Show 44 bb 4 44 A 44 A L b r Y t 4 t 14 r r- r p o b Ablia 4 4 n G J 6 cr t 3 c J c 7 7 Scenes That Old M Mm n n VJ Will ll The Remember Buildings Building Which Helped I L Ard d m k 0 t D 0 ld r U Utah 1 U h Make History Wl When feu the Land Was a Young n E. E 5 EJ it N f BY 17 rl A I 1 Pit 11 g J II A 1 B 0 l r p 11 Y 9 y x n fI matter matrel h how p In h one on may ad- ad th til grand gIand In ha nature rt there thI comes coin om s R sa Ra a tI time as ac ev try every r land I landscape cf pf a Ia painter intI I Knows s when unu ni l find more 1 simple 1 10 to- Ih ho the rustic scene Who ho t Is not pleased sometimes to turn from the sublimity of tho the mountains with moil peals peaks and can canyons on a their lakes i and md roaring to the quiet J beauty of th the lowland meadows woods and nd Mr streams st. amt Byron sold hl long 1 agol ago 1 l' l II 1 k A A h green r 11 field ela l 19 n 0 sight Fight that makes r r u us pardon 1 lid r. r i r Th Thu y absence of the hf more morl sublime t t eO co construction And na so it Is 11 this day da Perhaps some someI I such thought was In my mind when 1 ono one day I l forgot the tho thet t r h WIt with 1 t the their glory glor of or sunshine and n gloom of or storm and hl hied l me sketch box on t shoulder houlder among mong the tho rustic bits of the f r T T Utah tah valley I I There TheT Is IH Idl hardly a R village in Utah i ft t that thai doos loos not h ho hAvo o Its Us picturesque rustic JIl The Tho painter of rural r. 1 gc scenery nr might Jt fill 11 n a EI very thick 1 f sketch hook with th thorn them m There FIlere are all nil j 4 torts Sorts or ru rustic lu tle scones worth the f sketchers sketcher's attention aUt at trl the village e f cross avid a 1 lJ by lh them 1110 quiet valley streams There Thele nr ar ari arodd odd cottages Y t bridges Quaint bits ll of or architecture t t without number surrounded IJ by byE E fields j and och orchard Ud walks Not a vii vii- vil village l loge lage gp hut hot hf has 5 its rU rustic rustie mill Th They are arc r at al Bountiful Lo Logan an Springville ilIe Provo Prove Reber n the villages of and Cache Cach But nut stop op It 1 i- i requires a catalogue to name namo them 1 F all Old Constable or nr IID ma- ma mar I D would woul not have e lacked material ma ma- r for tor their brushes A scone scene Ct nE' nE fit Elt Rockport shows shown a a. characteristic bit of 1 Utah h m meadows ado s Certainly there thele is not in our surrounding sum sur r. r rounding lands and antI villages that 5 artistic subject t matter matteri r rt I i such a as may ma- mabe be found in the t t districts c oi of olden oMen Eagland England J France or 01 Germany I J mean where mean where almost very every Cl Iura rural I object i is pictures pictures- f qUI que But nut there I Is hi much musk In indeed eed enl and It ItIs ItIs itI I i Is Just as IS when n put mt in the sketch Already the first homes 7 the bridges the lie mills built bunt by Jensen enor fn en or are U beginning jo to b be 1 warped weather and worn and antl anda a patches patch s of mo moss mops have ha gathered gather upon l r the mill wheel nilee of Norwegian Nork Fork t 4 ur or Segard One would be astonished could one me Reo seo o collected in lu one exhibition tion on th the pictures of nil fill such stich places a as at j l ma may 1 IK- IK found within the tJ b bounds v mf nf this state stale i f Buildings and r are p ni-p generally n JI- JI found found together a n lS l'S 1 outgrowth h of each other ther perhaps per- per haps What hat quaint people are to b bo be se seen n on the these p sketching trips There Is I's were diggers digger Jig pr anti and plowmen h herds herds- and shepherds white haired old J miller j hc nc-e nc I vere fe mon many hll 1 J dreams w w-re w re I of the tilt raft cast and find Whose I 0 tongues were wen fond fona of t telling there them K Much Mach I of the Old Counts Country as ns well as of pioneer life At on one of 1 y the the villages was wag n a man of novel ways wad n He lie must mint have been a sailor once but hut r. r n now h he was cast high and amI dr dry in a quaint haven His coat was patched and mended 1 until It closely resembled an n old sail all That inevitable compan- compan 5 Sat his t homes homes- Sh S- S h h pipe hung fi p ar i f pistol vasa o. J ron roll In his hie walk v val fk un- un 1 ri 4 J acquired on Oil the time sea and F- F y I his voice olce had that cheery ring which r proclaims the JolI Jolly tar tm His Ills l I s n n r rn tS V S Y 9 7 i 7 9 0 4 1 9 11 9 tilt tl 11 Zo r 9 Y 9 Y D 9 9 Y i 1 i r. r ii i v I. I u. u r x J i 9 J y Y J i t r kj J i t d J s i f W i r i E I I W Wh h fl ra i L. L 0 s y 1 t iM i i r ih L' L i 11 t t i C y r 5 vA l ir a r rJ a f l r py Jiff fir r rc i. I lr r rl lr r 1 r r l Ir Irr l. l r J i lM r i r l p r v sA il f r et Y rl r v 4 r iF J r i iY if ri Id f r l rf f r r Y A PrY 4 F rg J J t rF 4 r y r r l i rA e J l 1 J r i f j E jG r r 1 b Y I y i of 1 v t Jr 1 r. r r. r f aa r Ys j e rb rr ir I jl r Y u G r d R k J 15 Y- Y n v r f fY f l' l j rr Y r r y S 4 i r j r r Jaya l r n. n d' d 01 Old 1 City ltv 1 Wall all in Salt I leak ill Looking West Sketched Sketched t in III 1869 ho home n told n a tale Across the stone i dh sn sh p. p p Pro prow prow- wa iris r t. t f m t fl aim uIl also that of 0 tree UtO village and coun coun- ty Perhaps In UI dreamy moments the Inmate half expected It Jt to float away arost across tl the e bright green fields l as on a 1 O tR tRI I could dream f of tree or mill I 1 listened to lo those pIR- pIR q- q noer neer stories the stories the struggles with post pov- S i I j I 1 i t i i s r J r N fr Y f vJ F fy ri f. lJ r y a i r The Tho il U. U Y Mill In Liberty Park salt Lake 1 In hl 1870 r J I I tA ll I r 1 1 t. f.-t. f 5 5 4 t 1 a r b 8 4 L S rf r rS lj t S r r h hJ t J t 7 16 lid fc r p q ra x r F J Jf ar f f e. e f a r L' L r t ut ai Lehi Present Site SIto of Su Sn ir tr Factory SJ Shet Sketched in ill I IS S 10 HI 1 erty rt with a adverse verse conditions until conditions until was almost hypnotized b by tho the bright sparkle of the sunbeams on the dancing dane dane- ing w wavelets upon the surface of mill millrace race rac or fir pond or r lulled to somnolence by the drowsy click clad of the mossy wheel heel tr The Tho mouth o 0 CIl Creek Creel canyon nyon top ton was very yer at attractive There were wel al r fr fl m l' l nisi J fEU u t II d I Ie milt 11 It 1 s 3 S and an a a ml mJ 1 I II JT nit nit- nith 11 h 11 ta t 7 11 a a saw saw-mill-and saw and then still sun further ut a quarter of or a mile mlle up the can canyon on was was ithe the mill flour mill flour Sudbury's and a 3 quaint rustle rustic bridge e and mill Theone The rho Theone one in th the sketch keth hII r. r reproduced was aft ls culled I called I believe the believe ve th the silk work 1 I h here re are two or 01 three u logs shown in t tc he c foreground and th they y yore ore are 1 worthy of mention The They W were IC called The Sparking Sparking Logs The original original or or- logs lops lay Jay by byr mill for many mony years after it had ceased to be bc us used d for its orl original purpose They had hall been boon laid aside asid no doubt as being full fun of or knots h be worth too 10 tr cutting Into lumber Ee Fe that as It mn may they certainly a toi lie i helped to mazy many u ti matrimonial matrimonial mAtrimonial ma mA- knot Io Iou any ny o of the gray- gray haired citizens of or Salt Lake Lae I remember m those logs legs Very pleasant ant It was to sit upon them of ot a n summers summer's twilight t lt wIth with each ach O on orio t that at remembers remembers 1 bers bels best can tell tell and and listen to tio music of the cool stream as It H went rippling h by Nor NOl was the c charm mm le lee les If It It were an hour or 01 so FO latH latEr and the tha th moon was In the sl sky y Ah AIt those rold old logs they listened ned to many manya a 3 vow O OThey They were dis discreet lI reet loo too and did not r veal their theil s secrets Good Coot old oltI logs dear deal old lugs logs What hat hl hl pored hope hopu and anti romance you woo hearl harl r M t t t- twilight the moonlight ht and antl tho the light of or the summer stars star's Lie IC II 1 tip J canyon were NI some sonic saw mills too Those who drive u up the canyon cann now as as lS far al' al as the Silver Sliver Sliver Sli- Sli ver may Lake Lake Brighton's may see their remains The Umber timber cul cut in those mills f is still in man many manya a Salt Lake home anti and probably all of ot the lumber in the Tabernacle was also ilso l o cut cul there There was on one mill especially especially lall that my thought recalls A merry party parly slept hero thero one nIght and delicious tho they found the tho scent cent of ot new new- I made ly-made saw dust That the party had given names to four mountain lakes lakes Mal Mary Martha Phoebe and Cath Catherine That mill still stands But it ft Is black and warped and twisted and antl ghostly and the mountain stream was roaring through It It The mill at Lehl Lehi had a broad mill mill- N rN pond before It and lP a a bright am at nt Its Us side liT springtime 1 its its of c. c pl pt lan land land- I JOll IB-JOll t It t I t t r 0 Hi u ul Jil i in J J lions from tho the water ari an g Im ad but grew more mor sombre as the thc summer advanced ad advanced ad- ad when tho the rushes formed an all but Impassable fen ten Inhabited by byall byall all aB the marauding blackbirds and In autumn tho the pace was sad when the tho rushes were withered and brown and amongst them were tho the tall milk milk- W 4 II i ir j 7 Y 9 7 Y- Y 1 J j I r I j d rv t r tl rr r 3 l N I tI i s f f I t 3 jj w 9 r I I r F r l jv a r 9 r s ar t Sawmill Sa Mouth of or City It Creel Creek Canyon CallOn Near Pl Present Site Silo of Lafayette cUc School School Sketched In 1 1870 S rr N w welds ds w with th faded yellow leaves and l tassels ta hanging from rom their theil seed pods a lu I l mIll u t t a at hichI Q Qa I Y f t Rr r I 1 y t M H rn vh irk N tJ r rt t I f ti h p p o nu l J J its n i Vy r hive bee ca eEl car d 11 va was actually a 1 large jd in n T. T Iia H. was Wl vat a n i wt 1 I ho ri rt It T r I o 1 M Mm J Je no 0 sketch and t l dos dor i 1 m m m- mma e ma m my whan shau h t e evir r I T 11 Ii v lic l' l t that L i t A 1 j to tl which he Invited In me When t tio e sketch wa teas t done Ih The oi nia genii r an tan 1 It n be about t nothing no 11 thing an and nt at last w what at the trouble IC ICa 11 to no n I- I was a came out Cut HI He raid Ita erl ed I ho had Jay m Isit fl fm a h he Jt ld w or 01 so II Then have a new nE door Jo tf to t the 3 null But ut I 1 Iwas was after the picturesque d ar-d thought th that t mY visit had been blen Y Jn int cd when I It H was was n a wild lay found myself lown down at the LT l S. S T. T. T mUl that now stands 18 In Liberty p r-ar r arr l' l There r rW W were Ip no nn cars ars and tb the will mill was far out of town lown It had nd been a a t summer day flay when hn I started hot 3 and sultry anti and this brought Up UI quickly a n tierce thunder shower I 1 made Imade made my ray sketch I rapidly rapilly however T couched In Inan inan an nit old shed The hC heavy Y l. clouds rolled overhead r the wind drove the rain the lower T valley alley the lightning Hushed and th the thunder came In heavy peals peal But ut hero hel i Is 18 the sketch Ik It H IK quite finite a Do different road which irr 11 sec ses e In front of ot the tho mill mIJ today from t that ha t one fine shown hown In th the 1 and the flume flum is none gone In fact tact the tho whole sr- sr srm m no is changed vel very much as every every- nr one s- s knows know who saw it before or in inthe the sear ear 1876 1576 There are those who know a great d deal I more mIre about the old City wall than I do lo and could 1 probably 10 10 tell tn inc ing stories about It Mine lIne how however er If IT not the only sl sketch etch made or of It It it 11 at least an accurate one The first picture r I ever 1 1 painted In oil on was from this sketch I remember that In the oil painting thero were introduced a couple lIlle of or herd boys boy eating their theil lunch a and some om cows upon tho the slope The h h- h rd boys aT are arc mentioned for tor th this pur- pur pl p. That Thai although h the artist who whom m made mad ulc the tIle sketch an and painted tho the plc pic- Rn tun- tun S. S from it ha has not nol yet been comP corn com P r 1 fled d 1 to learn b by actual exp experience the th burden of or riches both hath of those h. h i r Ill I'll l boys boy became representative Ze zi i an and anu can put their name to ver very l li i q rh l' l checks indeed The view of tho the thoI I aaI I way was taken n from 1 n point now in included in- in eluded in th the Eighteenth worl ward andi and find i i 10 looking Inching eastward The room loom s nore in the near nearer l' l wall in which v. t holes port appear was called The Fort Port There Thc were wert quite a number num num- her bpI of these forts along tho the course of t th h wall both on th vast ast side and anti on th h. h e west t side aide Qt of City Cr Creek ek canyon U J I h Ii II wall all is seen to run northward slung long the hill hilI hillin In the distance I Capitol Capitol Ii Hill il It pursued this course as far a as ashi t Warm hi h. h Warm Springs I Eastward it passed aun along the same Hanle me line Une as the then the then TWI Twentieth 1 ward warl ditch along what i is isn n nil v n v Fourth avenue until It arrived cd at ih lh cemetery and then if It I I. I i ill r l' rightly it was built bunt for a cOll considerable consider consider- able able- II I distance southward southward- Why hy was it built Well In tn ca case e et t th 01 r Indians should 1 prove pro troublesome a and nd as an object l lesson to them Also Also Alsol l J ha have head It said salt as a protection from possible raids of famished flocks of M wolves in th the winter time lInt Hut I Ido Ido Ido do not know In th the sketch the lake lakeI I appears rather near Well ell it was very cry high that year car and the Jordan rivet river overflowed o its banks and anti much Intervening inter inter- veiling COlin country tiT was covered with wa- wa tor ter If these 01 old 1 sketches should prove Interesting to an anyone ono toda today I am ant rJ y l t m ou from un- un tJ dt a c r R of q f ft t C y r j C J r r r r r k Y J R a iJ n na i be JS f Rj b il t v r 1 J r 7 i V. E.-V. j f 7 11 Ji r r j l t Si N iA OVi Gi It Sl- Sl still Mill Scar Near Provo Provo At till w ii Purl Shit i 01 It uie it i sT Sa SKi In lb isle t k y r y ir war j. j fi Y t rt r l v y f tI r. r t 4 r r 1 I Ji I 44 I In I n y M ly 1 j f we 4 f jam 1 at Utah Rockport-Utah Rut sy c hed ht |