Show r c i i i h Ui- Ui i i f Takes This Taffeta Make Youthful up Ashes Roses Ashes for Ruches Its of i. i Frock Roses es ll effects L 1111 lU y of the Same Outline the tte Panels Which Wh Part to f f r Here at Last is 15 the e Newest vest Wireless W D. D Disclose I ose th the e 1 Petticoat Petti coat of 1 A p A Approach to o the e Hoop Skirt S k ut of o 0 f Civil C. C IVI Rose Tulle 4 r 1 r War Days a s Developed for tor oear Wear 0 L l 1 by Dy the Young and and the Slim 7 F 0 t i. 4 O oJ o- o O e 1 t ii J I. I T I r f f Jt r l E Ii i iI 0 rf I 1 l dt o r f tJ i I c c 1 1 I t. s r 1 T. T T. T 0 I T Ii jf iJ r t t i ir r IJ I W ft Jt t. t 0 1 fp ri r I If If lt I ri t tt Ht K If f.-If v ff f ji r. r t 9 h o. i r I tJ I iI f to fA t o PJ 1 j i J I t f I f Jl Y t L' L C t. t i if H t I i. i 1 N 1 T L 1 1 I Iru I Hit i I oJ s. s u Y I if rZ T Of fi f i. R I. 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C i 4 i F l. if 1 43 j r CJ 7 h 4 tR I 1 IJ f oJ U r. r t. t C I 1 i I d tf 1 J J i t rt a q J G t Ii 1 i J y J j i 1 I r f k 1 fj l I J I 1 f. f f 5 t l P o 11 I. I I C ae J lf Al' Al lt I f J I J j f o r 1 f fJ r j I. I I Lo c i Ij j r f. f t r. r i I I t oI 7 I J Frock at atthe The Dainty Yo i J I Jt N i J J tm f f hl t y the Right Started Out Outto p ph II W I. I 4 1 f. f H I r I II I J J I I h 1 J fr to B Be e F French h BI Blue ue an and d i t II l J t 11 I t 1 I li 7 Decided li Silver Lace Lac but yo T rJ of 7 k f r f to Add a Display of r- r I I i J. J i i r I t I Hyacinth p. p i 1 f I Caught by Pearls V Il i ti f J It r r 2 t ii a f 1 J. J iN tt t r R It iI fa f By Madame Francis Frances s The Famous Creator of o Fashions effects in evening dress are B BALLOON with us s again have been in fact for some months At first women women said they wouldn't wear them then th they y said they would when they viewed the picturesque picturesque picturesque esque effect of these airy dresses in the surroundings in which they should be worn The Spanish or Velasquez silhouette launched at the Francaise Franchise inspired in inspired in- in the new map of the female figure and quickly the lines from the lead pencil outline of the narrow skirt to the f furthermost frontiers of the balloon skirts illustrated The younger women and above all the slim elim women take to these gowns arid and wear them with picturesque c charm arm The comic sections of the newspapers would find food for for funnies if females of more husky proportions should adopt them Fortunately Fortunately Fortunately Fortu Fortu- the American woman preserves a measure of common sense in the chase for beauty which has been characteristic of the more deadly of the species since Paris awarded the golden apple of beauty to Venus Secretly I have always thought that Venus got that apple on the strength of her promise to to give Paris the most I beautiful woman in the world a as his wife Venus you will remember kept her promise promise prom prom- ise c and caused a lot of trouble thereby Balloon Gives Near-Hoop Near Effect 1 But what has Venus to do with fashIons fashIons fashions fash- fash Ions you ask Surely clothes did n not t trouble her Venus is the inspiration of all beauty and certainly fashion has m much ch r to do with beauty Any fashion that wanders wanders wanders wan wan- ders too far from the natural lines of the body has never been long-lived long in the exigencies exigencies ex ex- ex- ex of our modern work-a-day work world But while it does live All Hail I Its It's like the old Royalist cry The king is is dead 1 Long live ive the King 1 I t g t. t The wired skirts as they are called are here in profusion and will certainly last throughout the summer season The effect of these balloon skirts is far reaching and even if not adopted adopt adopt- ed in the extreme the side drapery directly descended from the distended hipline has become be be- Jet come a fixture in the new an J 1 ette Paris Paris Paris-l I mean the city this Th h time time time-is is also introducing floating floating float- float Ski ing draperies at the sides they are are called because be- be cause calise flying is the word of the moment moment moment mo- mo L ment in that capital where airships are the f scientific thought 1 The ba balloon skirts ar are fea feather boned on the sides only about six or eight inches below the natural waistline w with one or more rows of feather The word wired js is a misnomer they are re e not really wired If the fabric is transparent th the boning is wrapped with silk or t tulle and covered on the outside of the skirt with narrow folds or binds of satin or silk or with garlands of ot made hand-made flowers lowers Again this boning is 18 set on the underside of or the full fun and the dress ress is thus thu invisibly distended This distension of the sides only flattens the f front front and back The silhouette is the nearest approach to the hoopskirt of Civil War Var days that fashion has permitted itself to indulge in and the effect when well done and worn worn by a pretty girl is charming Its possibilities for the grotesque are e in infinite infinite in- in infinite finite and the skirt must be adopted with discretion The balloon is happily expressed in the gown of lemon and green taffeta combined combined com com- with jade-green jade tulle tulIe embroidered in motifs of seed pearls and green beads Tiny leaves of of green velvet dangle f from rom the centre of the motifs that accent the 1 1 1 r fJ 11 1 i I At RI Right i The Panels Panel S j. j of Black Black- f 1 J. J Jf u. u Chiffon Jl Ij Edged with J j Swung from Croin the Shoulders y Caught in in at the he Waist J JA A il jn en n Des Descend end 0 Over er a Bouffant t. t rt r t 0 of f Chiffon I on an and d L Lace ace 6 r. r. r i i r J- J scalloped effect of tIre the tulle tuBe as it meets the upper tipper section of the skirt which is outlined outlined out out- lined with bias folds of the changeable taffeta Beneath the jade-green jade tulle tulIe skirt falls a l slip of flesh-colored flesh crepe meteor Bright lemon yellow satin binds the edge of the green skirt giving an answering ans note to the depths of yellow r now in the changeable taffeta that furnishes furnishes fur furnishes the bodice whose surplice lines arec are c carried out ut in the taffeta yellow Lemon binds the bodice A garland of flowers flower in tones that merge and contrast with the shades of the gown is posed nosed on the left shoulder That lovely color ashes of roses is found in the tHc taffeta frock The bodice is severer severe plain and t the he balloon skirt is ism m made de in yin n four panel panels of taffeta outlined with of taffeta bound with a darker shade of rose There are narrow panels front and back and wider ones on on- each side A band of lace dyed rose is set around Through the meshes of the lace and when the wearer moves the full underskirt of bright rose tulle gives an attractive gleam of that lovely color There is a sheath skirt of flesh flesh- colored crepe meteor I ma may remark en passant that black mack w r Ie Service 19 1920 r I i o o tale raie Jaue tea C. C G Green Tulle r r. r 1 Embroidered 1 in Seed Pearls Combined Combated with Lemon and Green Changeable 1 Taffeta 1 r C. C 1 Y 1 i J L I I 1 r 1 1 l. l 1 r T r 1 ro I. I rii S r L I J i J 1 1 I 1 J Rr If fA 1 Over this falls fans a full skirt of z I. I black chiffon to which are attached three thre i flounces of chiffon in which are set wide bands of black lace The long train tram o of black chiffon adds a graceful note to this thi costume which is worn with a picturesque i JU f r I i- i wi 4 mn 4 with 1 Jp 4 l' l 1 oJ I kid and suede glov gloves s are arele I Ie le dernier Bernier cri in in Paris Pads f t 1 They are worn with short sleeves sleeves' in the afternoon afternoon afternoon af af- af- af and appear with f I zI many of the evening gowns Their effect is attractively illustrated ted with the balloon frock of black chiffon and Jace lace 1 trimmed with bl black ck IL I bugles This gown varies aries the usual Velasquez sil sil- silhouette silhouette silhouette with a flat panel of chiffon front and back This panel b bline gives an exceedingly low neckline neckline neck- neck line high in the centre and showing the curve of the shoulders There is a camisole camisole camisole cam cam- isole and slip bodice and slip skirt of black v i uta i Jt U v sprays of black paradise j i Pearl Ornaments Much lUnch in m Evidence j jA i. i A departure from the fhe balloon skir that nevertheless shows its allegiance to tD 1 I t the he distended hipline while holding tightly tight tight- ly to its Greek inspiration is made of hy hyacinth hya hya- th blue satin effectively draped over French blue and silver lac lace Pearls embroider the deep V neckline and the narrow U-shaped U opening in the char char- meuse drapery A small pearl ornament accents the meeting of the angles at th the centre front The overdress of hyacinth blue shows a facing of saIm salmon pink at the sides and in th faIt N of the drapery around the ankles TI This This' is overdress is also bound with a narrow of salmon pink which is Is- in ty lovely contrast with the blue The girdle on this gown is silver x f The turban ban worn with this gown v ver per and magenta brocaded chiffon that z wraps itself tightly around the head k The back of the gown differs from th the he front The silver and blue lace runs iota into it a deep V to t the he waistline This V is ia filled in with fl h tulle and the skirt drapery reaches only to the girdle X 1 t r The Forecast Fore ast st I shades of orchid will be widely observed in summer evening f frocks oc s Changeable satin combined with tulle crepe chiffon and arid Georgette q crepe trimmed with the pastel Shades or 01 yellow coral produces delight de delightfully 1 fully full Y lovely love orchid dresses h Ten V West est Fitt Sixth Fifty Sixth Street New York I I d r j 1 I |