Show jj—i— -— — SALT HERALD-REPUBLICAN THE 3 'l— — !ULUIIM1 i — — wRiwfiir — rrrwirrnirn n— — y ’ 2 :J" -'' 'liitMk -' — A 7 wi i ’'-iV t yti LAKE — — — -— CITY UTAH SUNDAY NOVEMBER 23 1913 MJ1LL± i —1— " — ll’-U — '' J — ' ROCKS festivities that are associated-la our minds with the holiday season claim a special consideration from the home dressmaker for a new dance frock is In order the one of the first part of the being ready to give place to year THE OR th alwayslooks o’clock there are you leading houses tn th They IK wAMWHBItM of come to you that most Ameriban women apply to the credit of their Land In very simple form is tha first frock that has a puffed tunic of dotted tulle Id a shade of pale pink This is draped a sud or nina satin The bodice over is cut in the easy kimono 11 as with ruffle of tulle very short sleeves edaee eaoh sleeve At the front of the corsage are three little velvet roses A girdle of pale pink velvet narrow outlines the waist line while the fullness of the tunlo la gathered into a band of roses in shades of pink At the bottom of the pannier are three tucks that give a firm finish to th ruffle A clever suggestion to Is remodel an old satin evening gown offered In the dress with the crossed sash The line haa square at th top bodice edged with acrystal beads If you are sug-gestlons can i - with your embroidery needle a note of color that gives character to border of hand-worked roses would add the entire dress This model Is being distinction Over tho skirt is cressed a shown in gray satin with an overtunlo girdle of chiffon velvet in a contrasting of nattier-blue tulle and a magenta shade The ends are tied the at velvet girdle back in a loop andtwo straight tabs Dark blue mousseline de sole or tulle Three ruffles axe added to the skirt Is placed over white satin in the each one finished with a row of beads dress that will take its owner These are scant and do not affect the to any dance in a charmingexpression pleasingline of the silhouette of a favorite Parts designer it has a oddly shaped tunlo of pleated draped bodice with a pointed decolletage tulle In the fashionable note bf black This is headed with a ruffle and is really the dress of the third evening the short sleeves are finished with slashed dress An underskirt is of sky-blue frills Over the skirt Is a pleated satin and is made in simple lines The itunlo cut In a point and edged with sleeves are short and slashed and a a deep ruffle of the girdle of pale yellow velvet sounds same material a slight drapery Thereofis satin in the underskirt the waist line Arouhd draPe3 girdle of emerald satin The use of narrow bands of fur Is shown In the last design that has the popular wired tunic This frock is oflampshade gold tulle over white satin the bodice being rather plain In any material of an ornate character make the dress on simple lines and let the fabric do the work At the top of the bodice there is a ruffle of tulle and fur that trims the front one band of in diagonal line a On the edges of the sleeves are bands of fur and the upper tunic rejoices In this finish A double tunic Is the finishing touch This as edged with a quilling of tulle Around the waist line Is a contrasting girdle of satin This Is tied back at the In a stiff wired bow One very practical note in all the models presented is the fact that they be worn by of all can ages That is the value of women good line and sweet simplicity The uses of are remnants these frocks many and to the eager eye help are full of hints that will to solve the dance-dross problem with success Any fashion with practical city feKgSa - following clever woman with an approving dress and exerts of fair femininity In the group before representative the of of v clever Silsr a creation liar HOLIDAYS eye on the evening herself in the robing S ""n 1 HE after B— WMM I w-r— il DANCE freh Paris -’’v llljjl I I x - " j- Dressmaker feieHoME & gTOlliri1Wllllili — tthh mrr ' '-— A ail I I 7r- A - 1 --- -wi"‘ 1 VI d -- 1 f — x S ’ SI j U - ill Y j k '-4 - hl 1 WO W y m )'!' I &A V ha£i i I H lY-" Z J l 4 v -LMtMI fdl rv I k I I II ZZZZ — Is I W- I I 1 ’ ’ k I i in ' I vk rtu i J r 4 i iB I J f W lv I A J i vw 1 a I r l rilTTWX I I 1 S WNW witlBk H I ' 7v5l LiJg- iiOS !iR -II vn iliA V-y-H TrW AZ 8 ffl Zrmn- A 1 1 amt — ll’n - swlwl L-r—— f ??' h mH h W 1 7 r -19 N f r I a I ’all 14 1 l 1 vW at w x 111 -v wVN ryn i rvSt Vwl I il h i I I III’ f ir-lt nsHw' Irik n - I IS n v L — i for several royalty has borrowed its lines and coloring from the robe of by an ancient ceremony worn prince of The Bagdad upper portion of the gown is composedof richly gauze in tones of Persian rose pale green and gold The underskirt is of pale-green panne velvet slashed and draped to simulate trousers Tucked in at the corsage is single flower of Persian a tulle each petal outlined with brilliants Headdresses are decidedly oriental and consist of jeweled caps or filets of jewels which are single strands of brilliants or pearls worn low over tho forehead These are invariably adorned with sprays of plumage arranged in compact brush-like bunches or outspread to a fan To a narrow flexible silver band with brilliants is attached a ornamentof white goura lace bordered with Waistcoats of ofecrufur narrow bands are worn over blouses of chiffon or mousselinede V wwi I It $ V iW I ® £ fg ft i J members of ft fl ' w brocaded rose-colored close-fitting resemble inset fanshaped rench PARIS HE ashion Nov 18 theater is the chief medium launching new styles and recently couturiers have created models which have caused a furore even here where the most bizarre of modes are received with approval These gowns are fashioned of bro cades and broches exquisite in color Ing and supple in texture and imme-robes for the be-medleval dlately recall the of state loncrlncr tn some duchess threads and jewels are lavishly used to adorn these Inspirations costumes which are the results of from antique prints paintings or miniatures There are purple brocadesof a deep rich tone glorious a Madonna blue taken from the palette of an Italian and Imperial master myrtle green red materials wThe are swathed and drapedthy about the figure and carried above waist to meet 'a corsage of tulle lace or chiffon with fichu sleeves cut in with the bodice one The deeoHetageis extremelylow and Metal derived Notes frequently black tulle Is the whiteness of and to throat’ shoulders An worn is an in used the soie enhance example of at the barbaric Theatre des splendor Capucines evening costume of metalbrocade gauze swathed about the figure graceful of lines flesh-colored the The corsage is composed tulle held over strands of shoulders with The front is adorned with a huge gold plaque jewels studdedwith lights and flashing forth a thousand gold tassels Large ornament the bodice and skirt Apropos'of color new tones are rtfs bronze forester brown gray and green mahogany Bronze gray is greatly favored by Paquin when designingvelvet street brilliants ’ -set costumes sponsor the Callot Soeurs zouave trouser skirts Cossack coats wrapped and oriental sashes and turbans the majority of their models are decidedly original in their daring interpretation of Persian Turkish and Egyptian fashions which has been duplicated Indian A costume almost ' plumes Debutantes are wearing smart hats of velvet or trimmed with flowers — dahlias bonnet-shaped or A ii little fur gardenias roses black Jeanne Lanvin model velvet shirred about the edge of the brim to form a frill Dahlias narrow in rich tones of red purple and brown are placed flat against tjie brim A chinstrap of black velvet clasped with a dark red dahlia completesthis charming hat The exquisite afternoon gowns created by Poiret Drecoll Bechoff-David Paquin Worth Lanvin Clieruit and Callot are so wonderfullyconIs of ubj ly ss f ww hi i ® ik that it becomes a task to the most attractive Each an individuality and many are simple In line so and trimming that a casual glance give the atructed choose possesses would of severe impression plainness A modelof this type is fashioned of black chiffon velvet out over medieval lines Tho sleeveless cuirass extends almost to the knees and the neok line armholes and hem are bordered with skunk fur About the waist slightly confining the fullness Is cincture of ends dull with drawn a gold braid gold tassels finished at Anouier exquisitevelvet model and of deaux-red deep yoke effect of blonde tulle- the bor-chiffon has a and fur brown of orange-colored veladorn the corsages of The scallopedgowns tunic is a feature on many costumes An evening gown of pale rose satin has short of trimmings single A vet is somiber-hued rose used to emphasized tunic of pale rose tulle scallopeda about the lower edge Plaid materials are enjoying a vogue worthy of their beauty An extremely smart street costume of plaid velours de laine in- tones of old blue and cop-per has the collar and cuffs of copper-colored cloth innovation widelv accepted by ls the waistcoat fashioned s?art womenThe of peltry favorite skins chosen hor this purpose are panther leopard leopardine and breitschwanz party frock for a little girl A dainty or is of white charmeuse Over this is arranged a tunic of white mousseline de soie edged with svvansdown Charming negligees consist of a petticoat and short jacket of tulle over ohina made silk Pleated or gathered frills of the material frequently bordered with fur are a favorite trimming for the loveliest models An 7 latest novelties in footwear are stockings of silk elaborately beaded la lizard serpent or dragon designs Other varieties are inset with lace and richly embroideredwhile a third design is a silk beaded coarse fishnet of or set with brill ante Neckbands of narrow black velvet ribbon have large it i I yk fc H 1 B ill r 1h ‘Bead embroideries appear in every conceivable form Tunics of tulle solidly embroideredare favored lor evening gowns Beaded bandings are used for girdles and borders while beaded medallions trim frocks and coats A tunic of black tulle heavily with jet is used over a embroidered foundation of blonde tulle and white satin has been a revival of the There use ostrich-feather of and trimming a handsome evening wrap of pale blue and dull silver-brocade is finished about the neck and sleeves with blue ostrich yi ' i5 The I A W X b fe wa w V W 1 I I J sapphires emeralds amethysts or suspendedfrom each end Parisiennes chiffon or Smart of are wearing mousselinede diamonds blouse with cloth skirts but both must correspond' color of velvet are Broad girdles sometimes used to enliven the costume if the color is somber and narrow bands of fur trim the blouses The latest novelty in suits is of velours has a delaine and Russian blouse laced down the front with a thick black silk cord The collar and cuffs are of panther skin Millinery is constantly changing and larger hats are being more generally A worn handsome model of ivory-white be impossible to imagine the size of a luncheon plate at the center velvet has a slightly upturned a more beautiful garment than a back a trifle brim at below the shoulders the left side and a large rose white of deep yellow velvet adorning the opposite panne velvet evening wrap Row upon row of shirring was used ong side A flame-colored fantaisle of at recent opening The inside shown a wrap the other until the center was ostrich used to plumage is trim a was in two pieces having a seam down reached A large tassel of iridescent Georgette hat of velvet the center back It fell in graceful a white beads to The sleeves of street costumes of match the buttons hung fullness from the neck the neck velours de laine have shirred cuffs from the center of the circle by a caught tightly about tho wrists with of several rows of shirring The twisted rope of the beads about six black velvet bands These are fastened sleeves were and the shoulders wide inches long The of shirring with small oval pearl buckles rows were decidedly long The sleeves were used large Howerof black net each petal wherever were about a half inch apart It wired and edged with brilliants is used gathered into a fullness at the wrists by was quite evident that the shirred circle had no effect to clasp the girdle of a handsomeevening The front had on several rows of shirring the draping and was placed whatever on the back gown of white satin the Japanese upward draping and the of the wrap solely for its own value as Hats for little girls are of bonnet caught together by seven wrap was an ornament Indeed it would not be shape covered with white corded silk white beaded surprising to learn that the shirred buttons about jone and a One dainty model has ermine about tho half inches apart A collar of tailless had been made in the back of the brim and a quill of the silk embroidered ermine finished off the neck wrap after the wrap completed was with soutache braid adorning the side There isn’t any doubt about it— that The distinctive featuret howeverabout was the unexpectedcircle of shirring wrap was a creation! sole in cor-beau-blue Of IT Elegant Simplicity WOULD tete-de-negre consisting A circle ELOISE |