Show lifted waistline in model only attempt to change silhouette coats are of different lengths length says a parts paris fashion correspondent in the louisville courier journal To makes no attempt to change tile bilhou silhouette ette except to lift the waistline in beneral of her newest models three quarters ond and severi even eighths coats lire fire important in the collection sometimes these have little platted plaited ruffles tire matched mattli cd by one on the skirt ot of the alio frock go that a full length coat Is assumed when in reality tho the two tiered effect relies on coat ond and frock grosgrain ribbon Is 14 made into an arrow on the lapel of suit jackets an anil coats in contrasting color find and many luany coats liae satin collars which inaugurate scarf ends and bows in a variety of ways sleeveless sports rocks have often a dropped shoulder which hints of the cap sleeve scrolls and modernistic lines are often defined by piping and detailed work such as shirring and tucking la Is developed in numerous new ways as in spider webs in series skirt fronts have importance sometimes with apron fronts or two tiers again or the handkerchief ni nm ement or the lift at one knee while the ruffles on the bottoms of the skirts give the frock silhouette a quaint petti petticoat oat effect printed kid trimmings are noteworthy inasmuch as the pattern represents spotted calf sometimes in colors this Is occasionally used as a half lining in a coat among the decorative themes for evening fringes are looped natt at the lie sides over the hips two tone effects are produced in a number of evening gowns and in degrade gray georgette embroidered placed over pink naturally fabric tones and black tire arc ja ift good deal used in the coll collection petion ond and rollers kasha and kasha adin bild plain tones of flain flamingo ingo red particularly ticul arly as well as prints in hit tons such as lasurs s two toned small leaf pattern and meyers Nl eyers friska and the same material in for de lance pattern are popular makes nearly every coat cent full length and omits till all menns of fastening on the other hand lie he emphasizes pha sizes the short jacket coat as nn an integral part of the ens ensemble erable importantly identified with tile the printed frock as tills this jacket 19 often made of tile the same material again lark dark coats are half bialt lined with lie printed material of the hie frock and this figured material Is used for rovers revers end and collar as well A pointed loose side ade movement one in the skirt and one in the bodice Is 19 reiterated A new type of bolero Is dropped quite low in the back and gives one the feeling that it Is an abbreviated form of a mans full dress suit themes are directed in several channels in one type the overs kart passes three of the way around and in the back the lie skirt Is very snug and slim again point over overskirts skirts are placed over the hips only tunic backs in frocks are important the front of these dresses gives no hint of the tunic idea which makes the them distinctly novel full sleeve tops are important in the molyneux collection new fringes rubber gubbei are arc introduced introduce into two evening frocks molyneux brings back tile he lace frock for the lie races in which georgette Is sometimes applied to the lace pattern solid bunches of big roses are embroidered in both afternoon and evening gowns tills work looks like our old time dollies rhinestone embroidery in evening gowns Is exemplified by one in blick black with the motif in stenciled pattern |