Show - rrrrl-r5717- 4 - - -- 1r 4eiv :4 - - Awv‘i'40-44- V - 1 no Salt 1111' ' Lite rribunt'a Suattgi November 12' 190 Aimed at the l - 4 1 Open-Minde- d -- Symphony to Play A 1 ' P l' i '' 04wwit'° ''' t)Ztk ' 4 - i" e Tribune Staff Writer i- ' g i " c t i t : -' A I i - ' t ' '' I 4 -- ' ' e '' : ' '4' '''' :- merit" t'f''' I- i She has In addition to her 11 ' concert opera and solo per V 7 formances become known as a In "personality" jazz Stlf ()nce :' filled In for Louis Armstrong : 0004strA -4 4N i as vocalist for his combo a 4tki ''?1 which gained na)' performance :- l tional attenthat ! i ‘ Her appearance in 1965 with i i the Bach Aria was here Group --t-I followed I by a per a fitalleP as ' soloist with the Utah Symr phony In addition to her singing carter Miss Farrell is very I proud of her home life and arranges to spend equal time ' "A on tour and with her Against a "I could never see the sense of varied kt of being an absentee parent :1 and missing the pleasures ? Filet's Farrell pains and problems of raising the Music ?dotherhood a family" she says Her husband retired policemen Bob Reagan Jokingly time shopping "All that his wife her - ' aft' '''' 4 4 r' - i " '' ''' 1 r - ' ' " ' ti tot Aesartatv A t I - Intermountain Crafts Ex h ib I tion currently at Salt Lake Art Center band-wove- n backdrop pots hhapes and sizes represent ' Slides on Nftzes Art Scene shopping" Jr Is impressed with his "ler mothez's ability as a "dowser" That's not a college slang word he means that she has the ability to find water One stmuner Miss Farrell tried a divining rod at the family's stunmer home — and it worked son Ilobert college-senio- r By George D Utah - Paul Klee" - by at Kingsbury Hall on r el 1 ' ' s ' ''''42''''' ' r f J :' 't'1 s - - ' 't- s '1 r ' ' !- - ' i s of ' on of j a involves Fine Arts has Mr Dibble loaned prints 1' of the Gertnan master of fan-tasy's paintings ' from which i slides will be projected on a screen before and after IIlarge of the seven musical —' on con- - An impressive watercolor group by Anton Rasmussen toned includes the firm "Church Near the French Park" and precisely rendered studies of a market scene human foibles i of The annual exhibition work by Utah designer crafts- inen has been 'combined with the ' ' Children" highlights a group of figure studies There are foreshortening problems in "Women With Chickens" 1 ' ' ' ' ' ' ' ‘ ' :"'' '' ' 1 - ''' ' 1 :! - i I s-'- '- -' '' ' 1c - ' ' ' A 1 4m"''''' -- ' 'sa l ' '''- ' '''ts'-k-i-4 "s- se '' es -- I --° ' 4 i :::' V) 4 Soldner s s 1 '' 1"--- 1 4 1 Ol '' ' "'''''''''' :'''' 1444 ' ' 2 4C:'" ' :'74''7'74' "1'' - 4 ' ' Shakespeare JO ' - :' - )- )c:k-i Actors Use I 4 - ' 4' - 4 (471):':' Portable Set '''' $ - '1LW- -' t - '' 1 ' sk ss t ks ' ' ' J - essysts1 1 & s' kAA AS'- -' tSSSS'° k t s ' '' '- t i : ' ''-'- ' - sX s:sss44ss s ' - ' '4 4i' t 1 - t - ' - - IS' - --S 4 -s III'' W e- '"' " '" i - '' ? ss'sses011S ' 1 t 01eexstt Pioneer Memorial Theatre at the University of Utah has a new disappearing act In these days of portable television sets portable refrigerators and portable mixe r s t h e technicians at Pioneer Theatre have come up with a portable stage set- - - si ' - ting - Massive Unit One day last week the set' designed by Michael Sharp ' was in one massive piece Upon it the members of the U of U Shakespeare Players is s1 p I l'- - were rehearsing for their 1 4' I duction of 4 t ' I I P I - 'NT! ': I 1) : f ' t - $ f ' i 1 ' ' i ID I I r:t7:':x-3- ' s - -- - - 'i -- 1 -) 14''' '' j 1 - t i I SMART ' aboac vloll '' ' ''A' FASHIONS STILL AVAILABLE In i - issasutIces ' -- But it pose against our future building in one of our exclusive imported knit costumes Coat cream & brown pattern with lime green trim time dress has pattern repeat at sleeve neck hem - Above costume 8 to 14 ' - a : x4' $240 ! We ?- are now open on Mday evenings - Free storeside parking lot e I to 1 151west i ' ii: e i:i ':: ' 03 - iv ttow — -tigo: -- - :::: 123 loot 2not So 02: :v:- - A ti-:- - 325421i is 16 1VednesdayThursday coneerts Adder ley has been talking about recently according Cy: reports It doesn't sound like the - Buck Walmsley Chicago Daily News Writer T3y CHICAGO — Jazz Is dead! Oh really? Well that Is what Cannonball we know who bits been leading a highly succes- Cannonball saxopho nist sful jazz group middle ' Zbt 5alt fake at 4' s7----1 - '- 141 1-- es :: g s ki k441 ss (0A t17 1" s b I j I - ii '40s that of that and ' - ' s'aintet has I mix things sPolamYe ballmielads hits (The think 'cause up a bit We zNaiwerincya million sales — lot of people whri -hear us who don't get a in to know about anything jazz - jeorpats Ionseer rizoisrdto gaentdthoeume interested in listening to ev-- erything we do And I don't Art best-know- n W - atwphuilte sfilogurehin ting 1 single reS group's the - - : antirsornmethofinogur byofpian'Itisletrcloe come — been pretty "Get Them Interested" Ildlusie ' jazz mum: and large: arch' anything to help the sit- "We e - by mark) ' Section it and early '50s was audiences for that music are fading ing cicc Books 1930s iselaN pi 'e' What I said was Jan as we knew it in the er I Theater The "Seven Studies" work one of Schuller's ''- -' °'''''-- man gone kind away cians doin' We w' Isn't Dead I didn't say jazz "Our successful z So dead uation i the stand now in House about him "No was that about eight three-wee- k Jazz mwn I't-- a the London asked gfibunt s of for who is and years company is harder still I first saw the Harkness Ballet at its official debut in Cannes in By Clive Barnes New York Times Writer NEW YORK — It is never easy to assess a new company but to assess a partly new for had to wield his new broom to sweep out a great deal of the existing repertory I would hate to estimate just bow many ballets the Harimess troupe has created In the last three years but they have been numerous and largely undistinguished When I first saw the comps-fl- February 1965 Since that date I've chased the company around quite a bit I caught up with it twice In Paris once in Schenectady once in Washington and once in Chicago In all I must have seen the Harkness Ballet between 15 and 20 times before It arrived in New York for its first New York season But this hardly helped at all in the rRagna1Loom the playing hand evs the played jazz played same for a y4tpitotacarneciduoesthis down New Yab was and a a : 1 ' in it - -- ' 5 ''' s-- iry If) ri t i - 111 Ilh 4 during 3 Ecten "swinjing hammcrs" of the new Allen Cr ' E'' - prize-winni- 1 ' ' ' ' the Henry Gallery 67 Seattle Washington A man and wife team who -- from Utah at San Miguel de Attende Mexico last spring are represented in the current : : ::' ::: : Iffitri :::: di 1ii:: 2263 East 4600 Se 2774611A x :ix :'i e ::::e0::" ' ' DIAL 364-782- 3 ' ' Architects and 717 - Engineers s' ' 1 iti-- i: - s'50 Sat (hitt PRINT 4 'v- - - ' ' c ' r --- f 4 't - av Exclusively at 24$ fr44--S- ' N So Stoto :: 1 7 443z0r 8727r iiiiiwi - 0 CO SUPPLY 2 -- Distributors for Drumbother ::::: A- ' Frectorick Post—Vmco Pickett—Hamilton Grumbochor—Artype—Paratone Sinclair & Valentine Silk Screen Inks Wane Films ' : - i Fe: :' '298 : l - Stitela:1!AYS 3719 South State ei r 0 0 ttiUSIC CO St 262-338- ' 7- I Wow 0 k ' in ' 7 I - Artists ':' ' - :i changed and Stravinsky now scheduled for January Series patrons were mailed new tickets for the were to th 3 '193 '100 - : as a low - Fine Art Prints Ready to Frame :: the by Harkness Group Promises Fine Ballet " S2" ' replacement for Stravinsky appear arwe and concert Because ôt dates illness Stravinsky's comes ago The Hs 1 in Cannes ' my initial There is a rhythmic thump 'i e 1 i that was Impression I 1 primarily thump thump L this was a company of magiskiss of the rag rug loom nificent dancers doing their 1 l Inexorable as the tramp of a ' ' I best in for the most part a 1 I 1 e doom of this present of mediocre ballets assessment clutch Grandma is weaving a rug season for the repertory has The dancers are still magnill7 PEOFti READ S7A11 ADS? for the floor been very considerably re- cent and the ballets now quite To cover the worn place by YOU ARE vised frequently rise above the methe kitchen door small The Canadian choreograbut although this badiocre Put newspaper ods to: To cords of the warp Stretch for Brian MacDonald pre- lance has been changed It still work pher you Coll EM3- far and away the director of the goes down In the same direc1525 Ext 331 to have a From Hesse and Ireland and viously Swedish Ballet was bon The dancers are still be- representative come to your Royal Scotland they say director of the tter than their material business and present facts appointed Carrying on from forebearers Harkness Ballet about five the But Rome wasn't built In a about ' power ofs rail-spac- e kin and time and that in a Months and ballet ago company day campaigns in your Peasant and soldier and fruit he has completely refurbished cannot be built In three years newspaper of royal sin Of the 18 the repertory The woof is all colors In rags - fashion works 10 have been created that bring Three prizes were the MacDonald awarded to Dorothy Beam-so- n Memories of contacts sad or regime that sing 11 University of Utah poti MacDonald's task has not ter's stoneware bowl Patricia Crossing her life at all seasons been limited to commissioning and ages ' Esch Arvada Colo artist's new works for he has also People she worked with for Glass and Mary Stephen Nelfriendship or wages- CraftsIdaho Boise son r' 1 ' man's "Gold and Enamel There is a thump thump ' r 1 II thump Pin" 4 A ' bowl with And the shuttle goes bump The 8 i 8 8 F ' ' A :tiii another entry a square slab Grandma is weaving on the r---4 ' o s I tb bottle by Professor Bearnson rag rug loom i T1011 I s) constitutes one of the finest It sounds inexorable as the Allen'"61417Plus loom of doom entries in the show sta vete s You'll hear the famous "sound of an : William M Koehler ''' ' The combination of blown for the first time the exciting new sound of 53 Stanford St sa '":0700014 ono and fused glass is an unusual strumming ' strings! Guitar mandolin harp banjo—each one Pocatello Idaho treatment of the medium and LIGHtl STOUT springs to file when played by the CAROUSEL'S the pin in The Salt Lake Tribune will peg 02 hr green gold each not ! f' original Hammers" Stop 'Swinging 2? and hear for yourself Is prominent in the jewelry lines in Pull 'felled "c"dieg length how '' '' r Allen has added an t A be mailed to Poetry The new dimension to collection Juror for the show sus:Imes should :: f entirely Tribune PO Box 067 Sail playing and listening enjoyment was Gervais Reed director of Leks City Poems Cannot be returrwt by Earl Newman '' i::: south temple doorr2i7y to fesEci the truck for Salt influences get a "Platter" Suave Blending The tureen outstanding of all entries is a suave blend ing of the mature skills of the pottery maker's craft The almost imperceptible distinction between the exquisite judgments of how thick how high how critical the balance of weights the inherent discretion in the choice of clay and glazes arrives with subtlety and charm The batik panel is a distinctive achievement in an art that requires patient concern for the effective interposition of dye and resistant ground The Soldner platter combines elemental ideas of a cultural past in the way slabs of clay have been fired in antique MIT POSTERS - : : Colorado ' Flattering - fashion for town or jet travel again loaded it on Our collections of fine furs and and headed back couture fashions are extensive Lake City included are really stunning nevv styles for shorter women :::' VI - try Two Productions Upon arrival the set was reassembled in time for two performances of the compaof ny's recent - production "Twelfth Night" Immediately following the evening performance crew- - WEST is fun to 114 to play Pioneer Theatre's Babcock Theatre Tuesday through Saturday At rehearsal's end theater 1 technicians with wrenches i and screwdrivers swarmed over the set and began dismantling it Set pieces were neatly i k and the I and f following morning 1 actors were bound for the Coli lege of Eastern Utah in Price it s "Macbeth" pro- Aspen for the East In his music concert contemlwrary remembered Cannonball's I Telping To Keep Jazz Alivd compositions Schuller is famous for his technique of mixing the classical and jazz Idioms His opera "The Visi- - - l where 1 i Is i ern lite years Variations" "raganinni who poser by It sus a French corn- visited India and flotestq Boris Riacher drew applause from critics who said it "exercises a powerful fascination even at first hearing" The Blacher will be played as Ort of the contemporary program In addition to a pre hing- - "Negro d 20 open-minde- d dering ' temporary art styles as well as pointed references to Invitational entries from artists of the intermountain region Included In the Klee studies at the Art Center The show It are the "Little Blue Devil" although not as strong as pre- "Antique Harmonies" "Arab vious exhibitions contains and the 'Twittering works In pottery outstanding The latter re- n- weaving and jewelry Award-i- s iVillage" I watercolor and ink ing of major prizes to Out-in intimate pro- artists reflects strongrtistuodnysdone poa er entries In general from The brisk humor of the ink regional sources Three $75 awards went to Henry Mead lines shows four bird-lik- e ' exhub- - of Castle Rock Colorado for a whose "twitterers" "Stoneware Tureen" Enza erant rhapsodies may be ernei nable to the agitation of a Quargrnall Taos New Mexico for a "Batik Panel" and Paul ' show at ZCMI Tiffin Room Tony Rasmussen and Linda Wheadon show in charcoal watercolor and oils The "Still Life With Oranges" by Linda Wheadon employs a pleasing treatment in carefully keyed palette that leaves interesting areas of untreated canvas in The Park" "Sleeper lacks some smooth organic qualities "The Pot Shop" has fascinating shapes and good "French Park Flow- ers" is a fresh watercolor ren- - Klee'ajnting commentary chill I - '' ''''' convenientend of an eccentric at the Simplicity and Humor His brilliant technique en- tertains the element of fresh discovery seen in the naivete ''' A ' sell y'r : at? 9 ' A- Is ' r '''''''?si f I i f - ' i '440-- s ) tI 1 ' ''' er''' a ' - - si'' ' Museum ' ' - sr i '''' sss s t-- Utah the of 1: " ' It Sanguinetti ' that Klee opens reflections a newly discovered world ' ! and Thursday Director Frank i 1 ' ''' i '1' Wednesday 4 ' f 1 shaft It is through a quality of child-lik- e simplicity and humor rendered with primltive directness and charm 1 ' 1 placed ly Symphony Themes On I ' T-r- audiences will hear performances of Gunther Schuller's "Seven Studies 7 -7 ! ' "4'4'' l Conceit to Ing1111011t s written will be sung Written message The Utah Symphony's two Identical concerts Wednesday and Thursday are part of the effort In this country to take music out of the attic and put It back into the world of today The orchestra will pear both nights at 8:30 pm in Kingsbury Hall as part of the University of Utah's Festival of Contemporary Music Far from being extreme or terribly pecidiar the music scheduled will be solidly within the mainstream of contemporary composition No doubt will most the enjoy the concerts One interesting feature of the program will be a mixture of the musical and visual media in "Seven Studies on Themes by Paul Klee" by Gunther Schuller The performance will feature projection of the art masterpieces by Klee followed by each section of music followed by the projection again 'Hear' Paintings The audience will be able to "hear" the paintings in this Innovative portiort of the eve- - e I i': - 111'' 1 - ' t I ' nsl "Suite was of by Roussel in 192'8 in f'" syoitillitixigwatitcaahrisosorno Constantly Evohing Serious music is like serious drama or art: constantly evolving into forms that may sound and look radical and new but are based on what has gone before The difference is the medium not the 41-- - miere performance Suzanne and forget bert ' -- 4- A- t r - 4 if4 ' '' : '' - i : - -- 4 — Shamn" of what is going on In serious composition in the 20th Centuiry The "Three Bs" all lived at least a century ago although their music is still the most played On the other hand contemporary music need not be "‘sold" as a bitter pill needful of sugar coating It b not as easy as falling off a log to understand 20th Century nnisic but neither Is it a simple task to understand Vivaldi or Schu- ' ' ' i'--- t ) ' - 4' - ' ' —' ' '' - f - 1 1 ‘ If ) 3 ' Pfl ‘ 4 :ttitdie eontg rabiritory ' : ' - ew Music per- e tsite:ntigc cycljeo11:!SongLaoTfit)itteltallillielse'S Sometimes music lovers tend to be riveted to the past in the musical 1 Farrell fittions" was recently formed in San Francisco Recent composenin David O'Neil 13y 6— ELEBRATED operatic and coneert soprano Eileen will sing in Salt Lake City on Tdonday at 8 pm at Kingsbury Hall ltniversity ot Utah bptinsoreti by the Uni1 Music Series versity Artists-aviMiss Farrell has been described as "the finest drama:le soprano now before the public" and "a Gold- en Age of Song" National magazines have termed her "tile I innSt accomplislad soprano called her voice "an awesvene tin the world today" and ' Fy force" and "a flawless instru- - r - Soprano Eileen hand! To &fig (it 114'itiifsbil r) ' 4:71 r 10 L 4 ' a |