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Show CHAMBER MUSIC CONCERT PLEASES LARGE AUDIENCE The ttltltaT rwlng erf the alleajretto uiot Inetil, the I hi rd movement In KchU-bert'e KchU-bert'e irnus 29. No. l, written for quartette quar-tette as piayedj r the 'mr stringed Ittstrumetits in ijj nail lke quintette at tha Pirei t'asurregatloiial r hutch last night. wa almost Inluxh at ing In ilk rhythmlr uteasurea end gave to tha audience audi-ence a en a of bring carried high In the air. among the iod Thlx m ivetnmt was to man moat ex-hllaraiti ex-hllaraiti p- ami f n-ai snd at lu lunclustmi the. leward of the musicians came in tl merited rm,nd of applautte In the first mo-mrit, atlegto ma non troppo. the playera gave e Idenr of Ihelr hard and pal us t. Ling study. The andante an-dante movement, too. had Us Iraautlee. end the imal niotnioiii. allegro mod-erato. mod-erato. tags ended all loo sown tu please the llelefters. Tdi trio numhwr for ttllo. violin and piano, was Wall at hctd to give alternate l iitooilnetn a to ce.ii of Iheee. ntal iiimanta. The selertlon was Atenk's tipua St. In Hie adaaio. third m anient . the cello and violin were raMahliuc n their sweet neas. while In the pi r eding ' no anient, allegro moltii. Pic piano ! i' h a at eai agri ti of ie. hnu hMuire Piaip rose "o the demand elih .i .liplav of bill-Ham bill-Ham y thai hr ha ieJ.,itt cm ailed, and bun well inailteil rerogntOou for tha i ana hi a ml a ' ttti- perfimnnnr The hnl moveinpiit. powerful and htllhant, lmNiae.l -t -cveie tank upon the artletn. ahhh they atcumpllanl in a finished manner, leaving little tu desire! The cello nifio.lv in the andautlno or sacniid ; i of th' iuartettr number, num-ber, frpus h) Urleg;. wgi wonderfully r.ffa'-ine. and tha manner in whh'h It eaa laktii up in turn hy the violin- and Iota wa wholly aatlafytttg. The allegro UM'lto a.1 agitato, allegro molto tuarcato aitd prrsfo saltarello movements were executed In a fliilaiiad maniiar. The wild, aeird tendemaaa of the compose: was effect ii I! v and feelingly transmitted to the atldlrnre Itqtiirr Poop at the piano has eahlom been ex ' el led In thin city In tha brilliance and perfect control of hla Instrument that he displayed laat night. The wonderful tones of Arthur Kreuer's violin, his Ana technic, and hie poise ware moat commendable. com-mendable. George aronemau. violin, and Alfred Hordame, viola, gave a better accounting ac-counting of themselvea laat night thati at the Initial appearance of tha organise -ilon naklrur their Instruments leas sub-xldlarv sub-xldlarv to the flrat violin and cello. Otto King, an artlet to his Anger tips, did nd dull the brlllance of hia record of tooal achievements. Flut nhove technic, above their biil-Ilencv. biil-Ilencv. and altove their Individual accom-ptlshmenis, accom-ptlshmenis, rone the faot that the artists as Inditidualn and tha organisation aa a whole plaved with eon J with the power to make their audience feel wholly with them, the Inner spirit of the composers. |