Show i f i FOR FANCY WEAR i BY MARY DAWSON e f F j London March 2 Has novelty so potent a charm of its own n that any anything anything I thing one sees that JS 3 s original in idea Id r h it 1 is for the moment at any rate most 1 exquisite and desirable in ones onos eyes or orare orare it are the new spring modes that I saw shown hown last Jast week really more beautiful t than hilD anything I have beheld before The materials that are arriving are areas are areas areas as delicately fine fino as thistledown even 1 when they are made of ot wool and the tl reason they are so woven Is that every fabric must be absolutely supple in the dressmakers hands lands so that she can 1 d drape It Jt according to her will and se secure secure i cure for her customers the elegance of 4 figure that must be theirs theira r Once more the naturally graceful woman of ot rounded but slender proper proportions rt will triumph For her the most r beautiful models are being designed Many take as their ther r main theme the i bodice arranged en pel pelerine pelA it A erine with a and sleeves of ofa ofa ofa a contrasting fabric of If I i fragility and the long iong flowing skirt 1 that Is full ful yet et clinging and very sim simply simply ply trimmed If It at all allAmong Among Amona other frocks of great distinction distinction tion Is an outdoor gown of finest black cloth decorated at the edge of ot the skirt with a broad band of black and n gold velvet cut on the cross The They y pelerine bodice has a ai i 4 4 and elbow sleeves stiff with dull gold Assyrian embroidery embroider and I r of pleated gold chiffon hang hangI I behind the elbows with a very grateful graceful gra 1 l and softening effect An evening dress of ot luminous satin i in i admired n last week displayed the new color an exceedingly j Vivid tint wonderfully softened and andt t made most acceptable by a short U bodice of ot tulle tune This dexterous melange of colors was divided by a of ot cyclamen pink patin truly an evidence eviden e of oC the artistic perception of tho the maker of the toilette j Its wearers hair was beau beautifully beautifullY beautifully and tied with witha a fillet of ot pink satin and in the front of the bodice an enormous pink rose nestled r II while there were also touches of pink to tie up the sleeves The bodice was d cut with a very deep V at the back backI I reaching to too the line Une of ot the high waist 1 and thus was exhibited a new type of S dross dress ea ro classical cla in its simplicity so soi i completely the epitome of grace as to tobe tobe fl be entirely entirety satisfying to 1 eyes It will be modish In the early i t spring and is already being used for tor Riviera orders and for Indoor after afternoon afternoon noon toilettes at home homei tf i One elegant evening dress owes owe its i smartness to the loveliness of the ma materials materials and to the simplicity of ot Its lines s stO I two tO cogent influences in the future of ot frocks s Marquisette of ofa a shade posed upon purple satin has a aJ J bordering on the skirt of fritillary pur purple purple 1 pie velvet rayed with brown silver and i gold SOld bugles and the bodice r i Is s all of ot velvet save for the and sleeves which are of filmy Mechlin lace Jn A coiffure dressed in lh the new Viennese manner showing three huge rolls of tiro 8 so called sau sau t page f se type and the dog collar is one of ot the very smartest new ne kind made of ot I strings of gems with JUl damond amond slides and a big plaque of dia diamonds diamonds dial l monds In the center centerS i Striped S velvet clet coats ats are quite gain gaining i r sing ing In our affections and are particularly i 1 1 J S agreeable to those whose w ose lines linos are not b so eo sylphlike as they would woul wish They I t E inre being worn with cloth skirts and andI the ithe I he cavalier hat that Is one o of f the th e rall ml L t enchantments of the tee hour One Onet 1 I t example Is carried out in i de deI velvet chet and cloth with galon l I 1 of Mt copper topper and silver shout the shoulders shoulders l ders dara a relief that Is to repeated by the thes s i tint Int of the plumage in the velvet hat hatt t f 4 The Tho greatest ambition in the tIe way w y of I I millinery at ot the Ule present pre ent moment is to tol l II have something which h gives a touch of I Individuality The early spring hats seem to have achieved this object and an d 1 II the Inventive genius of at some of ot the leading milliners has resulted In all ail if manner of beautiful schemes many of i J y which are remarkable for tor their I Some of the hats have trim trimmings 1 mh mf consisting of large hunches bunches of i is t blue thistles ana and frosted j 4 Bunches Bun hes of edelweiss ft J w with tl tire the flower carried out in pale pas pastel if 4 tel shades In velvet and plush plu h are be bee e I ing ng exploited with a certain amount of ot caution owing to the fact that the thet t t raze craze aze for edelweiss ed exceeded all aU limits t j t f f r Sew Jew years ago Ostrich feathers are I 1 k ea popular as ever and picture hats bats in ini i t 1 I aled U shades of green trimmed with I clusters of Japanese blue If i t feathers esthete S or any shade that even re remotely ref j f mutely motel suggests BU Japanese colorings t e I are extremely ti chic chice e Next to feathers buckles appear to tobe toa 1 be a matter of ot serious consideration i Huge examples in dull dun beaten silver sliver i tU d ded with stones or 01 in cut steel teel f 1 or r gold filigree about abot ten inches long long 1 dbent bent so as to almost encircle 10 the I j i crown hof of the hat are to be seen see while a innovation is represented r J resent by bythe byI I r t j the he h buckle b of kid covered over with t 1 sated IL |