Show to concentrate on the sleeves we ive hear till nil auita arts ot or rumors about tile the sleeves that me are to come whether they shall be tight or loose flowing or 01 plain but alas it Is the sleeve it li seems around which tile the clothes in terest centers observes a fashion writer in the new york times col lars skirts bodices and alstrand alst band keep their own oiin importance in the hi scheme of things but slee sleeves es remain attractive iv belll till the center of oe attract attraction 0 there Is no known fabric no known method of trimming no clever adorn adom anent for feminine attract attractiveness lieness that tha afternoon frock of sliver silver lace and an underlying area of gray georg ette tucked in group for trimming has not been applied to 10 tile scheme of sleeve glees e construction and with tile the ut most success as a result mich I 1 nali worn wont an W who 10 at all prides herself eiselt li upon her ter 13 dressing as ft a mark of distinction for her personality pays paa much attention to the manner ot of the shaping of her ter sleeves there Is where the lie art of the modern modem gown Is concentrated by bi the ali owing and sweep ot of the sleeve Is the style of the rock frock established the sleeve by all odds carries off the lie bulk of attention and so it shall be during the coming coining season so tin tilt designers have decreed it if their advance models are to be taken as any cri rl berlon by their sleeves ye ie shall know thein that la Is the new style slogan the hie rest of the gown may be so simple that it la Js absolutely devoid of it way cleave to the common livel level in ili every other particular but as for its sleeves there it excels sleeves art an the lindor tance of lilly any gown they ahey tire lire the points by which sou tell tit at once lieth cheth er it Is in the class ot of the alti ulti altia it smart or not they thi may ma be plain indeed but they somehow manage to place themselves as the center around which all interest revolves that Is their distinction in the modern modem plan of dress to be in height of fashion so set see to lo your our sleeves it if you would be in the swita sw liu of fashion do not allow them to sink to the level if f mediocrity they ahe are your our banners of fashion and no matter whether their olds folds sweep into the ali soup they still roust must carry that gracefulness which Is so essential a part of the frocks that are new the sleeve alei VL has only just lie be gun to evolve it promises during the coming season to a real style interest never neer before in ili exactly fc 1 the ratio that this sleeve era ein shall ahall attain so could lie more of fashion interest than to study tuda tile the sleeve as aa it exists today toddi with till an ebe ei to its evolution lit in tile the future futine in one model there then Is used a com coin 1 of white against it black kaehn cloth then to join the two to together there are rows ot of handwork linn dwork it ID ein brol dery done with black threads hut but it Is in the sleeves that the real leal design converges csergei they art are simple enough to be sure but they carry with them that certain style fettle which marks them as an insistent part of 0 the mod ern em era the blouse of tills this pal dress is cut in the killi ollo fashion that Is so BO dear to tile liean heart of tin the french I 1 rend but the sleeves slope awry away in a very informal manner maimer and thui then they ali v tire are tied together with a ba bund nd of the lie white kasha cloth made to form it a sort of a tassel they tin un are inconspicuous enough but they 11 ev have that certain air of being the points of anteri hi terest l that dignify tile the gown us it portion of the seasons mode again agnin nt lit tile the ii eckline the band Is used it to tie HL tile lie collar together and these three ties yeni serve to form to a pattern filat dina 11 aws the whole design of the garment into one tile lint hat li Is its as title one might expect and it Is 14 lucid faced with lilt it layer her of black while the roll that forms the lie trimming about tilt ernan i n Is amile of white velvet twisted until it forays i a mort eort of rope Cap Ca elika sleeves the sleeves of this gown aru aro full enough to run into it sort of drooping effect tit nt the back which alien the arms are loosely hung ut at the side form a cu ca look across the back la in spite of the fact that tant they are arc veritable sleeves when the arkils ancia are posed nt at other angles this Is one ut of tile the happy parts of the modern bleeve besides being a sleeve it Is usually I 1 1 so ething else they together fo forat n cape a scarf a collar or what not they are only to begin begill with sleeves but they usually have some other to perform in the design of tile the gown con as a whole there are sleeves which reach lute side I 1 de draperies for the skirt and this they du most effectively for instance there Is a dress of brocaded silk in ili gray it Is straight enough and plain enough by itself but then there ure tire the sleeves gleavea gl eevea they are folded and draped and ana clung over tile the units arms and when the chihon has tin islieb milking making sleeves to be worshiped for their very beauty then it takes it naif if into the skirt where it Is draped and folded to such an extent that it makes the real interest of that skirt of course the drapery congregates at the alie sides and lit it the liem hein it falls in points over the heinline hut but alil sleeves tire lire the things lil cli start the e idea and binl from thein the folds of the 1 I skirt take their nay my lit in unalloyed enjoyment joyin joy ment ent tu to the gown there Is a wide hand band ol of silver luce lace to lo make tile the girdle and then thell there Is 11 it a chou of violet to flowers floers intille of chiffon posed tit at one olle side to off if tile girdle on oil the whole hule it la is a not tible gown in ili perfect harmony fill the style of it alie present but after till all its sleeves im the central points of i I 1 interest terest li front from them the lie imperiel Im that make tit alie g gown it I 1 VIl lUrge ill ami in tire are OIL talt lie continuity of the hulling of the 9 guwin 0 1 itself iam lf for afternoon dresses for after afternoon noun dresses ill alio sleeves tire lire of if jelt its us they tire lire for 1 r liny any othea sort ot of frock I 1 ill fiut fact tale Y niu L allore so if tile nere eie fined faced afternoon fridki billit lil inn lit t of nurs lieve sIty sll lie be graceful greili fail and just no willi without ollit homing bloms th alnie ere is no cannee of tich leving it 11 graceful frock without that side addition that ilia makes lies a sort of sleeve there Is another frock it if Is composed ot of gray georgette gem gette combined with wide applications of sliver luce lace and it Is a gown eon that hint Is notable so fur far as its sleeves are concerned the sleeves allot the upper section of the bodice make inake a pattern with the groups of tucks that tire arb so bo arranged that they string along the sleeves fele ees nold then across the nock other than that there are only layers of tile aller lace which stretch over oui tile foundation of tile the sanle elli froll blit allo call say sai that the sleeves tire me not tile the interest intel ost of the design of the alie gon tile the lace ince Is the tri trimming mining oil oh avs rs to he be sure iuie but the foundation frock frick Is accentuated by the rows of if luchs tint that stretch across the front wid the back of the bodice and then down don tin tho sleeves and across I 1 one of Lan laivins vins latest street cot cos turner gurnei it la in a combination of white kasha cloth with draped sleeves sleeve their edges to ninke make at design of simplicity ly 1 which haltli tile t tone one of tile the frock fiock Is established on oil some ot if the newer summer dresses there ure tire seen sleeves that hint tire are bolg fad tightly tle lilly jilted they tire are ly ef f luce lace or 01 of some transparent tinn spa rent ma ina aerial mid and inon often liften than alinn nut not they have hac jemne trailing like anair drooping froin then but there liaa havil been seen I 1 lie se alee es mul and on oil the very cry most lost advanced iid Minced models nid dels that tire are tight ly y bitted even esen to the ilges wrists and then are allol all pit to flare over the hailds in a most picture picturesque aque milliner manner |