Show 1 I rich och formal afternoon gowns handmade lingerie Is popular TN IN AFTERNOON gowns more than L I 1 in olly anything else women demand in styles and they are at al war looking for or something a 6 little it different lier atit one tal tailored lored suit may be ad quite te like another ao 0 1 long 9 BB fit and it child are alme above reproach but in bit after noon am gowns tile same story must not b be twice told therefore dell designers giers ban keep D busy turning wt out variations variation OR on the RO themes of tile the mode tie and they are am issi dred by abrora por for formal afternoon cowna the fab tic rica chosen are rich flea awl 11 aft dignified 1 in 1 themselves and therefore t lt Is a i requirement in designing ting he bv an tf of firm tunica tonic 0 nn a fel am lanion indents and lonc lieB of far to or other 1 a r trim alo lafaj tile the simple designs are varied and but handmade lingerie has ban always ambi tabled its place R og the acy of underwent and this nerson a finds I 1 it af more in demand than ever re becam before women me 1 are am emphasizing hin their prefer ence ar for ir it rust not because b ace eachl machine made garments are not net a ag metty but he be cause handwork Is fetid fashionable on ble it al 1 lows iowa the indulgence of personal whim ahlma the th average needle woman con can in dulse herself in tills this luxury of hand work by making her own merchants everywhere carry the need cd materials 4 erh Is and style can be rath gain ered r f me the new exhibits and blue traders trat lons 11 like these shown holes Is here A sipp IB and mac reveal at acyle in 1 lute models data mild and a new cor corset but be beara ihfe be company t I 1 latest in afternoon frocks made interlining interesting Brom brocaded brocades Bro cades files balsam bud and all 11 rich materials mater lala lose character when made up into fussy dresses two new exponents exponent of present peasant than fash ions on are shown hown here hem both good example ore of z adaptation dap tation of design to fabric the dresa draw at the left la in a brocaded crepe fearls with a tell touch e it of fur tor for trim islas aln it bea has long bodies bodice joined to a tiered skirt with shaped dep it flouncy all nit ezrh 1 ing 19 9 ID bi a C ceade at ith the left IG side a where her a list flat simla girdle ends code under ita bit of 1 fur far the sells satin drew dresa at the right rare dums ducca an innovation in the waistline foretold for or spring A long jac jacquette quaite 1 te joined to the skirt on a line that flesh colored wash all aaita 11 1 Is used read ill foi lb the a step tapin in with ade side warns mine split 4 little way up at the bottom and ribbon shoulder strap narrow val laft lace is whipped on at the bottom and the top edge finished with a corded carded piping below this abl a band of lace Is s applied by means meana of french knot cnota or oc fancy stitching telling wit in alk silk along its ita edge nar row tal 1 edging Is ie used tor far a V V no hoped plan plastron ran at ill the lea front till the nightdress be has a shallow yoke formed of rows rowa of val sal insertion her ring boned to together g eaber strip of insertion are bet aa in nt at the front they are terminated by loop leopa and mile enda of narrow D I 1 I 1 step I 1 in bud and nightdress asp toward the back emphasized by two we narrow ruffles A wide bush bash of the the still with pointed ends breaks break the even hem ham line inne and close fitting sleeves am ir finished with ruffles mines collar bud revere sells facing a eire of light hebl crepe arma overlaid wt with in a wiggly pattern ot of out ou tache sells braid in the color of the dres the kameno for replenishing plan sides ap P piles pile of lingerie line erta to here and tores stores are displaying tilde their newly arrived storks and ad ma alz embt a seems earmen tg atu totally rally the a letter latter outnumber to aber fit tha forms former be because use price Is IB a id vital ftc 1 I 1 with will moat 0 bol OP binl C ladde I 1 asp ive ribbon million narrow lace hice bel frills and little how bows decorate damson the yoke and wt out line the scallop at the halt bottom new ei cori inset ieta continua n u 3 to adroitly manage go the figure ai fashion dictates die tates bead bonea and are solvent in 1 many may of them that cap replaced aced by bj statute flexible and in 11 flexible lam brocade ade fabric knitted elastic ond it silk fik A brocade do a are combined in its th model p pictured it 11 1 leare alt figure free fees above the wal waistline tima a 07 ah mal |