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Show AUTHENTIC STYlJI FOR TAFFETA I ONB of the reasons for the pereu-nlnl pereu-nlnl return of taffeta to feminine rnvor, for spring and summer frocks, Is Its durability. It Is manufactured now in soft .qualities that still retain Its crlspness mid no one need hesltutt' to Include taffeta In planning a summer sum-mer wnrdrobe. It Is the Idenl material mate-rial for the present mode of tho long waistline snd tho full skirt, sponsored by many models from the spring openings open-ings In Purls thnt show tho low waistlines, waist-lines, longer skirts, with n llttlo more fullness nnd bouffnnt In outline. The models Illustrated Include nil these authentic style points. The one with the short straight skirt depends nl-most nl-most entirely upon tho material for adornment, but tnffetn Is In Itself an Imitation to ribbons to come and be it homo with It; therefore the skirt hns n irlmmlng of self cording nnd two rows nnd bows of nnrrow molro ribbon In n contrasting color. Puff. Ings of the silk over tho hips give It the desired bouffnnt effect. Having Indulged In this little frivolity, tM frock preserves Its dignity Py a ,-4l which Ih plain, except fortwocorwl seams. A quaint, youthful touchy I penrs In tho gnthered ruffle st M neck, In lieu of n collar, nnd Onltdl at the throat with a prim bowotr&l bon. The other frock pictured, of pnl tniti'ta, seeks the company ot ntnM lnce mid ribbons, to send It on til frolicsome wny. The straight, lurrtfl skirt Is topped by a gathered tw skirt, which Is edged In scallop vi-k I u knlfe-plulted rulllc. A similar raf. I He, set on n llttlo higher, ghaftfl effect of n double overskirt Ttal basque waist Is shirred In the ata-B arm seams nnd extends over the&tl In' two points In front. The 6qo.il neck Is finished with a collar tmggttl Ing n bertha of fllct lnce or of lmftl tlon filet, for tho shops Bhow r.iU good Imitation one can use It will 1 1 feeling of nssurance. Cuffs re tho lnce. I |