| Show PAINT OUT OP DOORS BENCH ARTISTS DISCOVER NEW UFFBCT9 Th Same plan Iva rollo1 Ivion the Irnl Inllnc welo tied for II ivorire rl 1I01IllnloII reoI 10 VvIndolie AAlrS marvelous succeed In Minting 161 the nude li attributed attri-buted to his habit of putting I his mod eta out of deor and now should you 4 chance to wheel I along some country I I lane and a a god 1V dI no dno 14 the nlllr effected on one oc 31100 by Lady Oodlvn ol Coventry you mist not bo surprised or Indignant It li only the development of n new arllillo Idea the rmull of which the artists Kill tell you will enable the winter to achieve color cffcol that It is I impossible to obtain by painting from tho model In the studio The north light of the studio li I not ho light of nature It has not the arlty of tho light of outofiloor and It foil i upon tho model and bring out tones that are not naturalUtlc Because of nil thin It In polled that many artists are going title summer tot to-t mi their eel 1 In the wood or by the Kit there to paint from the model In he bright or motioned light of out fdoor that never enter any studio Tile naturalistic painter aix the one that are going tu do thin tort of thing Tile Idea li I in mlcht be fancied not merlrnn but Trench Startling 11 this may appear the ar 1111 mind is I prepared for It by the irlslnn precedent Adolph Lazar a painter occupying n studio In the Paris Latin quarter made neetwlly the mother of Invention Half a dozen years ago he has In despair Ito had conceited tho Idea of tho picture of n nymph which ho hoped to exhibit In tile lulon The curly ikelchr were mdo and his model nrcurcd Where to paint till picture was a Duration that puzzled him Tho Until In hit itudlo wu while enough but It wo not the light Ibo artist deilred and that he thought mint have fallen pan the nynyih of old Ho must approximate ap-proximate that light ai closely ni possible pos-sible IdleWhere Where could ho secure 1t1 Nowhere better he argued than In the wood io ho picked out a spot Intending tu make its itudlci there and finish the painting at home And It wn In tho wood that this Idea occurred to him Why not pOlO tho model hero In the pen air Why not catch directly on ho canvas tho effect of the trallgl oftened light that nod Its way through tho leafy screen to the ground And Lazar did 1 Hit Day niter day ill mold was posed by the banks of a little stream and the result of his work was n picture which Interpreted per ectly tho natural flesh tints the soft lunllght on graceful limb tho light and shadows of the human figure seen In the open air and under the Irrm Tho painting was a success It wal discussed by the world ot art and olved a question that had perplexed artists for year Tho solution was io simple that It had not been thought of before Thousands Thou-sands and thousand of thousand a of dollar bad been spent In filling up elaborate studios containing not only roof but sides and front of glass Other studios were built on tho roofs of houses all to obtain the coveted natural light of the woods but there was always something lacking Lazar tho struggling artist settled all questions ques-tions by going direct to nature 0 0 0 No secret was made of the manner In which the perfect tone of Lazars nymph had keen obtained In a month half a dozen artists were posing undraped I un-draped model In ai muny point of the woodi about Parts One ot the first models to be taken to tho wood was the famous Sarah Brown Sho was the first too who discovered that the now Idea was a boon to models Tho air nol only I had a beneficial effect Oil her the found but removed half the fatigue 01 posing for a length of time In a difficult attitude Beyond Iarli In France the Idea spread rapidly Nowhere however did It become 10 popular ai at Ores near the river the scenery there being particularly par-ticularly beautiful Tho French artists ar-tists who Inko readily to any now method no matter how freakish grmped this upon Ibo Instant From no quarter wn tho slightest objection heard One artist nt Orel posed his undraped model In his back yard beneath a grip arbor The artists mother had for years been In the custom of sitting at n rear window to watch tier ion paint In tho back yard and itlll remained there They look upon that tort of thing dif ferently abroad than here |
