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Show Ij "RONEY'S BOYS" NATIONAL ENTERTAINERS, j "When Professor Roney, the organist and choir- master of Grace Episcopal church, Chicago, found I the pearl voice of Kavanaugh two dozen years ago i and surrendered his place as master of the most famous vested choir on the continent, he turned to a new success, as the provider of a novel form of musical entertainment' that was to become abid-l abid-l Ing. The life of a boy's voice Is comparatively brief, and only the fact of Professor Roney's con-stant con-stant travel and his trying out of hundreds of boy voices all over the country from the cream of which selection is made for training and presentation presen-tation makes poso'blt that very highest standard j maintained by this "boys" company. Before mas ter educators, in companies of critical musicians, for audiences ennuied with the usual round of amusement, in places calling for peculiar and delicate deli-cate interpretation, these little men have gone and have conquered. There Is for the public a new note in the boy-voice, boy-voice, and in such a program as is to be presented here on the 5th of May at the Tabernacle which will be notable for the solos of Percy Ballard in Van DeWaters "The Angel's Bell," Harry Schultz's "Heaven Hath Shed a Tear" (Kucken), Bernice Amspoker's "May Day," of "Walthew, and Mr. Tracy Holbrook's violin solos the secret of their success will be discovered. |