Show 4 r Y r V A r L A t a t i i M. M f fi i t 1 rif T 3 LS K z I ui uit I II I I t l L t tt t t OD O- O oft o a Cartoon D Donald o n a I d Duck Woody Woodpecker and Mickey 4 Mouse can look to their laurels The animated cartoon L craze z has eau caught ht on in En England land and a man man eating lion w named and Lena a beating brow lioness are cavorting cavorting ca ca- on the screen in sprightly antics that loom as a threat to the popularity of their American counterparts British children children and and adults are adults are currently in raptures over Lenas Lena's coyly inexorable pursuit of y x s i dF Y k jN 4 a fi i h is r y op a r Ay t 4 r The hand behind Z i m b a is David David David-David David Hand that is He was once the and later second-in-command second to the celebrated cartoonist Walt Disney Here he and animator Ralph Wright and John Reed discuss the merits of drawings submitted for consideration by ambitious artists Hand was responsible for many of the Mickey Mouse cartoons and Silly Symphonies while with Disney Now he is director of British anima animated films I rt t. t M 7 l S f ii r I J w l Ir S R d Y t a wa c 4 t- t L yin i. i r r r r iri rA Y S f J 4 t 1 r t Y A Artists r t i s t s and animators gather in story department above y for exchange of views after central theme for cartoon car car- toon is proposed Then animators are called into conference conference confer confer- ence below as details of a o new character are outlined y To get et right expression for his drawings Bert Felstead a right grimaces at himself in mirror l' l 9 7 I r |