| Show MISS HALL HAIL APPEARS IN EXCELLENT ROLE La Tosca to Follow Heartsease Heartsease Hearts l ease at the Bungalow Theater With her appearance as La Tosca Tasca at ot the Bungalow theater a week hence following Heartsease Miss hiss Mary Hall Willard Macks Mack's s 's delightful no now leading lending lad lady will be enabled to present resent her already Immense host 01 ott Salt talt Lake Lako admirers with a favorite footlight characterization of at hers full of or even greater emotional forc fora than thao her Juanita in Trio The ho Rose of nf th the t t Rancho Juanita originally written for Frances Starr is 18 in essence a truly role whereas La Tosca Is Js the most brilliantly melodramatic mole melo dramatic figure of or the modern stage Miss Hiss Hall has won splendid triumphs In New NEm York Boston Cincinnati Detroit Detroit De De- troit and ever everywhere here she has played this part in stock and aside from her Shakespearean characterization I values It as the strongest impersonation tion In all her repertoire The character character char char- acter of ot Florla FlorIa Tosca sho she remarks utmost capacity is ls enough to tax tho of or tho the greatest actress whether it be Sarah arah Bernhardt on the speaking or on the lyric borIc stage Mme Bernhardt once told me that sho she had never ne felt Celt as thou though h sho she had achieved anywhere near all there thero was In tho the poal potential po po- tent al values of or the part It was so full rull of ot the of at the tenderness tenderness tenderness tender tender- ness of ot tho Jealousy rn rago o and passion of swinging womankind swinging like a human I pendulum from coquetry and fascination tion to intense dramatic agony an and terror There Thera is tho childish impetuosity o othe or of orthe the first act the burst of ot Jealous rag ragin rage in the second the piteous pleadings pleading and terror of at the third tho the with Scarp Seal Seal-pia la the thrilling blood assassination assassination as as- as and the tho harrowing finale final of or all an this fierce Italian footlight ro ro- ro mance seems to me mo to have hav swept in this play pIny all the chords and heart strings of u universal woman womans woman's nature not as Shak Shakespeare had d done don Q before r him in the case of Juliet with noble reaches of tragedy but nevertheless nevertheless never never- in the grandest melodramatic stylo style almost approaching to the brightest bright bright- est classic tragedy such as tho the of which Mrs Pat Campbell and other actresses have lately sought to revive In Mme j La Tosca are skillfully and truthfully blended tho the most complex emotions that change unto each other with an almost whirlwind rapidity the tho i of oC womans woman's love lo the paramount paramount paramount para para- mount Jealousy jealouS tiger like hatred of and terrible tension of ot soul outside the door of ot the fortune fortuno chamber cham cham- ber |
