out alive For th the thing 1 la is realistic even cven behind the scenes Are High Spirited And nd you OU want vant to shout with all aU your our might when tho the horses bt begin ln to race In the scene before the last Th They y al' al are aie true truo mottle horses and enter Into the spirit of oC the occasion with a will They will not vaiL for tor their cue but begin to run when the they hear the people cheer and the J Jockeys kc's have ha all they cat can do tie to clamber on their backs The Whip who wins the tho race Is a tine blooded Kentucky Kentuck mare Somo Some one a asked k l once Does Docs the same rome horse always win 1 It must ho tie cr very discouraging ells dis to tho time rest of oC them And An I the Jockeys s 's are arc bo boys s who bave run In Inmany inmany many irany a mace ince Their bu business Is rather slack now and some of oC them toom have e gone ono Into the show business But there was waa one olle touch which forever forever for tor- ever destroyed an any rising rifling ambition I might have ha had hod as ts to ever eyer b becoming anything any any- thin thing but a n super up r. r Wo We were In the wins wings wat watching the actors take their curtain culls und mind as ono one of or them came caine of off tho the stage ho mOle canto up Hn and shook shoo I handa hanula with mo me us s I stood with Mr MacBride theman the thu man manager How do you OU do ho smiled cordially I J had hiatt n no never ner er er seen tho man atari before bo- bo fore but believing bello that ono one good ool turn deserves another I smile l back hack Just ns as cordially and answered Quito Quite well weir thank you ou How frow are ore you ou oti Oh he stem stem- mer d as he looked again when I spoke And glancing up a at t Mr Ir he heI I explained I 1 thought It was yourI your r I mother If It I ever evem do elo take up the profession profession pro pro- res lon it will wIlt certainly have hoc to bo ho In iii Inthe Inthe the old lady parts notwithstanding not tim explanations about not 6 seeing eln very well wellIn In coming comins away from Crom rota the LrI bright ht footlights foot- foot lights |