| Show PAl NY NG I Millets Angelus Is 18 undoubtedly the most moat painting ot of the nineteenth century says time the New York Herald nut hut its lis be Justl Oed fled by Its merit whether It be not notI I partly due to the sen sensational episodes through whIch the has Ims passed since it II was wall finished In short to what degree desree its 15 righteous fame Came Is debased by the unrighteous alloy of mere notoriety on all the these e questions critics will un tin liffer ditter It follows that they will differ ao a to the place Ilace the should occupy In iii nineteenth century art That It Is the masterwork or of time the mas master ter mind In modern French art most critics will probably admit That French art liS as a whole Is this greatest art of time the century th they will also admit But Dut ad muting all thiS hits you leave yourself n a loophole wh ch will you OU to admire some fome one foreign master more oman Millet In Spain Mum Mun kac In Hungary In Turner In would have hIs less from nn any one on ot of these masters It would Ik he difficult to select otly one pie pic ture turc so thoroughly or of orthe time the nineteenth century its cra lag InG for tor realistic detail tempered with reverence for Cor the Ideal Its paRdon for I putting n a formon Into pictorial torm forni and Its democratic recognition ot of time the Innate nobility ot nil men j |
