Show MILLINERY ENSEMBLES AND j SUITS FOR EARLY AUTUMN 1 T WOULD seem as If It hats have I IT moods as well wen as modes One Is s al almost almost al most tempted to accuse them of being temperamental or is It the wearers that are thus At any rate according accordIng accord accord- Ing to modern modem millinery cult the hat must tune tunc to Individuality Not only must It enter directly Int Into the color scheme of at the costume of which It becomes he- he comes cOlPes an nn Integral part but It also also According to the Initial couturiers t showings suits and ensembles are aro going to Indulge in lavish also extremely extremely ex ex- ex 1 unique fur trimmings this fall faU and winter The furs employed run the gamut from smooth fabric fabric- like pelts to showiest long-haired long t types pes In these richly furred costumes ev n cry ery step of the way Is marl marked el with I A. A W i C r c It l 0 i fl f. f k J. J 1 r i r y 1 1 1 fF t j i f 1 4 b b r 7 Tb Three Hats Hat f for Autumn ee s w. or w. S SS must reflect the spirit of the time the place and of ot the woman who wears It Therefore the choosing of headwear becomes no light fight matter One simply cannot get by these days buying a chape chapeau at random and expect to be hutted up to standard Since millinery ethics so to speak have reached such an nn acute stage stag both those who create the modes and the women who wear them are becomIng becoming becoming be be- coming Increasingly hat sensitive Which accounts for the amazing diversity diversity di dl of headgear such as ns heralds the new season The illustration demonstrates the fact tact of bats being both brimmed and brim brimless I ess The two two cap cap versions as shown bear the stamp of ot French ori orI- origin gin The model a at the top in the above aboe picture Is of felt stripping overcast overcast over over- cast along one edge with wool yarn arn fascinating diversity here diversity here a badger badger- trimmed surfaced rough-surfaced tweed veed there therea a dressy broadcloth or It may be du du- collared and cuffed and muffed too If you please for theres there's the cutest little muff murr with the outfit all of at black broadtail Maybe next to follow In the style parade Is a brown novelty cloth flecked with white the white cara i cut cul collar which ties Ues very ery pertly giving lag ing It class J No less interesting than the furs themselves are the odd and diverse J ways In which they are manipulated In the Oat flat furs particularly one Is Impressed with fashions fashion's trend toward to toward to- to ward novelty So many of at the thin I supple furs are stylized with clever dressmaker touches such as piquant piquant pi pl quant bows standing collars one side fur and one side cloth sleeves halt half of at 11 fi fis s S Sf p I II I l l r rt t r i I I II F 5 I P I r Style Revealing Afternoon Costume t The TIe toque cap shown below It exploits the over all braided effect Again fashion sponsors the cloche The one In the picture is one of those casual informal felts Just suc such us as should occupy a n niche In every well equipped wardrobe of huts hilts One max maJ imagine It In any color which suits best for hats lints repeat the color of ot the frock I or coat cont with w which they thy are worn A very Interesting color phase which Is being made malic much of ot In the Initial fell displays is that of vivid tones rol BI-rol mohr r color trl-color and multi color are ure worked out our with consummate male mate art ort both In felts and nd velvets First In 1 the he color procession pro come browns in solids or combined wit with h stunning yellows tangerine and cape capucine cup cap shades Wine shades and und old fashioned plum color play clo close e see sec suds Quite a flair for tor greens to IOK tut e es rich dark dur tones Such con cona are f featured as navy with pink felt black with white also alRo black bluck with apple green fur the other half of fal c and so soon soon soon on and so on or Then theres there's the subject of ot materials which presents an nn endless variety in tn patterning color and weave Oh I the new street and afternoon costumes are certainly not lacking In thrills The model pictured abounds In Just one st style revealing detail after another an un other First st theres there's the showy fur collar collar culiar col cul- lar and cuffs to attract attention Then theres there's the fabric Itself a rough surfaced brown novelty no cloth for already al- al already al ready It Is apparent that brown Is tobe to 10 tobe be the rage Note the buttons on the blouse nn and the skirt for they foretell foretell fore fore- tell teU that fancy turns to th them as as an Important trimming theme Other notable details apply to tOJ the making of ot the skirt which boasts a u fashionable yoke yole treatment likewise the tho faille silk blouse which Is a tuck tuck-In signifying the return to normal normal nor nor- mal waistlines JULIA BOTTO BOTTOMLEY t tp Q p 1929 Western Newspaper Union i 7 |