OCR Text |
Show PANTAGES A varied bill replete with animation is that at Pantages this week opened by some interesting interest-ing views on the Pantagescope followed by Florence Flor-ence Rayfleld, said to be a singer, and Barnes and Robinson whose methods are destinctive and whose act contains lots of sparkle though spoiled at times by the vulgarity of the man. Rodney Ranous and Marie Nelson have a dramatic episode epi-sode called "Conscience" introducing a visualization visual-ization of the still, small voice on the order of the more elaborate productions of "The Servant In the House" and "The Passing of the Third Floor Back." It is well acted and produced though there are some crudities in its construction. Fern, Biglow and Mehan have a very original acrobatic ac-robatic act including a comedy pantomime that sets the audience in a roar, and Winona Winters, a dainty bit of vivacity is a sure enough cheer-up girl with 'her songs and imitations. She is the big hit of the piece this week. Margaret Anglln in "Beverly's Balance," a comedy of divorce if that Is ever a comedy, though the procedure often is will be seen this afternoon and evening at the Salt Lake theatre, tho engagement closing tonight. The opening performance was given too late for review in these columns. The new Swedish girl learned to speak English Eng-lish rapidly, although she had not been long In this country, but the telephone was a source of wonder to her. However, after much careful observance ob-servance she concluded that she was fully qualified quali-fied to act, and was ready when the next ring came. "Hello," came from the receiver. "Hello," answered the girl, flushed with pride at being able to give tho proper answer. "Who is this?" continued con-tinued the voice. "Aye don't know," exclaimed the maid, "Aye can't see you." |