Show L I. r y Ji- Ji J A. A t M vy LI r 1 i w i i 5 j ID I 4 J p- p y yi t 9 ot t f. f t f f l r I i t Y fL 7 11 of Extreme 7 v r f I Dire toire d odes T fT 0 J s l I r AS Jl I r rr r U orid of Y II Ih I N G l p t 1 b 0 II lUi q r o. r lr f L o. o I t I r P. P r b I Q 0 jib b it if I D a i 1 f Z 1 t I N pc r 1 t r il 0 t j I I tJ h Jf I. r t y in j 14 x QA O r. r I p x k If f 4 A JJ 10 l f Z J rb f JI r p q l d t r 1 r. r J S i 11 I j j h I Vi ViI l I J T I I i A ALL I l 1 LL A H f j r i. i t 1 f. f n r L Lr EI jit E I 11 3 ata o r J I t r Ii fi 4 j z 1 1 J r 0 J 1 r J If 6 L' L a J 1 MIl rJ r- r r. r J r ti 11 1 1 c I l l h C J l t li JI L 11 I 1 r I 1 i m r J rF t What hat hat an excitement What haL a fuss furs u Legions Lt o of hands uplifted Eyes Kyes too LIo tt s 's f In n pious hlous horror honor lest lost they should view r few r the awful sight A million voices t chanting disapproval an and Ill dt disgust gust In French in English In goo good downright down down- downright own own- LY r right l American And all because of or f r f l' l 1 what t Just because because- woman dear ca capricious dared dare to lo eliminate h ous oils woman has 5 f It few unnecessary y yards ol or swathing w material from her skirt and amI worse still sUIl has dared dare to split up that thai same skirt for foJ half a YaI yard or so at the side y In the slang of or today to a Aint Int it awful aw- aw a awful w- w ful fill Mabel label Horrible Shocking I quite ti ii free A with you OU with a a. smile behind my riy l f hand But nut after arter till what could the ther r- r poor girl do tIo Like the tho woman of oC J t. t Du Manners Manner's sial story who tearfully sal said t shod like awfully fully lo to sit slL down hut but huther buther i her dressmaker re said she the split in the tho th sheath skirt sl would woul be condemned to tips it Its wearer t r. r i- i And An that standing JJ eternal f eternal standing n trifle monotonous 1011 Indefinitely Iy becomes a 0 mono rr ous os n l ones one's on f friends i lends who ho live livo Ii in ht New Yorks York's Harlem and amI U trawl avci In a 0 perpendicular perpendicular per per- position each day via tho the Subway can testify So Su do not j too harshly That the tho modes the lh the sheath s1 skirt rt and the tho stashed slashed skirt skirl worn over a petticoat 1 etl t cof t form form are arc Iho tho most startling things In the way of or fashions that have been launched inmany Inmany in inmany But lt many moons theres there's no denying have they been launched Isn't Isn it rather a case of flags flying bands playing tho the champagne bottle Ho smashed on tho the bow how bow and the lie s snip tip stuck fast fasL on the ways One Ono swallow doesn't make a summer nor norlo do lo three dressmakers dressmaker's cr's mo models els parading at a 1 French race course courso create a a. fashion certain il its it's a But Dul of of one thing Jut Lin going goinS' to 0 bo ho a grand tiling thins for Cor Iho tho comic opera choruses For some some- sometime time limo we wo have heard and read of or fashionable French women daring daring- much in dress dress- Of OE wonderful brocades tightly woun wound around fon-clad fon forms forma of limp supple satin caressing and outlining the whole fig fig- figure ure uie of oC o of b.- b. gauze g forming the decadent deca dress It Iras lias been ailed alle and who will say it il Is mis- mis lamed amed Lately Latel wo we le learn ru with surprise of or i esses being made to lift at th atone one side a foot toot au aid ankle clad clat in atin l studded jewel slipper sUpper an and colored lesh stocking all all its it's ny my one more molo snip of the tho scissors and the slashed skirt shirt Oh no it hl bo be u at all an surprising viewing he hc recent trend 1 of at fashion to see mart going to the limit if Ir r the style But nut if they lect to do lo it how well weB it will wUl be bellone lone llone In picturesque luxurious sur- sur with softened lights tights and background will tho the startling costumes be worn woin Their movements will be the tho result oC or long lOBI and ond careful stu study before a mirror in solitude of their boudoirs Their tUa tb poses loo will bo ho carefully thought out for Cor gowns mo modeled oled on the these o cx- cx t delicate styles require mo nto wearing But nut here Imagine a figure fIguro In a robe rushing acro across acron s in front of or a 0 trolley or sprinting down downa a a. subway platform The Tho only possible possible possible pos pos- sible setting selLIng would ho bo tho the marble palace cottages cottages and velvet lawns at Newport r Who Vho knows Perhaps we wema before the season may ma see them there is over ovel In the meantime just the ordinary I Ue 5 5 ir of ti U Developed i a fye Split of t t tr s u r r r I everyday woman Is la ta in sing several reefs in fn her hOl skirts skirls if she makes any pretence of keeping up with tho thu fashions and an she Is I impressing upon her home dressmaker that th she can save enough from tom the life skirt to cut out outa a sleeveless cless coat coaL She rca reads s with awo awe of the bride who who had lu I nineteen pairs pails of or knickers silks satins aUml and an pon pongees pone gees in her an and not a a. single solitary frilly Crilly feminine petticoat What a pity But at al the tho first h L opportunity t sho sneaks neillis off anti and invests ina in ina Ina a pair pail of tights to wear under her new now satin saLin evening dregs L When the bill hill comes In and anti her h r husband hushan raises his Ills eyebrows at ul the item tights lights she murmurs bathing and lie he d does es not noL know that the fateful words WOI S flesh colored preceded precede It 14 I Now is Is the ho day of triumphs for tho the lean Icon woman As Ive I've said ald before its it's really regular I tr to have o what Is commonly commonly commonly com com- called a t good figure Tho Thu slimmer the more moio straight and up-and- down you ou are aro the better belief Clothes abroad suggest the figure figuro If corsets are worn they arc aro of the he most pliable description with wili tho the front bone omitted for COI the rite figure figuro drooping languidly either sitting or 01 stan standing is Js now the tho fashionable pose poise As a 0 matter of QC fact only a small p percentage per per- r- r of women can can afford arrol 1 to appeal appear appear ap ap- pear peal without their stays as tho the English call II them In ln n America are mo modifying modifying modify modify- lf- lf ing nt the tho armor plate In which they the have Instated insisted on encasing the lie female form divine divino for some time line While corsets are aro still sun built e extremely long lon over the hips hillS told and below elo the waist both bolh back backan an and front the bones ones stop atop short an aft ex- ex v rt i 1 I t I Ic c t Fir Skit t is Often hated tl jy-Beautiful jy its it's tro Aro Skirt C alto fil I Tho A-Tho Sulk e Supported on Thu tho CIO l S ith Cord Corti Itch 10 1 Ai till the Figure Is Sho l the cl alln ht ith Beautiful by h Strap or of wo Sometimes l' l F oil k cd ot I et ct Bones and a lit I I kers' kers kerst Help to Cou Con ii H Arc Alo front the tho D- D Even D-Even E t t 1 Grow 1010 t Au- Au t n- n tho the Moment tho lie Figure Fj mo of New Kew Gowns tension of or coutil or 01 of whatever whale the he matt material the corset is ma made e. e confining the flesh he below low One corset corseL boned bond with whale bono bone which has lias been given successive baths of oil to render it pliable is having a 0 vogue ju just t now as it Jl gives a supple supple- outline while atthe at atthe atthe the the- same samo time lime apparently reducing the lie wearers wearer's size With the sh sheath ath skirt its wearer may have all the will in the world worl to wear petticoats but huL she hasn't the room room Positively these skirts skirls sl are ure so glove glove- fitting fiLLIng that tho the presence of a 0 petticoat would uld be instantly detected in little wrinkles that would show through the tho tightly stretched outer outer out out- er CI fabric So Its It's tights for her l l z i. 1 1 d dr r r r Ids l i-l 7 1 r. r I I r. r C. C t Vf ti Ii L Lr t. t 4 1 r ItI f t i 14 7 II 4 JC a j These sh she wears ov over r her cor corset et to veil tho the ending en of ot the corset Sometimes Sometimes Sometimes Some Some- times she she- wears a single un under er garment garment garm gar gar- m ment nt of ot chiffon made matJe princess fash- fash so to that there may ma be no lino line of or ending ending- at the waist French women have have with their usual ingenuity regarding re- re clothes invented tights having hav hay Sr garding turn of ot the lug ing woven slits silts just below through which a Do ribbon is the hips 1 threaded attaching a a. petticoat of or plaited do tie sot sol This un underskirt underskirt under under- er- er skirt appears in the thc silt slit of the tho torio skirt veiling th the ankle and limb The rhe illustrations of ot this page give a very good idea l en of ot this talked much-talked of style of o dress The accessories of the period perlo have havo been tentatively put forward forwar for some time line Tho The tall Di- Di walking stick so 1 J t t J t ti i 5 object when properly c carried has t r an been seen Now ow the th hat Is fI fashionable milli f being exploited by t with which we wo weare I ners It is the tho shape of ot tho the are arc familiar from illustrations dress ress worn during during- tho the of ot Na Xa These hats arc are quaint things of the tho poke bonnet family adorned with I or 01 stiff bunches three nodding plumes with long long- satin d J o of posies an and always ays ribbons which tie under one ear car or moro more demurely demure under the chin These Thes hats are aie already alread being worn b by tho the younger members of ot the tho Newport smart set and very charming charmin they look with garden gardel party part frocks b 5 Parasols show enormously tall sticks slicks a which is but another evidence of oC Dl- Dl influence j i |