Show I r f f Floating f r. r r. r i U j of 0 f fA Airy A- A ASt Stuffs St S 11 ff S l i y os T Running r V p. Around the e fr Arm Are Used t r. r in Both L in lIl n ry g an ana d H Heavy eavy I I fi J I r Materials an and ana I M Odds and ana Ends Ed j t. t of f Materials e ls May a Be e I f r Successfully r Used Up p in in 1 tl ice e M Making 1 P r i t Q of Ones One ne s Sr I 1 I r r A l Sleeves 51 4 r eeves I I r. r r 1 rj T 1 q I It t f e ti r e Fa t r t 3 C I 4 k ti f. f p d rr K M MK K J S I z a I T 1 l- l tU J r I t. lj l. l l- l h P I N 1 t 4 t r I I 1 C 1 i I A P 1 1 s 's f J J's J i J J I I r r I J i J J I Ii l d a E 4 i V a r F e B 13 c Y O 1 1 1 l- l t Simple Lung LOOK leave of 1 v v 1 1 L t p I 1 a 1 d p 1 III fu Deep KuliN u tar r r t r 1 1 I l e a l' l I 1 w 1 1 1 t 1 1 1 a 1 Lan I rant p ar e u t Sleeve of tit t t E a t 3 1 A Dinner Dinner Sleeve of Lace Lac Dud and t r J i I 1 1 1 1 1 1 1 1 I 1 1 1 1 1 1 1 m 1 1 Tulle Tu t to time Arc 1 i C Split Spilt Up the Out Outer r Side J t 1 I 1 t I e 1 t t 1 i t 1 l r t r r I Hinged In r J by y 1 6 J C W a ca and nod nUh a t 1 t f I 1 1 i f 1 1 1 a G G Double Sleeves the Upper er Oue i Uh i I i. i II-A. II 11 A GO if of r URIC linn n Sleeve i 1 j I J J t 1 Turned Lumped 1 1 CufA nf Are St e still Mill v. v V J j J s u cd n of or Three Deep p I Folds O Over Cl u uJ J a II ll Sleeves oC of Luce In I J J LUnt Clues Clues-b Sleeve of or I ucc ovel u n Arc 1 lu l a r C inlay C Sleeve l 1 old uld In l Fold ohl Around t Evening 1 Go 1 I f rN o J t the lie Ann Ami mid arid n Ith Gold I 1 Any of Arc C Aa i iii- iii n- n 1 a t hun bony und and Gull Gold blued I I a i Large Good Goud In One Uwe r Tills Made lode Sleeve ic In Ir Cn Catl J a 1 1 tt ThIM JJ Peculiarly J of CIolli t oL III in n. n At salt It lUc c Coat Cont Uncle Turned 1 Cuff w- w This year year c r- r purely no onu ono can find aIL aILI I f excuse for tor not having a a. modish sleeve Never v r has there been a time when s' s have been so BO many models to from or so man many pO possible ma ma- ls Any ny material or any number of or materials used together In a sleeve I seem just juat now V to so go i UT It doesn't scent to matter In the least leant Jt If tho the fabric abric from Wh which tho the is cut differs from Ui tJI Wo rest of ot the gown own Just let a touch of tho samo same material as is In tho the I. I bo o added somewhere to tho Ithe l' l and dress and that la Is a n. sufficient excuse It 1 f And the making over u of a sleeve is lB always worth while whiles There Is no part of or dress which carries a age e quite BO so truthfully an and frankly The rest of ot the tho may way bo ho a 0 a. a bit old old-fash- the toned tho skirt skirl too loo scant the waist wals not cut on the tho prevailing and Inos and if the sleeves os are aru not glaringly antiquated antiquated anti anU- It will pasti pae But nuL let tho the sleeves alcoves be out of date then date then hol hold holi So the probability of or easily bringing the sleeves of or a u. gown up to the tho mode modo of the tho moment is but another point to emphasize what I said ald in a recent ar ar- that that this Is tho year for made- made over ovel things 1 A 1 6 of oi lace with a bit of or tho the lace used in the tho yoko yoke Is a favorite scheme Or Of course your gown has a awell yoke every well wen or badly com constructed read seems eem to have nowadays And nd nothing nothing- h la lIf more becoming to toa toa a n. pretty arm than a soft casing of lace Unload perhaps It be the long lOllI transparent sleeve of at softly softly- wrinkled white whit tulle which Parisian belles and b beauties 8 are arc wearing caring with such enthusiasm rhe whey They are used In gowns for tor evening c wear and come down n quite to the knuckles being shaped into an cuff corf of lace a e Those rhose two rather ec modes modes- tho the shaped bell-shaped hat and nd nd the tho kimono sleeve sleeve have have given every overy ono one a surprise by the extreme length of or life Long a ago o their early arl demise was prophesied taut hut up to date dato they flourIs flour flour- Is Isle ish I. I I see Beo them worn b by smart women women wo wo- wo men oV everywhere although the so called kimono sleeve vo has so far departed from Crom its original lines that I fear our little Japanese friends would have hn some dif dif- difficulty in recognizing it ft Many dinner gowns owns have these wide sleeves Often Otten when time the gown crown la 13 of ot transparent stuff sturt satin is is- introduced In tho kimono sleeve alcove either cither the tho entire little sec sleeve ve being made of ot satin or orelle else elec a band of satin edging the sheer stuff sturt Paris arts I sending us In lately Imported evening gowns gown the most moat adorable floating floatIng float- float Ing sleeves made mado of or chiffon and kindred kin kin- dred airy olry fabrics They are arc rather on tho the angel sleeve order that order that so ae long beloved of or English women Thoy They are often split up the outer side aide side to tho shoulder alloy ing the whole length of or bare arm to be seen Some Some- times they are cau caught ht across with ornaments or ornaments or- or Dament of ot gold as shown in tho the fig Ilg- ure marked A uA But Hut always they tho- hang long loose and floating on the time under lido and most graceful and plc- plc they are arc Another form torm of or drapery which is ts really part of or the sleeve is made of or gauzy uzy material Often this drapery contrasts contrasts in color and fabric with the rest resl o of the Co sown gown n It l lays ys across the shoulders sl hanging in long points back and front It is sometimes weighted with gold Jold or sliver silver embroidery and ends in to metal tassels to to match This r r. r i 3 lf 1 ay 1 t o i j is la an admirable wa way to freshen up a an anold n old evening gown Iown With a n. tight lac lace e sleeve e underneath this drapery hanging 6 over o and half halt concealing It It you ma may feel feol assured of being quite Up t to date Uno tiro tight sleeve both for tor day a and anti evening gowns Is slowly but hut surel surely gaining gaining- ground French dressmakers dressmaker ers aro turning out tailored L' suits stilts with no noa not nota t a a. suspicion of or fullness at th the armhole True they often otten widen toward th the han hand but hut Quite as frequently th they ar arc e loose fitting at the wrist Many aro mire cut In one with the rest re t of tho the garMont gar sar- Mont munt being tp o the turn of ot th the e shoulder shout der and the tho to upp upper upper- arm The dl- dl glee sleeve e with wide cuff curf turned back belck ab tJ the elbow and fall of lace lac e below bolo Is one of or tho the most picturesque of ot the close elope models nut Cut over here her you ou can take talce your choice for tor quite as ns many sleeves of folds and an d tucks and trimming are aro worn as the tho OIl one s 3 of or severe outline And for length I can as ditto Its ditto Its It's s all a matter of or Individual taste Short long three quarter ol seven eighths wear wear r what Is most becoming A At t the time opera I J notice man many sleeves leeves o of or f lace tight fitting mUng which end above the elbow elbo Its It's a trying fashion but If lf youcan you youcan youcan can wear It successfully most chic Very short puffs purrs of or tulle cau caught ht up here and there with rosebuds or fo nots me t-ma-nots t arc worn by the debutante If It you have havo per feet arms sleeves may be eliminated d al al together without shocking the proprieties tics ties a n fold of or tulle drawn lightly U the lime arm unostentatiously taking tho the sleeves sleeve's place If It a sleeve Isn't made allo altogether of lace Its It's rather a safe bet that lace will enter somewhere Into Its construction Perhaps the upp upper r part parl ma may be wholly of oC some Romo other material and the time long cuff curf of ot lace closely fitted but If tf the tho sleeve is If isa a 1 three quarter one lace ace ruffles wid or little narrow plaited once onee wll finish th it li sleeves composed of or flits fills of ot o lace are not quite the newest things I eee see ee them quite ortt often from kimono o c Th They Thoy S' S are such sucha n a graceful an and becoming fashion that women women women wo wo- men are re loath to give them ur tin un Certainly what hat is a novelty in tn sleeve I ev adornment Is shown In n the figure marked Ci sleeve l itself eJr is Ls' c The vo composed of ot I 10 z 11 s' s Afi o w l. l I over all Valenciennes lace laid In deep deop I folds Colds around the arm Just at the elbow It Is caught with a n. broad band of ot gold and fastened with a n VCr very large oval 0 gold buckle Some golden Janglers danglers drop at atthe tho the hack Tho rho combination of hory ivory 1 tinted lace and gold Is very ery good I A peculiar sleeve Illustrating th the use I of ot several different kinds of ot mate mate-lol h I to be seen in tho the sketch lettered I L Th top piece is of the broadcloth of alto tho gown bown- out and buttoned button over The rhe next little cape Is Ig of or velvet edged with witha I a no two-Inch two band of or broadcloth while below below be be- low this is a deep fall of ot net unadorned save Kavo for tor a narrow hem A sleeve only ito I to be commended for Its o oddity certainly f not for tor its beauty i In the tha sketch marked B tho the I of ot another r broadcloth gown own Is shown The three little to top capes are formed of ot I broadcloth folded over below them la is a a. along along long close fitting close fitting cuff cutt of or lace ending at tho the wrist Folds running around the arm se seem m rath rather r a feature of ot many smart sleeves Tho They are used d In both moth cloth and lace ace One sleeve of ot broadcloth sketched erllIn l erl In n two little upturning and overlapping cuffs cures each cach ono one fastened with two but but- tons Some om cloth coats have eccentrically sleeves of or fur tho the only other oCher fur tur In sight ben being a a. little shallow yoko to match the tho sleeves es With oth other r Jackets of ot cloth tho the broadcloth ends at tho the elbow below this being a u. fitting close cuff curt of or fur tur With this go goes s a narrow coat cant collar of ot fur But nut these ar are so to speak freak freal fashions and not to be recommended to conserva conserva- tive tiva people There is more than a suggestion of or the draperies of or old Greece in mart of t tho the gowns na which are aro late productions of ot thu the great foreign designers The o c arc aro cut cut to hang In cla classic lines som some some- times they hey are split far up on the th side but fortunately modern dress demands an underskirt so 80 the lines of the figure ue are arc not displayed with quite all the frankness frankness frank frank- ness of ot ancient times times et yet Of or course sleeves must be en suite and great reat Kreal attention Is paid paM to their dr draping Many fany are spilt up UJ as shown In the sketch h lettered K This Is caught I la in several places with cord and tassels allowing glimpses of ot the arm to b be seen But Dut I some of ot the Uio draperies are quite wide Ida and and 1 i c j Drape the ll Shoulders ders an ana and y 4 Serve as Sleeves Sleeve a I I. I 1 r i in in livening Evening I 4 G C owns O an ana tile Grecian Lines Demand r Grecian C e. e Effects ts S SI L 1 1 i I H. 1 K of or Old Uld Greece Greceo It I. lie Hu J Jug luff het Pdt Kelt In ru the Ute Lint of t HIHn mn HIltI Sleeves Sleeve's 4 i. i I. I iron Komi t m fIC C u Heo le C 1 U h Used on Jui u. U ux JI I l l' l Around Ihl lu Aru lied liu strapped rf CI Arc ire Seen icen UI on oh aNen ti a Ii Nen cw lee c. c A A X Three Original Cu Coat Coal Meet CM t I I flowing fastened ani only on the shoulder with a large gold ornament From lien herr I Life Ue sleeve Iee drapery descends in free tree an ant graceful fol folds folde j It Is remarkable how ort often n sleeves es art arc I dispensed with altogether In evening e gowns gowns tho the shoulder II drapery being benis drawn over or the top of ot the tho arm serving a double purpose Draperies of chiffon around the shoulders at the back fichu fichu- like lUe then laying softly over the top ol of the arm and descending to tho the hem of or the thi gown In n long ends in front are arc a mo mole moiE of f f th the moment Sometimes these eDd ends ire through largo round found buckles on either side of or the in front ron ut quite as often oCten the they hung lines from shoulder to 0 hem hein Frequently this scarf effect is the sole rimming of ur tho thu gown tho tiro rest le of oft tha e costume lI being merely merel soft folds of or oft the o material All the elaboration la is centered on n n the time scarf which Is embroidered lu Ip olor or sprinkled with sequins A heavy beavy border done dono In dull ull gold or 01 silver In Greek l design running all around tho the scarf and weighting the ends n 8 Is effective |