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Show C-4 The Park Record Tues/Wed/Thurs/Fri, December 24-27, 2019 Sundance announces more films for the 2020 festival 2020 Sundance Film Festival When: Jan. 23-Feb. 2 Where: Park City, Salt Lake City and Sundance Resort Web: sundance.org/festival Screenings will include 1998’s ‘High Art’ Get your subscription to The Park Record! Submitted by Sundance Institute Mail or Home delivery within Summit County (Includes a free Sunday Tribune and e-Edition subscription) 1 Year $56 2 Years $98 Mail delivery outside of Summit County (Includes a free e-Edition subscription) 1 Year $80 2 Years $138 Home Delivery within Salt Lake, Utah, Davis, Wasatch Counties (Includes a free e-Edition subscription) 1 Year $80 2 Years $138 Call us today and ask for Lacy 435.649.9014 Sundance Institute added feature films to the 2020 Sundance Film Festival’s slate of independent work, alongside previously announced films. Jeff Orlowski’s documentary, “The Social Dilemma,” which examines social media, has been announced as a World Premiere, and the Institute also confirmed that previously-announced Special Event, “Love Fraud,” will screen on Day One of the Festival. The Festival will take place in Park City, Salt Lake City and at Sundance Mountain Resort Jan. 23–Feb. 2. Pulling from the vault of festivals past, archival selection “High Art” will be presented thanks to a newly created DCP provided by Focus Features/Universal Pictures. Lisa Cholodenko’s feature debut, featuring a breakthrough performance from Patricia Clarkson and Radha Mitchell, and an award-winning turn from Ally Sheedy, “High Art” premiered at the 1998 Sundance Film Festival and won the Waldo Salt Screenwriting Award. The film follows an ambitious female magazine editor has a chance encounter with The L.A. Times crossword puzzle “FLIGHT OF FANCY” By PAM AMICK KLAWITTER Across 1 Col. Potter on “M*A*S*H,” to pals 6 Where Biles balances 10 GQ stat 14 Jokes around 19 Anne of “Psycho” (1998) 20 Something up your sleeve 21 Sign of hollowness 22 Idaho’s Coeur d’__ River 23 1944 Italian beachhead 24 Standing lead-in 25 Broadway lighter 26 Terra __ 27 Museum piece depicting a songbird battle? 30 Tabloid-worthy 31 Key fruit 32 Grafton of mystery 33 Mexican menu meat 34 Bayou sound 35 Pageant accessories 37 “Hulk” star Eric 38 Games go-with 39 KFC choice 40 Turkey concerned with the details? 44 Ed.’s inbox fillers 45 Oregon city namesake 48 Bank acct. item 49 Reach, finally 51 “High Hopes” lyricist 52 Quietly keeps in the loop 54 Dugout sight 56 Khan of Rufus 59 Item in a Blackpool boot 60 Massage response 61 Spot for an icicle 62 Rockies roamers 64 Find a purpose for 65 Supply for a bird-of-prey flu epidemic? 68 Cards with pics 69 Like Purell-treated hands 71 “Archie’s Pals ‘n’ __”: old comic book series 72 El Al’s home: Abbr. 73 Tip-top 74 World Golf Hall of Famer Nancy 75 Frees (of) 76 __ jure: by the law itself 77 Genetic chains 78 Soapbox address 81 Blood pressure raiser 82 Talks like Daffy 83 Knight supporter? 84 Target audience for squawkdates.com? 89 __ star 90 Is afflicted with 91 Those, south of the border 92 Vital lines 95 Bluff and bluster 97 “Now you’ve done it!” 99 Lane target 100 Snack with a Green Tea version in China and Japan 102 Fighters 103 Troupe of pink entertainers? 106 Runs rampant 107 Panelist Love of “The Real” 108 It’s high in France 109 MGM motto ender 110 Sleeper’s option 111 “More than a beauty company” company 112 Gritty film genre 113 114 115 116 117 Persian faith Uncertain ending words Titanic problem Virtually never loses to Well past its prime Down 1 Prayer garment 2 Matisse and Rousseau 3 Aloe target 4 Imitation gem 5 “Where’s my cat treat?” 6 Plant associated with the infant Moses 7 Tie the knot on the run 8 “Frozen” princess 9 Performance with tricks 10 Primary 11 Trap during winter 12 River at Avignon 13 D.C. group 14 She played Kelly on “Charlie’s Angels” 15 One way to read 16 Where seabirds grab buses? 17 Baits 18 Salty sort 28 29 34 36 37 38 41 42 43 44 45 46 47 50 52 53 54 55 57 58 61 62 63 65 66 67 70 “Just wait __!” Baby spoiler, often Last letter in radio lingo That ship Hoppers Email abbr. __ market Threw a party for N.Y. neighbor Half a luau serving? Real Tells it like it is Bird skilled at long hoops shots? HMO doctor designations Java neighbor H.S. math course Etail alternatives Currier’s partner Take badly? Take stock of “Yikes!” Gutless one Farming prefix Chichén __: Mayan ruins Kept in a cask, say Not as green APB subject 73 75 76 79 80 81 82 83 85 86 87 88 89 90 93 94 96 97 98 99 101 103 104 105 Upper crust type Hermione’s guy Nest egg plans Royal until 1917 “__ for Innocent”: Grafton Music player with many generations Ptr. paper size Initiate Legendary migrator “Ozark” actor Morales 2020 Vegas NFLers, if the new stadium is ready Chaplin of “Game of Thrones” “Oh, really?” Warn, feline-style “Queen of Soul” “To be continued” story “We __ please” Valentine message words Estate centerpiece Drop by Actor Davis Trainer’s concern What embers do Arrests her neighbor, a brilliant photographer who’s lost in an underworld of sex and drugs. As the two begin a passionate love affair, a powerful struggle ensues and a story of ambition, sacrifice, seduction and other career moves unfolds. “Born into Brothels,” the second archival screening, won the Documentary Audience Award when it premiered at the 2004 Sundance Film Festival. A tribute to the resiliency of childhood and the restorative power of art, “Born into Brothels” is a portrait of several unforgettable children of prostitutes living in the red light district of Calcutta. Photographer Zana Briski gives the children cameras as they learn to see the world with new eyes. The film, which highlights the immensely restorative, empowering, and liberating nature of art, went on to win an Academy Award for Documentary Feature in 2005. Nearly lost in a fire, the film has been digitally restored, and a DCP was created through a collaboration between Sundance Institute, UCLA Film & Television Archive, and the Academy Film Archive branch of the Academy of Motion Picture Arts and Sciences. Archival screenings are made possible by the Sundance Institute Collection at UCLA, and give audiences the opportunity to discover and rediscover the films that have shaped the heritage of both Continued from C-2 LaRue continues to sing as role models,” she said. The foundation of the group’s “sunshine pop” was built by its original manager, Marc Gordon. “Marc was a genius in wanting us to stretch out to do all kinds of music,” LaRue said. “When we started the Motown sound was big, and there weren’t many African-American groups that would perform styles other than R&B. But Marc introduced us to many wonderful songwriters, producers and arrangers.” Some of those songwriters included multi-Grammy winner Burt Bacharach, the husband and wife team of Nickolas Ashford and Valerie Simpson, and Songwriter Hall of Fame inductees Hal David and Laura Nyro. As for producers, LaRue said she was especially grateful to Bones Howe. “Bones would bring in boxes of songs, and if we liked them, we would record them,” LaRue said. LaRue wouldn’t just listen to Sundance Institute and independent storytelling. To address the specific preservation risks posed to independent film, including high costs of storage, lab closures, issues around intellectual property rights, and damage from neglect, Sundance Institute partnered with UCLA Film & Television Archive in 1997 to form the Sundance Institute Collection at UCLA. The Collection has grown to more than 4,000 holdings representing nearly 2,300 titles, and is dedicated to preserving independent feature-length and short films supported by Sundance Institute. Celebrating the history of independent film, past From the Collection screenings have included “The Blair Witch Project,” “Hours and Times,” “River of Grass,” “Paris is Burning,” “Desert Hearts,” “Daughters of the Dust,” “El Mariachi,” “sex, lies, and videotape,” “Hoop Dreams” and “Paris, Texas.” DOCUMENTARY PREMIERES • The Social Dilemma / U.S.A. (Director: Jeff Orlowski, Screenwriters: Vickie Curtis, Davis Coombe, Jeff Orlowski, Producer: Larissa Rhodes) — Never before have a handful of tech designers had such control over the way billions of us think, act, and live our lives. Insiders from Google, Twitter, Facebook, Instagram, and YouTube reveal how these platforms are reprogramming civilization by exposing what’s hiding on the other side of your screen. Cast: Vincent Kartheiser, Skyler Gisondo, Kara Hay- Please see Sundance, C-5 the melodies. She would also listen to the words. “I’m very aware of the lyrics we sing,” she said. “When I first heard ‘Aquarius’ I wanted to do it because it was about peace, understanding and hope. It was not about astrology, which some people thought it was about.” LaRue feels the world needs more songs like “Aquarius.” “Our world is very dark and our country is divided,” she said. “We as concerned citizens, don’t hide our heads in the sand. We want to let people know there is hope, happiness and good people out there. I like to say we are a light in the darkness, and we want people to come to our show and be lifted up and enjoy a night of fun and music.” While Fifth Dimension music can uplift audiences, LaRue said the audiences are what motivates her to continue singing and touring. “When I go up and sing ‘Up, Up and Away’ I see people smiling, and after the show they come up to me and tell me I need to keep doing this,” she said. “It’s funny, because we’ll see these younger people in the audience slumped down in their chairs because mom or dad brought them. But at the end of the show, they will come and tell us how much they liked us and how surprised they were to know some of the songs.” |