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Show film -telle you. Do not believe the atar when he or one tell, you that with, oat them there would be n. eucoee.ful plcturee. The mualclana. who play patiently In the etudlo all day lone for a union ware and no (lory, are the real elementa behind the ma kin of a aueceaflful picture. They furniak tba mood for the picture. Muetc durlnf tha making of a feature fea-ture picture bee become eeeential. There wae a time when the appearance appear-ance of a vlollnlet and pianlat on the ki In a motion picture atudle waa a rauee for laughter. The wla. onea aald: "Oh! They )uat do that for effect." ef-fect." Their -hreeence waa cauee for ridicule, but not now. MUSICIANS' PART OF MOVIES IS IMPORTANT r Uytng for picture stars and director di-rector ta no ordinary music lan'a job. It la ona that takes taosa technique than playing In a jams or musical comedy orchestra. Credit aoould b given wher credit Is due for th success of motion pie-turea. pie-turea. It la not the atar, th director, . th author, th scenario writer, th art director, nor the camera man who mikes tha picture. U la th musician . behind th camera, , He la th eoul ef the picture. He f urn lane th inapt in-apt mt Ion, the motif, the allegro, the greacendo of -vary Uttla scene that goes to make up a feature film. With-out With-out him tears would not flow so easily from the eyea of the beautiful star and there would be a perceptible aiump In th dramatis action. There would ba no tempo. And what would a motion picture be without tempo? Ah! There you have he eacret of a euvcosaful motion picture. Do not beUav what tha naia Utl f th |