Show I TIlE WORDS OP OF POPULAR It SONGS k Tho Tim words of ot popular songs are fearfully and wonderfully ma made e. e Even the tho best of or them arc bearable only when tho time singer er carefully avoids enunciating elating clearl clearly Tako Take the time English of r. r 11 1 Tro It ma may be very ory 01 Im- Im 1 and find beautiful In tho the Italian which is doubtful when one considers v the stor story But when rendered into our own language it certainly is S po possible ble And AmI even eyon t that nt Is better bettor than some 1 of at the tho son songs that have havo been most sueI suc- suc I t on tho tim American n stage Here t. t I f Is 15 one from Miss 1 s Innocence In whIch Anna Held Hold simply took New NewYork I York by Jy storm Get Got a n. good hold bold on L 1 yourself ours Jf arid and then read road tho the lines Jines that lY rd sho really sings I I t A danco dance a la Ia American I By Dy each Parisian Is to be bo the tho ho proper thing j Its It's so flO entrancing t When youre you're lancing dancing J- J In Paris you'll hear henr c f When you ou go over o there ther Those tunes from Dixieland and 1 Yan ian L keeland The They think ragtime Is simply grand i This kind of dance danco you'll see sec ee thorn do t o I Whon hon you strike up tho band m. m Dance y Oh that rag raJ rag rag rag- Oh that rag raS' rag rag With a a. dreamy dream motion a la Ia La Mat Mat- chiche Dancing with an n lovin ever over ever lovin peach To a coony spoon drag I T T k up my Pg fi-Pg- SMa MT 3 Boils Bollo Soul sour l kiss and glide glido with me m my own on lab baby Honey bug throw yourself away Whenever the tho band starts in to play play play- Oh that rag rag Limit 7 Well tho the limit Is certainly lost in that c case e. e And yet et there thera are the words of ot ota ofa a song that Is la regarded as as one of tho the of or the twentieth twentieth twentieth century musical comedy world AVe Ye dont don't that 7 v mean sober musicians f approve it It or or oven even pretend to understand under under- t stand It But it Is one of ot the songs sones over which the tho theatre-going theatre public has bs simply gone wild it It Is only one ono of a multitude that are neither v orso nor better and yet et win salvos of ot applause and sell for tor reo real money all over the United States I Have the song-makers song gone utterly mad niad Is there reason for Cor the relegation relegation I tion Uon of ot Annie Anno Laurie Lauric to the tho rear I Do Do people no longer care care- for tor sense In inI r I their singing Or having fallen as low as It possibly can Is not riot there hope that bettor better songs P may bo be expected expected ext ex ex- ex- ex t In tho future |