Show Telegram Office Boy Puts P ats One j I Over Lands Grand Stand Seat SeatOn I On Movie Lot Heres Here's He es e's His Story I II I I Down Don at the Youn Young Battlers Battlers' Athletic club they told me I gc cc into nto I these here mo ln w. w 4 Pictures because the I camera hounds al always always always al- al ways was lookin for or I types s or n 1 so ao I 1 climbed into some real ey cyc eye c scenery and took look a 1 along long ride into the tho countr country and when hen I Culver CIl City came I went Whoever called I It a city had some Imagination that's thal's I nl nil all The city ty Is la nil all studio Well 1 Ies to the sr smoke oke at al the white house and I says BILYS Im here to act Uncle And he looks at me real and 83 says I Boy Doy go peddle yo papers papers 1 I trI tried d dI I dc de rear gate and then decides decide that all the power In the world dont don't Ret get me In ID I was passin a window when suddenly suddenly sud sud- denly I hears a buzzing sound and f looks through h a 3 little crack and I theres there's the movies moved right 1 in front o of me Thomas II 17 Ince lace was I I watching them and he looked like his I pitchers pitcher and t two vo other birds was with I him I slued glued n next to to the c trek ack and I looked in the room at the tho screen where I they was of off this here new pitcher I I Let cr er flicker Clicker says some gu SU guy I and the lights goes Ot'S off ocr and the pitcher I begins And nd 1 never ne was so surprised in nt ITI my life liCe when I t S saw SW W what th them m I pitchers was of First l It show slowed showed th the title called dA A Trip Through h the I Worlds World's orld's Greatest Motion Picture Studio Studio Stu Stu- dio dlo and then pitchers of the tho white whitehouse whitehouse whitehouse house and the dings dinge that had raid mid to toy o I peddle me papers paper Then It walked I III right ht into the studio and shower showed these II hero millionaire movie actors and their I dogs dos nn and how they eat and dress n I rooms of or cm om and taking scenes and lOd I everything e like that And U I 1 just stood there laughin laus to myself at nt the fall Call guy uy what hat had tried tried- to can my studio II work I wasn't but I was see In them act and they were better than meI me mo I I Sr S' S I And pretty soon it showed veil chickens all out in nifty I Ii i I gowns with no backs And then I It showed how they the took scenes of or an auto in motion and believe e little fredd Freddy youve you've gotta otta hand I those here hero camera hounds credit for tor torI forI I nerve They've got It It and not In no noI pint sizes neither I This here Douglas MacLean bo boy boj Yas showed showell gettin pinched by a cop but bUL u ho he gets s away That's how it Is with these pitcher actors They gotta otta oft foft naf The police dont don't touch louch cm em so 80 the they can sec fiCO their pitchers free AndI And I Enid Bennett Uennett painted up her face tac like e eI I she does for or and this Lloyd Hughes fella rolla did some ball HeI He Ho i I wasn't so to good soad with the tho pill 1111 either either cither I Thais Thai's the way these actors are arc 1 Christy know them They aint no I or nothing when It 11 comes to ball playing But Dut this Hughes Hus-hes guru sUro can act Ise Hog a good In farmer Carmer parts Just lIko Charlie Ray And he had a I peach for or his leading lady Jadv named George George Georg only that was wag her last ameNo name ame No mistake on m my part Her Iler last name IS George and her first tint namo name IH Is Gladys da day for tor a n Id I'd be a hero with her any sons song After all this trip through the pitcher pitch pitch- lt h. h er or factory It showed the starts right In ir ir I own houses and gosh they thy w were r e like Ilk anybody y else o. o Almost mo t. t A Ami till then It showed Tom Ince at homo home wl n II is kids kid and und J I liked that lie He d when hr H come como on Oil the screen because ho felt funny tunny seems seems' himself I would to tea toa Other OHler people laugh when they Vl H M-C M T. T nv m I guess Id I'd laugh lauh If I I n w v hats wily 1 T like this hero cn fella because he spreads ls a abood good bood giggle in every pitcher he ho makes In rIl THAN N STUDIO The They was lota lots o of other fly Ch stuff In Inthis inthis inthis this here pitcher It lasted 3 reels and they was waG a Q punch in every foot Cool of ot It Ill I'll say sal n. n It showed how Hobart Bosworth Bosworth Bosworth Bos- Bos worth made faces at the old od camera and how Louise Glaum went horseback riding and Dou Douglas laB MacLean lacLeaD again and aDd Lloyd Hughes doing doln a scene In the old apple tr tree e And it goes through th the studIo in every avery department and then theu some J If Id I'd got bot a Job there I wouldn't a saw half halt what 1 I saw In iii the pitcher because be because because be- be cause I would a n. been ln In tn one an place and couldn't have been ten around like Iwas this pitcher It tooK me everywhere It sure was a Trip Through tho the Worlds World's Greatest Motion Pitcher Studio 1 I saw Raw everything but the tho Bord Dord of or Censorship Old Did J 1 fool those film tUm that wouldn't let me In ti You know now T 1 did P. P S. S I didn't really make Culver City City J I was only kid kid- din Th They y got ot this here ov over r to the American theatre all 11 this week week- The Tho Telegram guys bUS framed it |