Show Colors Join JoinE E Effectively f fec vely PARIS UP UP Weve Weve We've spoken about it b before fore and well we'll likely do it again Its It's about the feeling for color combinations com corn which Molyneaux never fails to make obvious in m his collections This one for instance An evening gown of periwinkle blue crinkled crepe trimmed with ith two light and two darker dahlias at nt the depth of ot the front and and it goes oes down to lo there in front With it goes a navy blue taffeta cape with periwinkle periwinkle peri winkle blue cuffs on the huge manner man man- ner ncr lined with th the taffeta Hips and thighs arc are Jil like e marble and anda a train billows out from just back backof of the knees The little blonde from Grere Greere who married the big blond from Britain had it in m her trousseau And heres here's another Black e satin salin for another evening evenin gown gon own with silver lame strip sort ort of oC diagonally 1 along the skirt There Is a belt o of silver lame JIme lined fined with red petunia crinkled crepe crep It looks as though the whole business busine s was cut in one piece but we know in all reason this wasn't quite possible even for Moly himself The bodice definitely is is however and how the skirt and swoop little train are attached is his business not ours our The sleeves which extend just over the thc curves of ot the shoulders are shoulders are cut kimono fashion and there is not not one spark of trimming anywhere except th the lame ame sash lined with the petunias It loops oops over at the right side one end reaching to and the other to the he hip |