Show i I tAI The Heart Must Go With the PenA t ii 1 Pen-A good letter may be written by one Ihi P I who dislikes to write letters ono who I dislikes to write may even by force of t I intellect or will always compose good i r letters but this Is not what is meant by the elegant art of letterwriting That I i art demands primarily not alone an f 1 ease of outward form but an underly I I I I i ing love of the tiling a natural recourse Jo the pen us a means of njoyment as r t solace as an unpremcdlated expression L I r ii expres-sion of thought or emotion I Is the I Picsnce of this factor In the constitution I f 4 of the writer I that so often makes the 5 1 t letters of people not superlatively In I J tellectunl or learned far exceed In grace t i and charm the labored efforts of minds glace I I of profound attainments Women are I s pften excellent letterwriters The lit lt tie things that go to the making of the ti t perfect letter are appreciated by them cI i the trllles of the outer world no less I than the trifles of the Inner world of II 1 human affections and endeavor Noth I I w i 1 Ins kills the Hfe of a letter more sure I I ly l than the conscious or unconscious conscous r i reeling on the part of the writer that wrier It Is not worth while to write this or that Absolute play of the pen Is need I ed for the quality of style In letter JetC14 L writing evasive as It Is tends rather t I t discursiveness than to conciseness C azine Robert Edgar Bowen In Guntons Mag L iI |