Show EMOTIONAL MUSIC I Of MOVIES VITAL VITALI Composer Stresses Importance Importance Importance tance of Proper Ac- Ac Accompaniment Accompaniment Ac Accompaniment I Nearly all aU the super motion I pictures that settle soUle down for tor a along along along long run In New York pay a visit to Hugo musical dl- dl director di director rector of the Rialto theatre before beCore taking up their residence Without the musical raiment with Ith which he I dress dresses s them up they would be as i Incomplete as a musical without a a chorus I This master master- mixer of oC melodies has ha arranged the scores for tor TheTen The TheTen TheTen I Ten Commandments The Cov Cos Covered ered er-ed Wagon The Hunchback ot of Notre Dame and a number of other notable film He has hIlS ran ran- ransacked ran ransacked sacked the musical archives archie of nearly every foreign country to find the equivalent of oC every situa situa- situation situation tion tho that t appears appear on the screen DEPICTS S E S He knows know how to suggest gay gay- gayety gayety gay gay-ety ety anger Iron suspicion and bat hatred red In terms term or of oran an orchestra But he confesses that In one respect he has met his hla Waterloo What seems utterly lacking he says saye Is 1 i music that Is so com corn commonplace commonplace that no one will lI liten ten to it In every Cry film there are aro many Inconsequential scenes that call for tor tora fora fora a mere pitter patter background of oC music I wish some one would sit equivalent down and compose the 11 lent of- of or How do you do Mrs Smith 7 How do you ou do Mrs Brown Its fine tine weather eathor Isn't it And how are all the children today i One cannot play symphony mu- mu music mu music sic during a scene of ot thi this sort It If the tho accompaniment Is the least leut bit too melodious or striking It detra detracts ts attention from the film And that Is the worst crime a con con- con ductor conductor can commit The audIence should never never- be more conscious ot of what Itis hat it Is hearing than of what It is seeing REPRODUCE Kli It It Is easy enough to find mu- mu music mu music sic that suggests ermine robes and andall andall andall all the splendor splendor- that goes with thefts thelI tl tI Is also ea easy to e the other extreme rag extreme rags and anti pat PO pov poverty erty But to reproduce the tho 25 5 business suit with its humdrum e background Is another I matter When hen Mr cannot find music that e represents II the mood of oC a scene he composes It himself The stirring march Westward Ho Ito In The Covered I Wagon which signalizes signalize the start I IsI or of the caravan across the tho plains Is hIs own So are a number of the most moat effective parts of ot The Ten Commandment The opening scene cene where the Israelites are I dragging the gigantic idol through the sand Rand and the accompanIment for Cor the tho crossing ot of the tho Red Sea are the result of oC the combined of- of I Iare fort torts effort of ot or I Kor and |