Show Ill I'll t ix mx i mN aJ 1 mis it II 11 i i I IliuM Kot lt tt lr lii Ink Ink- l Iiii 11 iii t. t M. M Ill Iii 11 view of or the fact that limit it was l n opera oi-cra lovers lo that olI originally m tl In ill English f overt even 11 oln to the time extreme of compelling the time producers of Lohengrin to have hare a 4 most mot popular of nil all compositions Into Italian Hallan for II its first On-it presentation In London the following follow follow- ing from Crom a 1 recent issue of or London Truth will fUl furnish h interesting reading fur time I loj-al loj friends of Henry W mV Savage Sa and his r. r I It I Is only In London auti and New York that hat that Opera i is given 11 In vel every lan language a but hUl th time the vernacular In Oct many all nit operas op op- op eras elai are ro re ier performed speaking ng generally n In German In France In French In Italy Hal in Italian and to 10 p on In all nil round In Ing land lan and America alone the Lime polyglot practice lime lime- thee tice prevails No o doubt tho- tho practice pratt 0 of of- giving c cr every r i opera Ih him the time original tongue W has hall Il Its advantages ad ad- I vantages vantas-ex from toni the standpoint of audience nu audi l'- l' ence sufficiently cultivated to follow Collow such performances Un Unfortunately tely candor compels the admission that lint as u Jl race we of oC all nil others arc are least Ic equipped CO for thi this purpose J. with wilh the thc linguistic I pow W- W 1 ers f th the limo boredom J 1 experienced I hi In time tile case of oC the time a average I n li h audience at nu un ordinary olt operatic performance results from to follow time tho dialogue dia lla- logue 1011 and intI when In the latt latter latter- lda l'- l' day ha da practice of oC keeping th the auditorium In total I Is adopted so that even 1 the time translation In III th time the book of or words cannot he lie followed J mutters matters ar art are obviously ob not lieu hell bettered cred The assumption that l e every l' l one Otto ones Is s sufficient of a i j 1st It to dispense with wilh such mills aids Is is IR of course simple humbug j uThe Ihie ar argument t Is sometime all advanced ll llIn In iii this his c connection Il that hint English lIsh is in mim i unsuitable tj u Jt for for Cor singing hut but r this of of- Is IN utterly absurd Opi Op- Op pra i Ja mt We ue n Hl rii I to III ii ma mummy may be br appropriately ap all- sung lIn lInIn in French German Italian nit iRn Dutch or oj all any other J un J Ii lau U lIa i but lI a mat alone matis Is unsuitable for time the purpose purpose- C Don DonGiovanni I Giovanni Cilo which was nis written t In JI Italian may 11 be lii gl gln n hi im Gorman G but not lint In iii II l Din teisi iel Ir hI be tr ii toil tell III Into to 0 French or UI I Ita Italian mu lI n. n but butIn In lii Limo tho language c of m Hamlet or ur The TIme Tempest cl would h hI OU out nut of Time Th- language go which tOt does for or tin UIt lie lt lah lahb Is b not gomi h for 01 or Paus or ln La |