Show the capitol at rome eoma three edifice edifices as compoe e the modern capitol that abat ot of the ilia Sel Benn astorg tora ol of 10 home me erected in 1390 by popa Boniff ici us IX iv la is 6 supposed u to have be been ell built on I 1 be f ionn on lation of ef the ancient in those days daya beauty meant al strength ron gab Boci bonifacius Bonita facius oina needed ft structure tur that in might anu ai a fortress buildt it t is to this lUi more amoro ancient central building 9 that hill michael lIlo liBel angelo added later the lie two lateral logo which form the present mUe muaau DuMS ms IQ these museums we flail find shoog other great works of art the dying glad later the venna tenus ol of tho the capitol capital a great number of 0 baste basis roman beds brague lor for instance nero Vi tellius the big with iti horsed li and in the salle des dea Empe rears that superb agrippina that em impress press figure the ot of art in the sitting poa lure uro la in looking for distl distinctive active trial traits t a of 01 character in thealo ancient domies we tind find mul huoh it of it to be guesswork we admire N neros eod youngish aul innocent count countenance nce we can see BOO no burning of roma 8 in it or de mollio illumination of b banian ameln torches wh whit a t moment in the or cruel E emperors peters life did the artist seize upon to giva civo us a tyrant of such unexpected manse stude perhaps the one when he hois Is learning to play on oa the flute and is having hla hie stony soul warmed into und kind nesa need through tho the power of ausla inus iii wo we recollect ut at the same moment a p portrait or trait 01 0 closer Bor borgild gile attributed to chael in ore of the palatial galleries and ad one wonders at the lovel lov elinea intes ol of the countenance of cf that satanic tryout there Is hu a superstition abroad which might well be a truth namely that there fire are moments in the worst moral of ill licca a where the human face reveals its supernatural per natural quality a saint looking out of tho the fact face of a devil and vied vice versa the intolerance of science at this present day makes us in somewhat hesitate heti tate to point out the signs of some of these heads many of 0 our best beat reaB have thrown phrenology over overboard overbear boar d ait an a illusion yet yak in might we 8 baltak with some botao propriety or are well developed shoulders a strong voie a broad chest cheat no indications of 0 a boa bound ind bod boa Volt aires theories have d done no a 9 goal ool deal of in the field fielda S of fa feitli ith et at are me e indebted t to 0 him I 1 for or a somo 0 me moral which in matters 0 of f art at least should be ba heeded headed woo to reason says he be reg regarding arding pura pare intellectuality it it does not sometimes play piny with the imagination some ot of heads show chow a decided pro enca above the cars card la Is it mill tary activity plate phrenology cology oll calls it de but buooa as the bump of con he in not fit fur r off and in some lome equally equally prominent we ight perhaps bo a j in seeing in them an indi cation of genius re resultant both in the destruction and of the a empire pires 1 the ahe dying gladiator is ii not a pi endurable subject this suspended notion action ol of dying is in painful oo on the other oth hand what a lesson of 0 ao knowledge and how thene theao ancient tart art iota revelled bevelled revel led in in bono bone and muscle we remember in in this thia instance the instructions tr Douve Buto collini cellini gives to his bis apprentices how minute in in his hill explanations dud and how bow inspiriting his enthusiasm when ho he calls their attention to the curves of the human body and th ahn folds of the skin shin la in the wing to the right called lit ld pawa ties des conner val suii we see a status statue of onlia s hrosar considered tobe to bo the only 7 portrait of thy the great near by is a bust of cima toss rosa by cinova la in the same earne ball are a number of fino pictures pio turea afong others area A st liy fly Guer chino of 0 m wall there Is ia a copy in hosala in in st polar a of all these works of art there are but a few tho the mind can lay hold of ta ihal eyes travel over I 1 long ong lists of names 1 in the cataloguer catalogues catal al and long rows lows of pie pictures and statuary but only one here and there fixes itself in the memory of those few faw we the beaded abated agrippia in the tha sallee des Empe makes per haps the tha strongest and most moat bastia lasting g impression it is an imperial figure indeed mad and seated in in her chair as aa natural ly us art marcus aurelius site on lin his horse one might expect her every moment to rise there were two am emp pres as of t that h at nanie name the grandmother and the mother of nero for which of the two tire is the statue intended both were superior di domed though in m a different wy way looking locking into the hoo face of the iho statue we read in it both strength of mind slid and heart and thus would attribute it to the grandmother whom history represents its a model of conjugal conj COB agal love agrippina the daughter of c augustus aud and 1 wife ife of Germa Oer manious nicus was the 0 of f 1 nine I children labong lamong whom was the emperor Calip nl and agrippina the tha mother 0 of I 1 nor ker ahe WM was distinguished for her dorac uc virtues and heroism it is is pid i id that bat tha she shared all the dangers of ler husbands campaigns her daughter tho the mother of 0 nero was equally beautiful and intelligent but bat licentious cruel and ambitious |