Show GHE NI TO TOBE DE BE HE E ON Oi WO Fine Finc Numbers on Oil Pro Pro- Program Program gram Explained to Music l Lovers I Tho fhe Th program to- to to lh Ir concert to bo be gIo glien b bl b tIe to t ShY trio Irlo celo ind r o la un- un under un under der cler the auspices ot of o In lb Od n and I Wo- Wo Wo-mm Wo 0 club dub ie da 1 the I nale wai l a 1 Satur- Satur d I da s is tS foil 0 Tilo for Pianoforte Violin and I ll II I D Minor andI I D 4 Moderate D Minor Allegro Molo D I MaJo DI I I G G f V Allegro on 1 II 1 I MInor r rhe I theme of tl th thi Is elven out fit zt b 13 the lolin I la Is soon son tol fol towed lowed b an ode episode wt-ich wt F accompanied b bv corn corn- qua flutes fl fI for the Hie pi pa lb no In InI Indue Indue I duo due co irso SO the thC gie C rill cut It the follo follow in melody of me ne ne n H nond L ond 1 ond theme The tad nCI of h hi LI I section ll h marked by a A and descending in the instruments au anI nd 1 an em- em em emphatic I phrase for the celo c lo The fhe section ecton opens lIh a slight light mo modification of Ire ftc first theme an and 1 the th fol- fol folIo foloS fol folio aI I io oS s the original t I close dose closely ly Iy Th principal thematic ma of oC th the second section l I is a u figure of octa es for Ih and n a more flo flowing Ino melody g p en out In thirds Millie hUe thc alO 1 lOUt part mo incline Ins Ins- rapid I Cro n tro-n the highest to the lowest 10 cst es s soon i folio s A I ond Iel 1 tor the cello is Introduced with Ith a n of oC a IL key shortly 13 After Aner the first section has been ben repeat repeat- repeated repeated M ed a of oC the cello melody occupies the he cola I 1 the ho third i movement begins Ith the of oC h h- h principal principal principal pal theme by the Hie muted cello which l la Is then repeat 1 I by tie te A more mor section then follow follows In the iho n a jot key and bore bere tor a pathetic Is 1 gien en out by tho tito piano plan This Thil Is lathe IsI I the only thematic mated il U In the themo themo mo mo In tho finale the th lively PI pal inel- inel pal theme Is first out on the thee I piano after aCter some bars of oC strenuous Introduction Pe le see sec second sec second ond theme which hal haa h a 0 rh Ihm Is gien en out by the cello The principal Ih imo thino me of the forms Corms the th foundation of oC the coda Violoncello Solos v t MIschel Sk la ta a C Cut Cui b Vito Vilo Popper lopper c Berceuse MIschel Michel SkY d Popper Pianoforte Solos i Jan Ch inia a Nocturne b Two Tho Studies Chopin c Polonaise In A nat rial Chopin g Violin Sonata Son t Leo II 11 Trillo Del Dei Dla oo il Kreisler Mr Leo h has his hisO 0 O n U Interpretation ol th the Dc DC Ii's Trill based on the th tic ftc lat at this piece ass vaa written by after a dream thit the to devil hoi taken possession ot of his soul The Tb introduction cas lS the expresses to h m the tir trance strange sad ad feeling of the de deH's Hs H's as lr Ie lies a Malting tor for the th sleep that will not com corn lie be- be begIns tins be-tins gins to sense Bense ense some omo awful I be-I near him ex exercising fascination which he is re presence grows grots gro s more n und nd 1 more distinct and und at it last h hu he Satan Salan himself litt ind nd ter- ter terI uLlo I able Iho Th monarch tit ff nl I I hold him enthralled In of or hint hint- him sell and upon hint him ex- ex cx 1 tortures Then conic come conies the grave In which tho the subject of this anguish implores to be b iet et free but In tin ain aln after aCter tOI nent lacerates lacerate him The Th ca cadenza brings hatan's Satans realization that his Is not let et In complete and ho he seize his hI tearing soul tearing It sunder asunder The victim utterly eak eakIn In the tin hands of or hL hlo dreadful enemy 3 yields himself entirely to the tho field lu in the Ibe lat la t tto to lo bars bar barwo wo tto 0 h hear ar his ot of o despair dc merged d In Satan batan atan B s exultant Leo L o Ch Trios ski for Piano riano Violin and nd Cello Arranged b bi Trio a A lo Mario Bach Ifach Gounod I tb b Minuet Ii I |