Show velvet Is smart as summer wear material almost transparent has very delicate surface velvet for or summer wear lins ling arrived it has been urged again and again by french modister modi stes and put forward in attractive models of different sorts but velvet as something warm and luxurious lins has so long been associated with winter wardrobes that women have accept accepted cd only the occasional jacket or cr some chic accessory until this season now however since fur Is loss less fashionable for the summer the velvet wrap Is to bo be ultra smart says a fashion writer in the new york times it Is an utterly different cabric that Is used ono one almost literally transparent with a surface almost as delicate d it as that of a win wing gand and because of its fragello texture mope suitable for wraps than for gowns at it recent fashion review of unusual brilliance evening wraps nine tenths of which were made of velvet drew special attention they were soft clinging creations of several designs on the tha whole exceedingly simple but in no way commonplace sonic some had deep flounces that swayed and rippled about the figure or were fill ashod with other details that gave them grace whatever trimming wasi used went into the scheme of tho the wrap and there was an absence of ornaments and buckles the triumph of the collection was a cape coat of white velvet mafle made with long moderately wide sleeves which were gathered in a cluster of shir stirrings rings to lo give a effect from the elbow to tho hand which was covered to the fingertips the wrap was cut three quarters length on tho the lines of a plain dolman cape but appeared shorter as it was wrapped about the fig figure urean and d held at one side the bottom was finished with a flounce bounce deep at the back and tn toward the front and a row of huge roses of the velvet across the ancl of nf the neck took the place of a collar ideal wrap for bride the impression made by this model WIB was that it would bo be an ideal wrap for n bride it was waa shown tn in several variants using new colors particularly the off shades one of cool chartreuse being lined with pale gold an other aquamarine of ol blue with silver apricot apil cot peach and a symphony tn in color borrowed aiom fi om the garden nasturtium all yellow orange and brown only one wrap shown lu in that revue was fur trimmed one in a soft shade of lielie with a collar of beige fox fos which indicates that a roll collar a scarf of the material and trimming 0 of f large tl flowers are considered more modish yet somo some of the prominent designers are adding a touch of fur to their evening wrap crapa 4 usually a collar although sometimes a band around arlund tile the bottom as redfern trims some of his wraps whatever the material of which they are made one of the most striking wraps created by lelong for hla his spring col lection might easily be included for the autumn for it la is made of black L ensemble combining comb in ina velvet and crepe satin in same shade of maize velvet with it ii voluminous hanging from froin the khoii ders and a ahagh col ilir of nf aal tint tapers tn pers surplice fashion far down the front but these are arc exceptions in the file mode one of tile the latest models from froin a burls purls house Is a long straight rather imposing snip of black li ach evet a son of between core und tind cont with an api upi arving line nt at clip lit dpn in in and ari cropped close around to the side ship where it Is IP f fai t bened on one till hip rhe sleeves F are I 1 cu clit th in cifilli sli iipp pe parti wath ali art 11 I 1 nn der sleeve band if f ermine nt lit the file hawl and n le 1 ig F arf of if velvet hang ins n g from t lie he v ars r an opi n sur I 1 CP colln I 1 ot of ermine which h follows the lie imp cheek namos i tile thir ali IP Is one pt of te lie few extremes extreme lyle tile the simpler ns as it wf were ml zetiller of eunana arall being considered more chic the capone capont cape cont Is another model that ta Is certain to hare a vogue for it Is now smart and above all else youth ful flit it differs only slightly from tile tho tal tailored lored coat for the street one of velvet la Is shown in a glowing shade of ruby the coat itself Is made straight arld and emple and full length and the cape w which aich Is gathered softly at the neck daugs closely over tile the shoulders to tho the waistline and Is edged with largo large hat fint roses of the velvet three of these finish the neck nt fit the back cape coat to bo be popular Po oular kven though velvet Is the favorite of the hour liolia it at least for american wornon women other beautiful beau materials are shown in the varance models some som of the french houses appear to have chosen one particular fabric or per hops haps more ns as their special marks anger Is using heavy rep r ep silk bilk with a rich dull surface in which blell she bile trims with marn bout always in the sanio tone and nil sometimes with n bit of embroidery luceen lelong pins ills his to velvet using much formal wrap for summer of coral velvet new cape top Is used black and molyneux Is making de evening wraps of georgette with runny frills A matreal that Is general generally accepted la Is crepe satin sonic sweetly pretty wraps are made of atila with the satin side out in the ruffled cape model with usually a scarf nock neck arrangement the most pretentious ous styles show clev er uses of both the lustrous and the dull murfa surface c e which Is most attracts ive in coats with cape collars As this la Is shown tn a model the coat itself and the cape are made with the bright side out tind and a wide band on the dull side ts Is stitched around the bottom of tile the cape this model with the same contrasts of fabric ft Is also attractive in the quieter shades such as beige corn sills silk and the soft yellows greens and grays one evening coat of french gray velvet Is printed with n pattern of graceful race full plumes in pastel blue mauve and green and trimmed with finely etched lines of steel beads and has a collar of blue fox the sleeves are long with the fashionable cluster of shirring to gather fullness toward the bottom several of the new velvet evening coats are lined with satin of precisely the same shade and have wide facings down the front of metallic cloth which Is user also to line the neck this treatment of the neck serves as a win trim finish f for 0 r the plain plula con coat t model on which no fur ar or other trimming la Is used rich color effects evening ensembles in which the new lustrous velvet wraps crapa are the bigdi bigli light offer the possibility of artistic creations between wrap and gown the artistry appears appeals largely in the tion of colors in the new collections collection ore are countless ensembles tn in which the gown wrap and wrap lining tire nil all in ili one tone this combination in a costume nil all ot of pale gold the gown of lace and chiffon tind the wrap of trens parent velvet lined with satin produces a poetic creation and the scheme Is 1 equally felicitous in other ensembles of pastel shildes and of the vivid colors the colors gials grays and brow browns ns are little used by the french mo bistes and ardanie except eil ed matott goes in ili fort forthe herich rich nasturtium colors conors coi ors 1 tire very vary much liked oli on athla ald p nd revels in greens it annl nd greens tire lire less intensely Intense alin La ahe tie jades arid and bright 7 greena of nf lust hist sateen and more of the new and anal more delicate shades are shown these me ate tile the yel yellow I 1 0 v g greens r e ens title it new one ne hilleui lil leui much white Is seen scon in ensembles anre white through throughput lut except for it touch lough ot of y raf f Is new ua ji u aej n e con roni cheil ed ty by till in brusi 1 0 o t a of a fairess of whitt and satin batih fix pill with coral and a wide boal fit searon velvet line wah white tills hits li vo bo film cilip bu bill a surge flat b bow fw wio lony jong miida iol iba laced ced it the he anek bi if aji |