Show ITALIAN NTA POPULAR HANDSOME LIN LININGS A HOBBY L derail j aa ak 1 7 I 1 4 it S e F fascinating L S and fashionable A AI art italian tra punta corded quilting la Is going the f sounds rounds it Is really a process of 0 tufting and quilting combined just the sort of work one loves to pick up of in ili leisure moments moment 1 bogs bags done in italian tra tro punta or tufting which Is a more familiar way of putting it of taffeta or velvet are very exclusive and elegant in appearance even the amateur needlewoman need have no hesitancy in undertaking to make these b bags for only the simplest running stitch Is used and all one has to do as far its as the sewing Is concerned Is to follow the stamped design Perlin perhaps fis those of soft supple taffeta are the roost most satisfactory and one can get then them already stamped at almost eve every Y fancywork department other materials needed are a ball of eiderdown eider down wool a paper of tapestry needles a spool of black sewing silk and a metal or tortoiseshell tortoise shell frame also silk for lining with a sharp needle threaded with buttonhole silk sew along the stamped lines of the entire pattern stitching through both muslin and silk the design Is printed on the muslin so one works from the back use a very fine rui running aning stitch see fig 1 when the entire pattern has been stitched then thread a blunt tapestry needle with double el eider derdon down wool begin at center of design to insert needle through the muslin between the two stitched lines see fig 2 pull the through short section or what might be described as end of the design at least to point where stitching starts off at a different angle or direction pull full needle out through muslin see fig fg 3 drawing wool through cut off wool leavan leav leaving ln about one halt half inch protruding nt at enich each end the wool Is thus run be between teen the o 0 ilk x 10 4 4 4 4 gorgeously lined coat A muslin und and the silk raising it in corded effect insert needle again lose close to where you cut cm oft off and con dinue as before after design Is all tufted cut off protruding ends of wool close to worked design in pre preparing for mounting sew the two outside together ns as far as two indicated notches on the pattern cut cu a piece of silk for lining the same size of the hie bag cut away the lie wad ding from the bag when necessary to keep it from being clumsy where it Is to be sewed into the frame across the top and part way down tile the sides sew the sides in ID first and then the top finally sew in the lie lining if a silk handle Is used simply cut strip of silk which will be fall found nd R samples of italian Tra punta stamped on bottom of each pattern fine linings make fine coats no mintter how beautiful a coat be on oil tile hie outside if its lining Is inferior it loses criste its not much it if any exasperation T to say that a bagh grade illi lining ing bears the same rel relation atlon to a coat us the word sterling does to real silver ont ant however Imply implying lD that every cont coat has a silver lining but many of them do have most gorgeously embroidered and variously elaborated ones nowadays days it if fancy linings come too high and they do cost a pretty penny as most of us hae found out when the problem of re reclining relining rell ning presents itself the woman of limited means need deed not admit defeat that Is tf if she elie can embroider or paint tor for hand decorated linings are quite a hobby bobby with tuh tish this season its a very simple matter to embroider a colorful motif on the lining of 0 ones coat the pattern can b be stamped without much trouble it Is well for convenience sake to loosen the lining at the bottom hemline where it Is usually slip stitched the em hoop can be slipped into position very easily making it possible to proceed with the work quite defly the prideful manner with which charming Ct helyne claire calls attention to the lining of tile coat in which she is posing for this picture woula almost lead one to hellec bellec that tho tha pretty screen actress had devoted per time between acts in putting in all those colorful elaborate embroidery stitches which make up the gorgeous i floral motifs w which eliell we sei see whether slip she did or not for most likely it coma came direct froni from the workshop of her favorite furrier tife life hand involved would be a beauty adjunct to roy any coat theres more to tell about tills this handsome wrap which Is that lot it sounds the very latest note in fur cont namely if trims brown fur with white fur for in this instance the coat cent Is summer ermine dyed brown the shapely collar Is faced with white ermine JULIA IM UK 1929 austern newspaper union |